A Set of Six

A Set of Six is a collection of six works of short fiction by Joseph Conrad, each appearing in literary journals between 1906 and 1908. The works were collected in A Set of Six, published in 1908 by Methuen and Company .^[1]

A Set of Six

First edition cover
Author	Joseph Conrad
Language	English
Genre	Short Stories
Publisher	Methuen and Company
Publication date	1908
Publication place	United Kingdom
Media type	Print (hardcover)
Pages	310
OCLC	557218

Stories

The works in the collection first appeared in literary journals:^[2]

“Gaspar Ruiz” (Pall Mall Magazine, July–October 1906)
“The Brute” (Daily Chronicle, December 5, 1906)
“An Anarchist” (Harper’s Magazine, August 1906)
“The Informer” (Harper’s Magazine, December 1906)
“Il Conde” (Cassell's Magazine, August 1908)
“The Duel” (The Pall Mall Magazine, January–May 1908)

Background

Conrad, at the age of 44, embarked on his first major literary project, Nostromo, completed and published in 1904. In composing Nostromo, Conrad sought to present a broader social landscape in his work. The subject of his early writing, involving “moral dramas tested by the unfamiliar menace of a primitive world” were in abeyance during this period. Between October 1902 and November 1905, Conrad wrote no short fiction.^[3][4]

When he returned to writing short stories, Conrad regarded these as “instruments for raising money quickly” rather than serious literary endeavors.^[5] In a letter to Sir Algernon Methuen in January 1908, Conrad explained his approach to writing the material in A Set of Six:

All the stories are stories of incident – action – not of analysis. All are dramatic in a measure but by no means of a gloomy sort... they are not studies – they touch no problem. They are just stories in which I’ve tried my best to be simply entertaining.^[6][7]

The stories in A Set of Six contrast with his earlier short fiction in that they are neither autobiographical or based on first-hand experience. Literary critic Laurence Graver notes that a central theme in his earliest stories, namely, the conflict between “egoism and altruism” is largely absent in this collection: “a new emphasis is placed on love and humor, two elements Conrad seemed to think were indispensable in popular fiction.”^[8]