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1617 in music

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The year 1617 in music involved some significant events.

Events

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Publications

  • Agostino Agresta – First book of madrigals for six voices (Naples: Costantino Vitale)
  • Gregor Aichinger
    • Encomium verbo incarnato (Ingolstadt, Gregor Haenlin) for four voices and basso continuo.[4]
    • Officium angeli custodis (Dillingen, Gregor Haenlin) for four voices and basso continuo, dedicated to Maximilian Fugger.[5]
  • Giovanni Andreini, Claudio Monteverdi, Salamone Rossi, Muzio Effrem, Alessandro Ghivizzani – Musiche de alcuni eccellentissimi Musici composte per la Maddalena (Venice, Bartolomeo Magni) "Sacra Rappresentazione" (i.e. an oratorio).[6]
  • Giovanni Francesco Anerio
    • Fourth book of Sacri concentus (Rome: Giovanni Battista Robletti)
    • Diporti musicali, madrigals for 1, 2, 3, and 4 voices (Rome: Giovanni Battista Robletti)
    • Selva armonica (Rome: Giovanni Battista Robletti), a collection of motets, madrigals, canzonettas, dialogues, and arias
  • Bartolomeo Barbarino – Madrigals for three voices and theorbo or harpsichord (Venice: Ricciardo Amadino), also includes some madrigals for solo voice
  • Girolamo Belli – Ninth book of madrigals for five voices, Op. 22 (Venice: Bartolomeo Magni for Gardano)
  • Jean Baptiste BesardNovus Partus, sive Concertationes Musicae (Augsburg, D. Franck), collection of lute music.[7]
  • Bernardino Borlasca – First book of Ardori spirituali for two, three, and four voices, Op. 7 (Munich: Anna Berg)
  • William BradeNewe Außerlesene liebliche Branden, Intraden, Mascharaden, Balletten, All'manden, Couranten, Volten, Auffzuege und fremde Taentze for five instruments (Hamburg: Michael Hering), a collection of dance music
  • Antonio BrunelliSacra cantica for one, two, three, and four voices, Op. 13 (Venice: Giacomo Vincenti)
  • Thomas CampionThe Third and Fourth Booke of Ayres (London, Thomas Snodham), "so as they may be expressed by one voyce, with a violl, lute, or orpharion".[8]
  • Antonio Cifra
    • Fifth book of Li diversi scherzi for one, two, three, and four voices, Op. 23 (Rome: Giovanni Battista Robletti)
    • Fourth book of madrigals for five voices (Rome: Giovanni Battista Robletti)
  • Camillo Cortellini – Masses for eight voices (Venice: Giacomo Vincenti)
  • Richard DeringCantiones sacrae for five voices with basso continuo (Antwerp: Pierre Phalèse)
  • Melchior Franck
    • Musicalischer Frewdenschall for twelve voices (Coburg: Justus Coburg), a festival motet
    • Neues Hochzeit Gesang (Drey schöne ding sind), Auss dem 25. Capitel Syrachs for twelve voices in three choirs (Coburg: Justus Hauck), a wedding motet
    • Echus (Quaenam praesentas) for eight voices (Coburg: Justus Hauck), a wedding motet
    • Christliche Musicalische Glückwünschunge zu dem neuen Officio (Coburg: Justus Hauck)
  • Marco da Gagliano – Sixth book of madrigals for five voices (Venice: Bartolomeo Magni)
  • Pierre Guédron – Third book of airs de cours for four and five voices (Paris: Pierre Ballard)
  • Andreas HakenbergerHarmonia Sacra for six, seven, eight, nine, ten, and twelve voices with organ bass (Frankfurt: Gottfried Tampach)
  • Biagio MariniAffetti musicali (Musical Affections), Op. 1 (Venice)[9]
  • Pietro Pace
    • Il secondo libro de scherzi, et arie spirituali..., Op. 14 (Venice: Giacomo Vincenti)
    • Madrigali a quattro et a cinque voci..., Op. 15 (Venice: Giacomo Vincenti)
  • Vincenzo Pace - Sacrorum concentuum..., 3 books, Op. 1–3 (Venice: Bartolomeo Magni for Gardano)
  • Giovanni Palazzotto e Tagliavia — First book of madrigals to five voices (Naples: Costantino Vitale)
  • Francesco Pasquali – Sacrae cantiones..., Op. 2 (Venice: Giacomo Vincenti)
  • Enrico Antonio Radesca – Fifth book of canzonettas, madrigals and arias for one and two voices (Venice: Giacomo Vincenti)
  • Johann Hermann ScheinBanchetto musicale, newer ... Padouanen, Gagliarden, Courenten und Allemanden à 5, auff allerley Instrumenten (Leipzig).[10]
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Classical music

Opera

  • Giordano GiacobbiIl Reno sacrificante

Births

Deaths

References

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