22nd Academy Awards

22nd Academy Awards
22nd Academy Awards
Date	March 23, 1950
Site	RKO Pantages Theatre, Hollywood, California
Hosted by	Paul Douglas
Highlights
Best Picture	All the King's Men
Most awards	The Heiress (4)
Most nominations	The Heiress (8)
	← 21st; Academy Awards; 23rd →;

The 22nd Academy Awards were held on March 23, 1950, at the RKO Pantages Theatre, honoring the films in 1949. This was the final year in which all five Best Picture nominees were in Black & White, and the first year in which every film nominated for Best Picture won multiple Oscars.

Quick Facts Date, Site ...

All the King's Men became the first of two films to date to win Best Picture and two acting Oscars, yet lose Best Director (the other being Shakespeare in Love (1998)). This year marked the only occasion to date of two films each receiving two acting nominations within the same category: both Pinky and Come to the Stable received two nominations for Best Supporting Actress (Ethel Barrymore and Ethel Waters, and Celeste Holm and Elsa Lanchester, respectively). A Chance to Live and So Much for So Little's joint win in the Best Documentary (Short Subject) category marked the second occurrence of a tie in Oscar history.

Best Motion Picture	Best Directing
All the King's Men – Robert Rossen for Columbia Pictures‡ Battleground – Dore Schary for Metro-Goldwyn-Mayer The Heiress – William Wyler for Paramount Pictures A Letter to Three Wives – Sol C. Siegel for 20th Century Fox Twelve O'Clock High – Darryl F. Zanuck for 20th Century Fox	Joseph L. Mankiewicz – A Letter to Three Wives‡ Robert Rossen – All the King's Men William A. Wellman – Battleground Carol Reed – The Fallen Idol William Wyler – The Heiress
Best Actor	Best Actress
*Broderick Crawford – All the King's Men* as Willie Stark*‡ Kirk Douglas – Champion* as Midge Kelly Gregory Peck – Twelve O'Clock High as Brigadier General Frank Savage Richard Todd – The Hasty Heart as Cpl. Lachlan "Lachie" MacLachlan John Wayne – Sands of Iwo Jima as Sgt. John M. Stryker	*Olivia de Havilland – The Heiress* as Catherine Sloper*‡ Jeanne Crain – Pinky* as Patricia "Pinky" Johnson Susan Hayward – My Foolish Heart as Eloise Winters Deborah Kerr – Edward, My Son as Evelyn Boult Loretta Young – Come to the Stable as Sister Margaret
Best Actor in a Supporting Role	Best Actress in a Supporting Role
*Dean Jagger – Twelve O'Clock High* as Major Harvey Stovall*‡ John Ireland – All the King's Men* as Jack Burden Arthur Kennedy – Champion as Connie Ralph Richardson – The Heiress as Dr. Austin Sloper James Whitmore – Battleground as Sgt. Kinnie	*Mercedes McCambridge – All the King's Men* as Sadie Burke*‡ Ethel Barrymore – Pinky* as Miss Em Celeste Holm – Come to the Stable as Sister Scholastica Elsa Lanchester – Come to the Stable as Amelia Potts Ethel Waters – Pinky as Dicey Johnson
Best Writing (Screenplay)	Best Writing (Story and Screenplay)
A Letter to Three Wives – Joseph L. Mankiewicz from Letter to Five Wives by John Klempner‡ All the King's Men – Robert Rossen from All the King's Men by Robert Penn Warren Bicycle Thieves – Cesare Zavattini from The Bicycle Thief by Luigi Bartolini Champion – Carl Foreman from "Champion" by Ring Lardner The Fallen Idol – Graham Greene from "The Basement Room" by Graham Greene	Battleground – Robert Pirosh‡ Jolson Sings Again – Sidney Buchman Paisan – Alfred Hayes, Federico Fellini, Sergio Amidei, Marcello Pagliero, and Roberto Rossellini Passport to Pimlico – T. E. B. Clarke The Quiet One – Helen Levitt, Janice Loeb, and Sidney Meyers
Best Writing (Motion Picture Story)	Best Documentary (Feature)
The Stratton Story – Douglas Morrow‡ Come to the Stable – Clare Boothe Luce It Happens Every Spring – Shirley W. Smith and Valentine Davies Sands of Iwo Jima – Harry Brown White Heat – Virginia Kellogg	Daybreak in Udi‡ Kenji Comes Home
Best Documentary (Short Subject)	Best Short Subject (One-Reel)
