Richard Winther
Danish artist (1926–2007) From Wikipedia, the free encyclopedia
Danish artist (1926–2007) From Wikipedia, the free encyclopedia
Richard Ludvig Philip Weibull Winther (July 23, 1926, Maribo, Denmark–August 30, 2007, Vindeby, [dk] Denmark) was a Danish artist.[1] He focused on painting, graphics, photography and sculpture. Richard's work was influenced by Asger Jorn and Richard Mortensen, both Danish artists part of the Linien group.[2]
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Richard Winther was the youngest of three children,[3] born to Carl Christian Winther and Ely Maria Ricardis Weibull. He grew up in a sugar factory. Interested in the arts from an early age, Richard started working on art at age ten and exhibiting his paintings during high school years, after the Linien (The Line) artists' work. Records of his work exist since the early 1940s.[4] While an artist, Richard was inspired by his father, who was an engineer and approached not only his work but also other interests in a systematic way.[5] Therefore Richard's art is the product of intense investigation to arrive to a deep understanding, through process, documentation and creation. Due to his father and older brother Lambert's interest in photography, Richard started taking pictures when he was ten years old. Later on he built cameras to come away from conventional photography as well as production efficiency to create art. While some artists focus on a given medium of expression, Richard used multiple techniques: drawing, painting, photography, film, graphic printing, sculpture, and collage. He also wrote, did textile and furniture design. His themes traveled across the materials and techniques.
Richard Winther was a student at the Royal Danish Academy of Fine Arts where later he became a professor. He founded the exhibition group Linien II (1947–52), a follow up from Linien with other young artists which initially focused on a spontaneous-abstract style of painting but with time transformed into a geometric-abstract type of movement.[6] Linien II style falls into the concrete art movement. Later on some of Richard Winther's work became intensely abstract and had some of the characteristics of the De Stijl/Konkret Art characteristics. Richard Winther experimented with lithography in the 1950s. Later, his focus shifted to painting the human body.[2] He was a member of Eks-Skolen founded in 1961 by one of his friends, the artist Poul Gernes. There, he taught several upcoming artists, including Per Kirkeby. While always interested in photography, he dedicated a significant part of the 1960s to this technique, which he would revisit time after time the following decades including his last years.
Richard Winther's work is marked by particular themes such as Hieronymus[7] and the biblical flood.[8] Many of these themes fit the idea of recycled classicism. Between 1994 and 2007 he took the idea of recycling forward, making many of his pieces in cardboard. He took recycling to another level when taking previous artists' lives and works and building further on those personalities. An example of this approach is illustrated by the pieces Winther generated on Wie, referring to the Danish neoclassical sculptor Johannes Wiedewelt and Gammel Holtegaard took selected pieces of this effort and exhibited Winther's work on Wie in 2005.[9] Further, Richard Winther took his idea of recycling and applied it to his own work: he revisited many paintings of his as well as his photographic cameras accomplishing an "Rdo Re-do" where Rdo was his latest way of signing his art pieces.
Richard Winther received several awards for his work: the Eckersberg Medal in 1971, Thorvaldsen Medal in 1997,[4][10][11] and the Prince Eugen Medal.
Richard Winther was also involved in the movie The Wake directed by Michael Kvium and Christian Lemmerz[12] where he was the character St Patrick.
He was a member of the following groups: Arme og Ben,[13] Decembristerne,[1] Linien II, and Den Frie Udstilling.
There is a permanent collection of his work at the Silkeborg Kunstmuseum in Denmark.
Art groups: Arme & Ben (Luzern 1976, Århus 1977, Tranegården 1977 + 1980, Willumsen Museet 1978, Hedegårdsskolen 1981, Tørring 1982, Aragonien 1983), Decembristerne (1960-1964, 1971, 1973-1975, 2008, 2018), Linien II (1947-1950).
Museums: Fuglsang Kunstmuseum (2012), Glyptoteket (1981, 1984, 1988), Museet i Sundsvall (1972), Museum Jorn (2010), Randers Kunstmuseum (1970), Statens Museum for Kunst (1975 (Kobberstiksamlingen), 1988), Stevns Museum (1963), Thorvaldsens Museum (1966, 2018).
Galleries: Borch (Berlin 2014), Clausens Kunsthandel / Banja Rathnov Galleri (1954, 2011, 2014, 2016, 2018), Daner Galleriet (1977), Galleri DAMP (2011), Galleri Klejn (2013), Galleri Köpcke (1959), Galleri Ole Jensen (1966, 1972, 1974), Galleri Tom Christoffersen (2012, 2013, 2021), Niels Macholms Kunsthandel (1943, 1952), P. H. Nielsen (Fåborg, 1967), Tal R galleri (2013).
