Four Rooms
1995 film by Allison Anders, Alexandre Rockwell, Robert Rodriguez, and Quentin Tarantino From Wikipedia, the free encyclopedia
1995 film by Allison Anders, Alexandre Rockwell, Robert Rodriguez, and Quentin Tarantino From Wikipedia, the free encyclopedia
Four Rooms is a 1995 American anthology farce black comedy film co-written and co-directed by Allison Anders, Alexandre Rockwell, Robert Rodriguez, and Quentin Tarantino. The story is set in the fictional Hotel Mon Signor in Los Angeles on New Year's Eve. Tim Roth plays Ted, the bellhop and main character in the frame story, whose first night on the job consists of four very different encounters with various hotel guests.
| Four Rooms | |
|---|---|
Theatrical release poster | |
| Directed by | |
| Written by |
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| Produced by | Lawrence Bender |
| Starring | |
| Cinematography | |
| Edited by |
|
| Music by | Combustible Edison |
Production company | |
| Distributed by | Miramax Films |
Release date |
|
Running time | 98 minutes |
| Country | United States |
| Language | English |
| Budget | $4 million |
| Box office | $4.2 million[1] |
Four Rooms was released in the United States on December 25, 1995, by Miramax Films. The film received mixed reviews from critics who praised the segments directed by Rodriguez and Tarantino, but heavily criticized the segments by Anders and Rockwell. For her role, Madonna won for Worst Supporting Actress at the 16th Golden Raspberry Awards.
On New Year's Eve, bellhop Sam (Marc Lawrence) of the Hotel Mon Signor briefs his replacement, Ted (Tim Roth).
The film's animated opening credits, inspired by the cartoons of The Pink Panther Show, feature the scat song "Vertigogo" by Combustible Edison.
Ted assists a group of unusual women with their luggage, which he brings to the Honeymoon Suite. He learns they are a coven of witches, attempting to reverse a spell cast on their goddess, Diana (Amanda De Cadenet). The ritual requires them each to place an ingredient into a large cauldron; however, one (Ione Skye) has still to retrieve her ingredient – semen – with one hour left. She seduces Ted and they have sex in the cauldron. He leaves and they complete the ritual, and Diana emerges from the cauldron.
After Ted's service in the honeymoon suite, a party guest from another room (Lawrence Bender) calls the front desk for some ice. He is unsure which floor he is on, but eventually directs Ted to Room 404.
At Room 404, Ted finds himself in a fantasy hostage situation. Siegfried (David Proval) maniacally accuses Ted, whom he calls Theodore, of having slept with his wife Angela (Jennifer Beals). Ted is forced at gunpoint to participate in the scenario, uncertain of what is real. He tries to escape through the bathroom window but gets stuck, and a party guest vomits onto him from the window above. As Ted frees himself and climbs out, another guest (Paul Skemp) arrives at Room 404 and is greeted by Siegfried in the same manner.
A husband (Antonio Banderas) and wife (Tamlyn Tomita) leave for a New Year's Eve party, tipping Ted $500 to keep an eye on their children, Sarah and Juancho (Lana McKissack and Danny Verduzco). Ted instructs the children to stay in their room; when he leaves, they vandalize the room, exploding a bottle of champagne. They call Ted for toothbrushes, and he tries unsuccessfully to put them to bed. He leaves but is summoned back to find the room in further chaos: a painting has been turned into a dartboard with lipstick and a syringe, Juancho has a cigarette, Sarah has a bottle of liquor, the television is set to an adult channel, and the children have found a dead prostitute (Patricia Vonne) in the box spring. Sarah stabs Ted in the leg with the syringe when he repeatedly uses the word "whore" and Juancho accidentally sets the room on fire. Their father returns, carrying his passed-out wife, and asks Ted, "Did they misbehave?" The sprinkler system activates while everyone stands still.
Unsettled, Ted calls his boss Betty (Kathy Griffin) to quit. After a conversation with Margaret (Marisa Tomei), he gets Betty on the phone and tries to quit, but receives a call from the hotel penthouse. Betty persuades him to stay on long enough to tend to the guests.
The penthouse is occupied by famous director Chester Rush (Tarantino) and his friends. They request a block of wood, three nails, a ball of twine, a bucket of ice, a doughnut, a club sandwich, and a hatchet. Once Ted brings in the items, substituting a meat cleaver for the hatchet, he is invited to join their challenge. Inspired by the Alfred Hitchcock Presents episode "Man from the South" (incorrectly referred to as "The Man from Rio"), Chester's friend Norman (Paul Calderón) has bet his little finger against Chester's car that he can ignite his Zippo lighter ten times in a row. Ted tries to leave, but Chester entices him to stay by offering $100 to hear him out and a further $900 to act as referee and sever the finger should Norman fail. Ted agrees to participate; Norman's lighter fails on the first try, and Ted immediately chops off his finger, sweeps up the money, and leaves the penthouse with an energetic step. As the credits roll, Chester and company frantically prepare to take a screaming Norman to the hospital.
The four segments are shown chronologically, except for "The Misbehavers", the events of which both precede and succeed the events of "The Wrong Man".
There are some connections between the four segments:
Miramax presold Japanese distribution rights to Shochiku along with Gary Fleder's Things to Do in Denver When You're Dead, George T. Miller's Robinson Crusoe, John Ehle's The Journey of August King and Halloween: The Curse of Michael Myers in a bulk acquisition deal.[2]
James Berardinelli of ReelViews described it as "one of 1995's major disappointments".[3] Hal Hinson of The Washington Post said it "asserts itself as a goof so laboriously and aggressively that you almost feel pinned back in your seat".[4] Roger Ebert of the Chicago Sun-Times singled out Rodriguez's "The Misbehavers" segment as the funniest of the film and the one that most effectively capitalized on Roth.[5] Of Tarantino's "The Man from Hollywood" segment, Ebert said, "Tarantino had the right idea in choosing to satirize himself but unfortunately does not seem to understand why he is funny. A movie about him making this film could have been hilarious."[5]
The film won a Razzie Award for Worst Supporting Actress for Madonna.[6]
The film holds a 13% "Rotten" rating from Rotten Tomatoes based on 45 reviews. The critical consensus reads: "Four Rooms comes stocked with a ton of talent on both sides of the camera, yet only manages to add up to a particularly uneven – and dismayingly uninspired – anthology effort.[7]
The film grossed $4,257,354 in only 319 theaters.[8]
| Four Rooms: Original Motion Picture Soundtrack | ||||
|---|---|---|---|---|
| Soundtrack album by various artists | ||||
| Released | 1995 | |||
| Genre | ||||
| Length | 49.20 | |||
| Label | Elektra/Asylum | |||
| Producer | Mark Mothersbaugh Carl Plaster Combustible Edison | |||
| Robert Rodriguez film soundtrack chronology | ||||
| ||||
| Quentin Tarantino film soundtrack chronology | ||||
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The soundtrack features a score composed and performed by contemporary lounge music band Combustible Edison, coproduced by Mark Mothersbaugh. Additional music is by Juan García Esquivel.[10][11]
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