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Aline MacMahon

American actress (1899–1991) From Wikipedia, the free encyclopedia

Aline MacMahon
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Aline Laveen MacMahon[1] (May 3, 1899 – October 12, 1991)[2] was an American actress. Her Broadway stage career began under producer Edgar Selwyn in The Mirage during 1920. She made her screen debut in 1931, and worked extensively in film, theater, and television until her retirement in 1975. She was nominated for an Academy Award for Best Supporting Actress for her performance in Dragon Seed (1944).[3]

Quick Facts Born, Died ...
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Early life

MacMahon was born in McKeesport, Pennsylvania, the only child of William Marcus MacMahon and Jennie (née Simon) MacMahon. Her father was a telegraph operator, arbitrage broker, and writer/editor in the Munsey publishing company, including their flagship publication, Munsey's Magazine.[4]

Aline's parents had married on July 14, 1898, in Columbus, Ohio. Her father died on September 6, 1931.[4] Her mother, an avid bell collector, died in 1984, at age 106.[5]

MacMahon first appeared on stage as early as 1905. That year the family moved to Brooklyn from McKeesport, and Aline's mother began training her in the art of elocution. Soon, Aline was performing at local churches and festivals where she recited poems and played the violin. By 1908 she was well known enough to attract the attention of the The Brooklyn Daily Eagle, which reported "a series of songs and dances by Aline MacMahon" to be performed at St. Jude's Church in Brooklyn.[6]

Although she had been earning handsome wages for many years on New York's so-called Strawberry Circuit, MacMahon made her true professional debut in 1914 with a program of readings, recitations and singing at New York's McAlpin Hotel.[7]

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Education

MacMahon was raised first in the Pittsburgh suburb of McKeesport, then in Brooklyn, New York.[1] She attended New York's public school 103,[8] then entered Erasmus Hall High School (Brooklyn) in 1912. In 1916 the MacMahon family moved to the upper west side of Manhattan and Aline enrolled in nearby Barnard College.[9] It was there that MacMahon received a more serious education in acting, enrolling in "Wigs and Cues", the theater program run by the woman who became MacMahon's first great mentor, Minor Latham. By graduation she had appeared in nearly every program the school had mounted during those four years, and found multiple suitors for her talents, including offers from the Provincetown Players, producer / actor Walter Hampden, and the Neighborhood Playhouse.[10]

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Career

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Aline made her (uncredited) Broadway debut in 1920 as a craps-playing debutante in The Mirage. Her Broadway credits include 24 shows, with many other off-Broadway and regional stage appearances during her career.[11] After traveling to Los Angeles to star in the road company of the Broadway smash Once in a Lifetime, she was noticed by Warner Brothers director Mervyn LeRoy, and made her film debut in the Pre-Code drama Five Star Final (1931).[12] After signing a long-term contract with Warners, Aline spent the rest of her career splitting time between New York and Hollywood in order to be with her husband, the Manhattan-based architect and city planner, Clarence Stein.

In the 1930s and 40s, MacMahon was a critical darling (Walter Winchell called her "the very good actress"[13]), often cast as the acerbic comedienne with a heart of gold, or the long-suffering woman unlucky in love. Her biggest professional regret was not getting the starring role of O-Lan in The Good Earth (1937);[14] the part went to Luise Rainer and won her an Academy Award. According to Screen World Presents the Encyclopedia of Hollywood Film Actors, MacMahon in her later film acting career "moved into character roles with ease as she became plumper and more motherly looking."[2] In 1950, she served as chairwoman of the Equity Library Theater. She organized productions for community theaters and was active in relief charities.[15]

Personal life

On March 28, 1928, MacMahon and Clarence Stein were married after a long courtship.[9] The pair were devoted to each other, but commuting between coasts was a strain on their marriage.[16] They had three children. As Clarence's health failed in the late 1960s and early '70s, Aline confined herself to working in New York City theatrical productions near to their apartment.[14]

The Birth of Method Acting

In 1922, MacMahon was a member of the Neighborhood Playhouse company in Manhattan, just as Konstantin Stanislavski's Moscow Art Theatre visited New York for a legendary tour. Accolades poured in for the MAT's performances, and the executives of the Neighborhood Playhouse made arrangements to charter the first teaching class of the Method in America, which Aline attended with nine others. She took the tenets of the Method very seriously, and was the only member of that inaugural class to achieve popular success, having debuted the technique on stage in the fall of 1923, and as the first practitioner of it on film in 1931. "I was the first," she said in 1959, "in the first group to be exposed to what has become the Method. Out of that summer [1923] has developed everything that the Method actors are doing." She was a pioneering Method actor in the Western world.[17]

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Blacklisted

During the 1950s, MacMahon was blacklisted as a Communist sympathizer. Her name appeared in the notorious Communist watchlist pamphlet, Red Channels. For years, the FBI had been surveilling her and her husband, including the couple's frequent international travel (for example, they sailed around the world in 1935–1936).[17] Red Channels targeted her for being a council member of Actors' Equity, the theatrical labor union. She had also supported the 1948 presidential campaign of Progressive Party candidate Henry Wallace, and she was honorary vice-president of the League of Women Shoppers: a consumer advocacy group described as "Communist-inspired and therefore Communist-dominated and controlled", with the intent "to create mass feminine support in labor disputes."[14] Because MacMahon was never called before the House Un-American Activities Committee (HUAC), she was more on the "graylist" than blacklist. However, it still brought her film acting career to an end. From 1955 to 1960, she could only get jobs in "B" movies, and by the time the blacklist eased in the 1960s, there was no movie work for her.[14]

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Death

On October 12, 1991, Aline MacMahon died of pneumonia in New York City. She was 92.[12]

Papers

The New York Public Library has a collection of MacMahon's papers that document various aspects of her life. They are housed in the library's Billy Rose Theatre Division.[18]

The first full-length biography of her, Aline MacMahon: Hollywood, the Blacklist, and the Birth of Method Acting, was published in 2022 by University Press of Kentucky.[19][20][21][22]

Partial filmography

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Dorothy McGuire (left) and Aline MacMahon in Reward Unlimited (1944)

References

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Census and other data

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External links

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