Gisèle Freund
French photographer / From Wikipedia, the free encyclopedia
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Gisèle Freund (born Gisela Freund; 19 December 1908[1] in Schöneberg (Berlin) – 31 March 2000[1] in Paris) was a German-born French photographer and photojournalist, famous for her documentary photography and portraits of writers and artists.[2][3][4][5] Her best-known book, Photographie et société (1974), is a expanded edition of her seminal 1936 dissertation. It was the first sociohistorical study on photography as a democratic medium of self-representation in the age of technological reproduction. With this first doctoral thesis on photography at the Sorbonne, she was one of the first women habilitated there.[6]
Gisèle Freund | |
---|---|
Born | (1908-12-19)19 December 1908 |
Died | 31 March 2000(2000-03-31) (aged 91) |
Nationality | German-born French |
Education | University of Freiburg University of Frankfurt Sorbonne (Ph.D. in sociology) |
Known for | Photography |
Spouse |
Pierre Blum
(m. 1935; div. 1948) |
Awards | Officier des Arts et Lettres Chevalier de la Légion d'honneur |
Freund's major contributions to photography include using the Leica Camera (with its ability to house 35 mm film rolls with 36 frames) for documentary reportage and pioneering Kodachrome and Agfacolor positive film for colour portraits of writers and artists, which allowed her to develop a "uniquely candid portraiture style" that distinguishes her in 20th-century photography.[7]
Politically left-leaning all her life, she became president of the French Union of Photographers in 1977. In 1981, she took the official portrait of French President François Mitterrand, and was made Officier des Arts et Lettres in 1982 and Chevalier de la Légion d'honneur, the highest decoration in France, in 1983. In 1985, she became the first photographer to be honored with a retrospective at the Musée national d'art moderne in Paris.[8]