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Anna de Noailles
French writer (1876–1933) From Wikipedia, the free encyclopedia
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Anna, Comtesse Mathieu de Noailles (Anna Elisabeth Bibesco-Bassaraba de Brancovan; French pronunciation: [ana d(ə) nɔaj]; 15 November 1876 – 30 April 1933) was a French writer of Romanian, Greek and Bulgarian descent, a poet and a socialist feminist.[1] She was the only female poet of her time in France to receive the highest public recognition, the Grand Prix of the Académie Française.[2]
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Biography
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Personal life
Born Princess Anna Elisabeth Bibesco-Bassaraba de Brancovan in Paris, she was a descendant of the Bibescu and Craioveşti families of Romanian boyars. Her father was Prince Grégoire Bibesco-Bassaraba, a son of Wallachian Prince Gheorghe Bibesco and Zoe Mavrocordato-Bassaraba de Brancovan. Her Greek mother was the former Ralouka (Rachel) Mussurus, a musician, to whom the Polish composer Ignacy Paderewski dedicated several of his compositions. Via her mother, Anna de Noailles was a great-great-granddaughter of Sophronius of Vratsa, one of the leading figures of the Bulgarian National Revival, through his grandson Stefan Bogoridi, caimacam of Moldavia.[3]
She had friendly relations with the intellectual, literary and artistic elites of the day, including Marcel Proust, Francis Jammes, Colette, André Gide, Frédéric Mistral, Robert de Montesquiou-Fezensac, Rainer Maria Rilke, Paul Valéry, Jean Cocteau, Pierre Loti, Paul Hervieu, and Max Jacob. She was a cousin of Prince Antoine Bibesco and Princess Marthe Bibesco.
In 1897 she married Mathieu Fernand Frédéric Pascal de Noailles (1873–1942), the fourth son of the 7th Duke de Noailles. The couple soon became the toast of Parisian high society. They had one child, a son, Count Anne-Jules de Noailles (1900–1979). She died in 1933 in Paris, at the age of 56, and was interred in the Père Lachaise Cemetery.
Career
Starting with her first collection, Le Coeur innombrable (1901) Anna de Noailles wrote nine volumes of poetry; three novels, including Le Visage émerveillé (1904); a novella on gender relations called Les Innocentes, ou La Sagesse des femmes (1923); a collection of prose poems called Exactitudes (1930); and an autobiography titled Le Livre de ma vie (1932).
A New York Times writer in 1929 wrote that she was "one of the finest poets of present-day France."[4]
In fine art
Various visual artists of the day painted her portrait, including Antonio de la Gándara, Ignacio Zuloaga, Kees van Dongen, Jacques Émile Blanche, and the British portrait painter Philip de László.
In 1906 her image was sculpted by Auguste Rodin; the clay model can be seen today in the Musée Rodin in Paris, and the finished marble bust is on display in New York City's Metropolitan Museum.
La Comtesse Mathieu de Noailles, 1899 by Antonio de la Gándara
Anna, Comtesse de Noailles, 1914 by Jean-Louis Forain
Anna, Comtesse de Noailles, 1936 by James Vibert
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Awards
Anna de Noailles was the first woman to become a Commander of the Legion of Honour, the first woman to be received in the Royal Belgian Academy of French Language and Literature, and she was honored with the "Grand Prix" of the Académie Française in 1921.[5]
Countess de Noailles served as a juror with Florence Meyer Blumenthal in awarding the Prix Blumenthal, a grant given between 1919 and 1954 to painters, sculptors, decorators, engravers, writers, and musicians.[6]
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Writings
- Le Cœur innombrable (1901)
- L'Ombre des jours (1902)
- La Nouvelle Espérance (1903)
- Le Visage émerveillé (1904)
- La Domination (1905)
- Les Éblouissements (1907)
- Les Vivants et les Morts (1913)
- Les Forces éternelles (1920)
- Les Innocentes, ou La Sagesse des femmes (1923)
- Poème de l'amour (1924)
- L'Honneur de souffrir (1927)
- Exactitudes, Paris (1930)
- Le Livre de ma vie (1932)
- Derniers Vers et Poèmes d'enfance (1934)
See also
References
External links
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