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Alfred W. Pollard

English literary scholar and bibliographer (1859–1944) From Wikipedia, the free encyclopedia

Alfred W. Pollard
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Alfred William Pollard CB FBA (14 August 1859 8 March 1944) was an English bibliographer and scholar of English literature. He is widely credited with bringing a higher level of scholarly rigour to the study of Shakespearean texts.

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Early life

Pollard was born on 14 August 1859 at 1 Brompton Square, Kensington, London, the youngest son of physician Edward William Pollard and his wife, Emma Louisa.[1] After spending his early education at a dame school, he began attending King's College School on the Strand in 1870 and, at age 15, was awarded the school's scholarship for classics.[2] During his seven years at King's, Pollard first developed his interest in Chaucer and Shakespeare, and befriended the painter Walter Sickert.[1]

In November 1876, Pollard sought out a scholarship to attend Balliol College, Oxford, but instead won a scholarship to study literae humaniores at St John's College, Oxford, where he graduated with a double first,[2] earning his B.A. in 1881 and his M.A. in 1885.[3] He had attained first classes in classical moderations in 1879 and in literae humaniores in 1881.[1] It was as a student at Oxford that Pollard began his lifelong friendship with A. E. Housman, which he described as "the best thing I got from Oxford".[4]

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Career

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Unable to teach because of his pronounced stammer, he joined the staff of the British Museum in 1883, as assistant in the department of printed books; he was promoted to assistant keeper in 1909, and keeper in 1919.[1] In the latter year, Pollard was appointed professor of English bibliography at the University of London. He was honorary secretary of the Bibliographical Society from 1893 to 1934 and edited the society's journal The Library for thirty years (1903–34). He received the society's gold medal in 1929.[5]

Pollard wrote widely on a range of subjects in English literature throughout his career, and collaborated with various scholars in specialized studies; he edited Sir Philip Sidney's Astrophel in 1888, Chaucer's Canterbury Tales (Globe edition, 1898), a collection of Fifteenth Century Poetry and Prose (1903) and Thomas Malory's Le Morte d'Arthur (1910–11, in four volumes). His Shakespeare Folios and Quartos: a Study in the Bibliography of Shakespeare's Plays, 1594–1685, published in 1909, remains an important milestone in Shakespearian criticism.[6]

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"How at the Castle of Corbin a Maiden Bare in the Sangreal and Foretold the Achievements of Galahad", Arthur Rackham's illustration to Pollard's The Romance of King Arthur and His Knights of the Round Table (1917).

With Gilbert Richard Redgrave, he edited the STC, or A short-title catalogue of books printed in England, Scotland, & Ireland and of English books printed abroad, 1475–1640 (1926).[7] He provided a bibliographical introduction to a facsimile print of the 1611 King James Bible which was produced for its three hundredth anniversary. His contemporary friends included the poet A. E. Housman and the artist Walter Sickert, and he was a close colleague of the prominent Shakespeare scholars Edmund Kerchever Chambers and R. B. McKerrow.[1]

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Personal life and death

Pollard married Alice England of Newnham College, Cambridge, in 1887[6] and they had two sons and a daughter. But during the war both his two sons were lost in action: his oldest, Geoffrey Blemell Pollard, a lieutenant in the Royal Field Artillery, was killed in the fighting near Le Baseé, France, on 24 October 1914. Then a year later, on 13 October 1915, his second son Roger Thompson Pollard, a lieutenant in the 5th Royal Berkshire Regiment, was also killed. Pollard wrote a memorial, Two Brothers. Accounts Rendered, which was privately printed for friends in 1916, and a year later issued by Sidgwick and Jackson.[8]

In 1935 Pollard suffered a fall while gardening which seriously affected him, but he lived another nine years, dying at Wimbledon Hospital, aged 85, survived by his daughter.[1] He is buried with his wife Alice (1857-1925) in the churchyard of St Mary's Church, Wimbledon.[9]

Works

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References

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