18th Academy Awards

18th Academy Awards
18th Academy Awards
Date	March 7, 1946
Site	Grauman's Chinese Theatre, Hollywood, California, USA
Hosted by	James Stewart; Bob Hope
Highlights
Best Picture	The Lost Weekend
Most awards	The Lost Weekend (4)
Most nominations	The Bells of St. Mary's (8)
	← 17th; Academy Awards; 19th →;

The 18th Academy Awards were held on March 7, 1946, at Grauman's Chinese Theatre to honor the films of 1945. Being the first Oscars after the end of World War II, the ceremony returned to the glamour of the prewar years; notably, the plaster statuettes that had been used during the war were replaced by bronze statuettes with gold plating and an elevated base.

Quick facts Date, Site ...

Despite the optimistic postwar mood, director Billy Wilder's grim and socially significant drama The Lost Weekend won the major awards of Best Picture and Best Director, as well as two other awards. It was the first film to win both Best Picture and the Palme d'Or at the Cannes Film Festival. Best Actress nominee Joan Crawford was absent due to illness.^[1]^[2]

This was the first year in which every film nominated for Best Picture won at least one Oscar, and also the first time a sequel (The Bells of St. Mary's) was nominated for Best Picture.

[1]

[2]

Best Motion Picture	Best Directing
The Lost Weekend – Charles Brackett for Paramount Pictures‡ Anchors Aweigh – Joe Pasternak for Metro-Goldwyn-Mayer The Bells of St. Mary's – Leo McCarey for RKO Radio Pictures Mildred Pierce – Jerry Wald for Warner Bros. Spellbound – David O. Selznick for United Artists	Billy Wilder – The Lost Weekend‡ Leo McCarey – The Bells of St. Mary's Clarence Brown – National Velvet Jean Renoir – The Southerner Alfred Hitchcock – Spellbound
Best Actor	Best Actress
*Ray Milland – The Lost Weekend* as Don Birnam*‡ Bing Crosby – The Bells of St. Mary's* as Father Chuck O'Malley Gene Kelly – Anchors Aweigh as Joseph "Joe" Brady Gregory Peck – The Keys of the Kingdom as Father Francis Chisholm Cornel Wilde – A Song to Remember as Frédéric Chopin	*Joan Crawford – Mildred Pierce* as Mildred Pierce Beragon*‡ Ingrid Bergman – The Bells of St. Mary's* as Sister Mary Benedict Greer Garson – The Valley of Decision as Mary Rafferty Jennifer Jones – Love Letters as Singleton/Victoria Morland Gene Tierney – Leave Her to Heaven as Ellen Berent Harland
Best Actor in a Supporting Role	Best Actress in a Supporting Role
*James Dunn – A Tree Grows in Brooklyn* as Johnny Nolan*‡ Michael Chekhov – Spellbound* as Dr Alexander "Alex" Brulov John Dall – The Corn Is Green as Morgan Evans Robert Mitchum – The Story of G.I. Joe as Lt/Cpt. Bill Walker J. Carrol Naish – A Medal for Benny as Charley Martin	*Anne Revere – National Velvet* as Mrs Araminty Brown*‡ Eve Arden – Mildred Pierce* as Ida Corwin Ann Blyth – Mildred Pierce as Veda Pierce Forrester Angela Lansbury – The Picture of Dorian Gray as Sibyl Vane Joan Lorring – The Corn Is Green as Bessie Watty
Best Writing (Original Screenplay)	Best Writing (Screenplay)
Marie-Louise – Richard Schweizer‡ Dillinger – Philip Yordan Music for Millions – Myles Connolly Salty O'Rourke – Milton Holmes What Next, Corporal Hargrove? – Harry Kurnitz	The Lost Weekend – Charles Brackett and Billy Wilder from The Lost Weekend by Charles R. Jackson‡ Mildred Pierce – Ranald MacDougall from Mildred Pierce by James M. Cain Pride of the Marines – Albert Maltz from Al Schmid, Marine by Roger Butterfield The Story of G.I. Joe – Leopold Atlas, Guy Endore and Philip Stevenson from Brave Men and Here Is Your War by Ernie Pyle A Tree Grows in Brooklyn – Frank Davis and Tess Slesinger (posthumous nomination) from A Tree Grows in Brooklyn by Betty Smith
Best Writing (Original Motion Picture Story)	Best Documentary (Feature)