Libraries: Helsingør (1974, 2019), Hvidovre (1973), Lyngby (1970), Stege (2001), Tåsinge og Svendborg (1952).
Other venues: Fotografisk Center (København, 2011), Gammel Holtegaard (2005), Grafik Galleriet (Næstved, 2017), Kunstforeningen (1968, 1971), Lys over Lolland (2010, 2015), Maison du Danemark (Paris, 1980), Møstings Hus (Frederisksberg, 2011), Nikolaj (København, 1989), Richard Winthers Hus (Vindeby, 2012-2023), Trefoldigheden (København, 1951), UMass Art Gallery (Dartmouth, Massachusetts, 2009).
Richard Winther, 12 juni 1947, Digte af Winther, Linien II Udstilling 1947, p. 4.
Richard Winther, 1947, Samtale med GIACOMETTI, Linien II Udstilling 1947, p. 5.
Richard Winther, 1949, Et besøg hos Georges Vantongerloo, Linien 1949, p. 3-4.
Richard Winther, 1949, Kinetisk billedkunktion, Linien 1949, p. 4.
Gro Vive (R. Winther), 1949, den nøgenfrøede, 27 digte 1943-49, privattryk, 26 p.
Richard Winther, 1962, Lidt om Serge Poliakoff, Hvedekorn, nr. 1, februar 1962, p. 17-18.
Richard Winther, 1962, Atelierbesøg hos Man Ray, Hvedekorn nr. 2, april 1962, p. 45-47.
Richard Winther, 1963, Jean Deyrolle, Hvedekorn, nr. 1, feb. 1963, p. 3.
Richard Winther, 1966, Om Giacometti, Billedkunst nr. 2-66 p. 13-17.
Ricardo da Winti (R. Winther), 1972, Stature i stentøj etc. trykt i Streg og Niépce, Forlaget Sommersko.
Richard Winther, 1972, Atelierbesøg hos man Ray, Louisiana Revy, 12 årgang, nr. 3, pp. 3–4.
Richard Winther, 1974, Min muses billedbog, not paginated.
Richard Winther, 1975–76, Kompendium til undervisning på Kunstakademiet, 81 p. text + 30 p. of illustrations.
Rdo da Winti (R. Winther), 1977, Indirekte Rejse beskrivelse, ANAGRAM, 46 p.
Den Danske Raderforening, 1977, Oeuvrekatalog over Richard Winther’s Grafik 1845-1960, 127 p.
Richardo da Winti (R. Winther), 1978, Den hellige Hieronymus’ damekreds. Borgens Forlag, 656 p.
Ricardo da Nivå, 1978. Radeerforeninges Danske Hieronymus og hans venner, Ator Tryk.
Richard Winther, 1980, Tableau-Vivant, (includes text by Flemming Johansen), Maison du Danemark, 105 p.
Richard Winther, 1983, Kunstteori – i Praksis, Eks-Skolens Forlag, 104 p.
Richard Winther, 1988, Modelfotografier 1967-1986, Introduction by Flemming Johansen. Ny Carlsberg Glyptotek, 36 p.
Richard Winther, 1988, Frederikshavnerteksten, Selde, 50 s.
Richard Winther, 1993, Elektriciteten, p. 62-67, i Flemming Johansen (ed.), Skabelsens flodhest, Ny Carlsberg Glyptotek, 107 p.
Richard Winther & S. Møller Rasmussen, 2000, Vildledende vejledning i tegnepraxis, Space Poetry, 48 p.
Rdo (R.W.), 2004, Wie-teksten. Lærebog i Wieologi for begyndere baseret på personlige erfaringer, privattryk, 191 p. + Efterskrift 16 s.
Richard Winther, 2006, Samtale med Giacometti, p. 173-175 i Malertekster, published by Det Kgl. Danske Kunstakademis Billedskolder, 183 p.
Richard Winther, 2013, Et besøg hos Giacometti 20-5-1948 – i 23 fotografier af R. Winther, Reproduction of previously unpublished book from 1955, Forlaget Bangsbohave.
Richard Winther, 1947–48, Triple Boogie, 4 min. Republished by Danish Film Institute, 2008 as part of ”Danske Eksperimentalfilmklassikere”.
Richard Winther, 1948, maskinsymfoni nr. 2 og bruitistisk improvisation. Genudgivet på LP af Magnus Kaslov, 2022, Linien fri af lærredet, Om Linien II’s lydeksperimenter fra 1948-49, Institut for Dansk Lydarkæologi, LP plus 24 p. booklet.
Richard Winther, 1949, Klodsstudie, 3 min. film.
Richard Winther, 1956–58, Vues animées de l’Atelier et Collection Richard Winther, 12 min. Republished by Danish Film Institute, 2008 as part of Danske Eksperimentalfilmklassikere.