A Chance to Live‡ So Much for So Little‡ 1848 The Rising Tide	Aquatic House Party – Jack Eaton‡ Roller Derby Girl – Justin Herman So You Think You're Not Guilty – Gordon Hollingshead Spills and Chills – Walton C. Ament Water Trix – Pete Smith
Best Short Subject (Two-Reel)	Best Short Subject (Cartoon)
Van Gogh – Gaston Diehl and Robert Hessens‡ The Boy and the Eagle – William Lasky Chase of Death – Irving Allen The Grass Is Always Greener – Gordon Hollingshead Snow Carnival – Gordon Hollingshead	For Scent-imental Reasons‡ Hatch Up Your Troubles The Magic Fluke Toy Tinkers ~~Canary Row~~ (nomination withdrawn by producer)
Best Music (Music Score of a Dramatic or Comedy Picture)	Best Music (Scoring of a Musical Picture)
The Heiress – Aaron Copland‡ Beyond the Forest – Max Steiner Champion – Dimitri Tiomkin	On the Town – Roger Edens and Lennie Hayton‡ Jolson Sings Again – Morris Stoloff and George Duning Look for the Silver Lining – Ray Heindorf
Best Music (Song)	Best Sound Recording
*"Baby, It's Cold Outside" from Neptune's Daughter* – Music and Lyrics by Frank Loesser*‡ "It's a Great Feeling" from It's a Great Feeling* – Music by Jule Styne; Lyrics by Sammy Cahn "Lavender Blue" from So Dear to My Heart – Music by Eliot Daniel; Lyrics by Larry Morey "My Foolish Heart" from My Foolish Heart – Music by Victor Young; Lyrics by Ned Washington "Through a Long and Sleepless Night" from Come to the Stable – Music by Alfred Newman; Lyrics by Mack Gordon	Twelve O'Clock High – Thomas T. Moulton‡ Once More, My Darling – Leslie I. Carey Sands of Iwo Jima – Daniel J. Bloomberg
Best Art Direction (Black-and-White)	Best Art Direction (Color)
The Heiress – Art Direction: John Meehan and Harry Horner; Set Decoration: Emile Kuri‡ Come to the Stable – Art Direction: Lyle R. Wheeler and Joseph C. Wright; Set Decoration: Thomas Little and Paul S. Fox Madame Bovary – Art Direction: Cedric Gibbons and Jack Martin Smith; Set Decoration: Edwin B. Willis and Richard Pefferle	Little Women – Art Direction: Cedric Gibbons and Paul Groesse; Set Decoration: Edwin B. Willis and Jack D. Moore‡ Adventures of Don Juan – Art Direction: Edward Carrere; Set Decoration: Lyle Reifsnider Saraband for Dead Lovers – Art Direction and Set Direction: Jim Morahan, William Kellner and Michael Relph
Best Cinematography (Black-and-White)	Best Cinematography (Color)
Battleground – Paul C. Vogel‡ Champion – Franz Planer Come to the Stable – Joseph LaShelle The Heiress – Leo Tover Prince of Foxes – Leon Shamroy	She Wore a Yellow Ribbon – Winton C. Hoch‡ The Barkleys of Broadway – Harry Stradling Jolson Sings Again – William Snyder Little Women – Robert Planck and Charles Schoenbaum Sand – Charles G. Clarke
Best Costume Design (Black-and-White)	Best Costume Design (Color)
The Heiress – Edith Head and Gile Steele‡ Prince of Foxes – Vittorio Nino Novarese	Adventures of Don Juan – Leah Rhodes, Travilla and Marjorie Best‡ Mother Is a Freshman – Kay Nelson
Best Film Editing	Best Special Effects
Champion – Harry W. Gerstad‡ All the King's Men – Robert Parrish and Al Clark Battleground – John Dunning Sands of Iwo Jima – Richard L. Van Enger The Window – Frederic Knudtson	Mighty Joe Young – Arko Production; RKO Radio‡ Tulsa – Walter Wanger; Eagle Lion

Nominations	Film
8	The Heiress
7	All the King's Men
7	Come to the Stable
6	Battleground
6	Champion
4	Sands of Iwo Jima
4	Twelve O'Clock High
3	Jolson Sings Again
	A Letter to Three Wives
	Pinky
2	Adventures of Don Juan
	The Fallen Idol
	Little Women
	My Foolish Heart
	Prince of Foxes

Awards	Film
4	The Heiress
3	All the King's Men
2	Battleground
A Letter to Three Wives
Twelve O'Clock High

22nd Academy Awards

Winners and nominees

Awards

Special Foreign Language Film Award

Special Awards

Presenters and performers

Presenters

Performers

Multiple nominations and awards

See also

References

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