The House on 92nd Street – Charles G. Booth‡ The Affairs of Susan – László Görög and Thomas Monroe A Medal for Benny – John Steinbeck and Jack Wagner Objective, Burma! – Alvah Bessie A Song to Remember – Ernst Marischka	The True Glory‡ The Last Bomb
Best Documentary (Short Subject)	Best Short Subject (One-Reel)
Hitler Lives Library of Congress To the Shores of Iwo Jima	Stairway to Light – Herbert Moulton and Jerry Bresler‡ Along the Rainbow Trail – Edmund Reek Screen Snapshots' 25th Anniversary – Ralph Staub Story of a Dog – Gordon Hollingshead White Rhapsody – Grantland Rice Your National Gallery – Joseph O'Brien (posthumous nomination) and Thomas Mead
Best Short Subject (Two-Reel)	Best Short Subject (Cartoon)
Star in the Night – Gordon Hollingshead‡ A Gun in His Hand – Chester Franklin The Jury Goes Round 'N' Round – Jules White The Little Witch – George Templeton	Quiet Please! - Fred Quimby ‡ Donald's Crime - Walt Disney Jasper and the Beanstalk - George Pal Life with Feathers - Edward Selzer Mighty Mouse in Gypsy Life - Paul Terry The Poet and Peasant - Walter Lantz Rippling Romance - Ray Katz
Best Music (Music Score of a Dramatic or Comedy Picture)	Best Music (Scoring of a Musical Picture)
Spellbound – Miklós Rózsa‡ The Bells of St. Mary's – Robert Emmett Dolan Brewster's Millions – Lou Forbes Captain Kidd – Werner Janssen The Enchanted Cottage – Roy Webb Flame of Barbary Coast – Dale Butts and Morton Scott G. I. Honeymoon – Edward J. Kay Guest in the House – Werner Janssen Guest Wife – Daniele Amfitheatrof The Keys of the Kingdom – Alfred Newman The Lost Weekend – Miklós Rózsa Love Letters – Victor Young The Man Who Walked Alone – Karl Hajos Objective, Burma! – Franz Waxman Paris Underground – Alexandre Tansman A Song to Remember – Miklós Rózsa and Morris Stoloff The Southerner – Werner Janssen The Story of G.I. Joe – Louis Applebaum and Ann Ronell This Love of Ours – H. J. Salter The Valley of Decision – Herbert Stothart The Woman in the Window – Hugo Friedhofer and Arthur Lange	Anchors Aweigh – Georgie Stoll‡ Belle of the Yukon – Arthur Lange Can't Help Singing – Jerome Kern (posthumous nomination) and H. J. Salter Hitchhike to Happiness – Morton Scott Incendiary Blonde – Robert Emmett Dolan Rhapsody in Blue – Ray Heindorf and Max Steiner State Fair – Charles Henderson and Alfred Newman Sunbonnet Sue – Edward J. Kay The Three Caballeros – Edward H. Plumb, Paul J. Smith and Charles Wolcott Tonight and Every Night – Marlin Skiles and Morris Stoloff Why Girls Leave Home – Walter Greene Wonder Man – Lou Forbes and Ray Heindorf
Best Music (Song)	Best Sound Recording
*"It Might as Well Be Spring" from State Fair* – Music by Richard Rodgers; Lyrics by Oscar Hammerstein II*‡ "Accentuate the Positive" from Here Come the Waves* – Music by Harold Arlen; Lyrics by Johnny Mercer "Anywhere" from Tonight and Every Night – Music by Jule Styne; Lyrics by Sammy Cahn "Aren't You Glad You're You?" from The Bells of St. Mary's – Music by James Van Heusen; Lyrics by Johnny Burke "The Cat and the Canary" from Why Girls Leave Home – Music by Jay Livingston; Lyrics by Ray Evans "Endlessly" from Earl Carroll Vanities – Music by Walter Kent; Lyrics by Kim Gannon "I Fall in Love Too Easily" from Anchors Aweigh – Music by Jule Styne; Lyrics by Sammy Cahn "I'll Buy That Dream" from Sing Your Way Home – Music by Allie Wrubel; Lyrics by Herb Magidson "Linda" from The Story of G.I. Joe – Music and Lyrics by Ann Ronell "Love Letters" from Love Letters – Music by Victor Young; Lyrics by Edward Heyman "More and More" from Can't Help Singing – Music by Jerome Kern (posthumous nomination); Lyrics by E. Y. Harburg "Sleighride in July" from Belle of the Yukon – Music by James Van Heusen; Lyrics by Johnny Burke "So in Love" from