Steen Møller Rasmussen & Richard Winther, 2005, Wie, 16 min.
Richard Winther 1947, Linien II exhibition catalogue cover.
Richard Winther, 1953, cover of Hvedekorn, Nr. 4, Maj 1953.
H. C. Andersen, 1981, Lille Claus og Store Claus, Eks-Skolens Forlag, 205 p., Winther made the illustrations on p. 43, 47, 55, 79, 81, 83, 95, 113, 127, 141, 147, 157, 175 and 195.
Ksenia Grigorjeva, 1989, Russiske Lægeplanter – som findes i Danmark – og deres brug. Winther made illustations nr. 13, 56, 59, 66 and 99. Borgen, 259 p.
R. Winther, Hvedekorn no. 4, 2009, Photos by Winther on p. 6, 11, 15, 17, 19, 23, 24, 28, 31, 35, 37, 41 ,45, 47, 48, 51, 55 and the front / back cover.
Weilbach Dansk Kunstnerleksikon, 2000, vol. 9, p. 135-137.
Bent Irve, 2002, Om Richard Winther, p. 26-29 in De udvalgte, Århus Kunstforening af 1847, 32 p.
Jacob Thage (red.), 2005, Richard Winther: Wiedewelt, Gammel Holtegaard, 215 p.
Troels Andersen, Jørgen Gammelgaard, Jacob Thage & Tove Thage, 2008, Richard Winther, Billeder og Tolkninger, Borgen, 218 p.
Lasse Antonsen, 2008, Richard Winther, Theatrum Rdo, University Art Gallery, U.Mass. Dartmouth, 24 p.
E. H. O’Neill, 2008, Ambiances d’artistes, Éditions de La Martinière, p. 34-47 (Brute, punk et génie).
Steen Møller Rasmussen, 2009, Tjener for en bydreng. Richard Winther og mig., Forlaget Plagiat, 160p.
Jacob Thage (red.), 2010, Richard Winther Fotografi | Photography, Museum Jorn, 335 p.
K. Tobias Winther, 2010, Richard Winther – en skildring af min far, kunstneren Richard Winther, 33 p.
Jørgen Gammelgaard & T. Kjølsen, 2010, Richard Winther – om det grafiske værk, p. 12-21 in Billedkunst, vol. 17, no. 3.
Steen Møller Rasmussen, 2011, Richard Winther og Frederiksberg, Møstings Hus, 160 p.
Jørgen Gammelgaard & Steen Møller Rasmussen, 2012, Rdo Vindebymesteren, Vægmalerierne i Richard Winthers hus på Lolland, Forlaget Vandkunsten, 160 p.
Christian Vind, 2012, En samling arbejder af Richard Winther, Hvidpapirfeber, Privattryk, 50 p.
Tine Nielsen Fabienke, Mette Højsgaard & Anneli Fuchs, 2012, Richard Revival, konkrete og konstruktive tendenser hos Richard Winther, Fuglsang Kunstmuseum, 126 p.
Birgitte Anderberg, 2012, Richard Winther og Ringridersken, historien om et forlist monument, Statens Museum for Kunst #05-2012, Museumsklubben, p. 2-11.
Jørgen Gammelgaard, 2013, Rdo – en Richard Winther ABC, Forlaget Vandkunsten, 64 p.
Thorvald Berthelsen (red.), 2013, Richard Winthers Syndfold og Dommedag, Elleve forfattervinkler, Forlaget Ravnerock, 50 p.
Nick Geboers, 2016, De magie van het technische beeld – over de fotografie van Richard Winther, p. 65-72 i Extra 20, Fotografie in context, Apparaat, FotoMuseum Provincie Antwerpen.
Jørgen Gammelgaard & Tove Thage (red.), 2016, Ricardo da Winti et al, ti artikler om kunsneren Richard Winthers liv og værk, Forlaget Vandkunsten, 237 p.
Grethe Bull Sarning, 2018, Den Richard jeg kendte, Forlaget Sniksnak, 95 p.
Richard Winthers hus Vindeby, 2019, Det 2. bud, udstillingskatalog, 60 p.
Kristoffer Juul, Caroline Gudmandsen, et. al., 2020, Paris-Vindeby tur-retur, Magasinet IN, mode / interview / kultur / rejser, Februar 2020, p. 64-79.
Julie Vöge, 2022, Eneboerens overmalede hjem, Bolius, Videncentret Bolius, Maj 2022, Nr. 114, p 42-45.
Alfred Gynther Christensen, 2023, Richard Winther og roerne, p. 66-72 in Alfred Gynther Christensen (ed.), 2023, Sukkereventyret på Lolland og Falster 1873-2023, LollandBibliotekerne, 336 p.
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