Wonder Man – Music by David Rose; Lyrics by Leo Robin "Some Sunday Morning" from San Antonio – Music by Ray Heindorf and M. K. Jerome; Lyrics by Ted Koehler	The Bells of St. Mary's – Stephen Dunn‡ Flame of Barbary Coast – Daniel J. Bloomberg Lady on a Train – Bernard B. Brown Leave Her to Heaven – Thomas T. Moulton Rhapsody in Blue – Nathan Levinson A Song to Remember – John P. Livadary The Southerner – Jack Whitney They Were Expendable – Douglas Shearer The Three Caballeros – C. O. Slyfield Three Is a Family – W. V. Wolfe The Unseen – Loren L. Ryder Wonder Man – Gordon E. Sawyer
Best Art Direction (Black-and-White)	Best Art Direction (Color)
Blood on the Sun – Art Direction: Wiard Ihnen; Interior Decoration: A. Roland Fields‡ Experiment Perilous – Art Direction: Albert S. D'Agostino and Jack Okey; Interior Decoration: Darrell Silvera and Claude E. Carpenter The Keys of the Kingdom – Art Direction: James Basevi and William S. Darling; Interior Decoration: Thomas Little and Frank E. Hughes Love Letters – Art Decoration: Hans Dreier and Roland Anderson; Interior Decoration: Samuel M. Comer and Ray Moyer The Picture of Dorian Gray – Art Direction: Cedric Gibbons and Hans Peters; Interior Decoration: Edwin B. Willis, John Bonar and Hugh Hunt	Frenchman's Creek – Art Direction: Hans Dreier and Ernst Fegté; Interior Decoration: Samuel M. Comer Leave Her to Heaven – Art Direction: Lyle R. Wheeler and Maurice Ransford; Interior Decoration: Thomas Little National Velvet – Art Direction: Cedric Gibbons and Urie McCleary; Interior Decoration: Edwin B. Willis and Mildred Griffiths San Antonio – Art Direction: Ted Smith; Interior Decoration: Jack McConaghy A Thousand and One Nights – Art Direction: Stephen Goosson and Rudolph Sternad; Interior Decoration: Frank Tuttle
Best Cinematography (Black-and-White)	Best Cinematography (Color)
The Picture of Dorian Gray – Harry Stradling‡ The Keys of the Kingdom – Arthur C. Miller The Lost Weekend – John F. Seitz Mildred Pierce – Ernest Haller Spellbound – George Barnes	Leave Her to Heaven – Leon Shamroy‡ Anchors Aweigh – Robert Planck and Charles P. Boyle National Velvet – Leonard Smith A Song to Remember – Tony Gaudio and Allen M. Davey (posthumous nomination) The Spanish Main – George Barnes
Best Film Editing	Best Special Effects
National Velvet – Robert J. Kern‡ The Bells of St. Mary's – Harry Marker The Lost Weekend – Doane Harrison Objective, Burma! – George Amy A Song to Remember – Charles Nelson	Wonder Man – Photographic Effects: John P. Fulton; Sound Effects: Arthur Johns‡ Captain Eddie – Photographic Effects: Fred Sersen and Sol Halperin; Sound Effects: Roger Heman Sr. and Harry M. Leonard Spellbound – Photographic Effects: Jack Cosgrove They Were Expendable – Photographic Effects: A. Arnold Gillespie, Donald Jahraus and R. A. MacDonald; Sound Effects: Michael Steinore A Thousand and One Nights – Photographic Effects: Lawrence W. Butler; Sound Effects: Ray Bomba

Nominations	Film
8	The Bells of St. Mary's
7	The Lost Weekend
6	Mildred Pierce
	A Song to Remember
	Spellbound
5	Anchors Aweigh
5	National Velvet
4	The Keys of the Kingdom
	Leave Her to Heaven
	Love Letters
	The Story of G.I. Joe
	Wonder Man
3	Objective, Burma!
	The Picture of Dorian Gray
	The Southerner
2	Belle of the Yukon
	Can't Help Singing
	The Corn Is Green
	Flame of Barbary Coast
	A Medal for Benny
	Rhapsody in Blue
	San Antonio
	State Fair
	They Were Expendable
	A Thousand and One Nights
	The Three Caballeros
	Tonight and Every Night
	A Tree Grows in Brooklyn
	The Valley of Decision
	Why Girls Leave Home

18th Academy Awards

Winners and nominees

Awards

Special Awards

Presenters and performers

Presenters

Performers

Multiple nominations and awards

See also

References

Wikiwand - on