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Beatrice Fenton

American sculptor (1887–1983) From Wikipedia, the free encyclopedia

Beatrice Fenton
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Beatrice Fenton (July 12, 1887  February 11, 1983) was an American sculptor and educator, active in Philadelphia, Pennsylvania.[1] She is best known for her whimsical fountains. Her work was also part of the sculpture event in the art competition at the 1932 Summer Olympics.[2] She taught at Moore College of Art and Design in Philadelphia for many years.

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Early life and education

Beatrice Fenton was born on July 12, 1887, in Philadelphia, Pennsylvania, to parents Lizzie Spear (née Remak) and Thomas Hanover. Inspired by the painter Rosa Bonheur, she decided to become an animalier and began drawing animals at the Philadelphia Zoo. Her father, Dr. Thomas Hanover Fenton, an art patron and head of the Art Club of Philadelphia, was impressed with the drawings and showed them to a family friend, Thomas Eakins. Eakins found the drawings “too flat” and suggested that she “get some clay and mold it.” Fenton enrolled in a sculpture class taught by Alexander Stirling Calder in 1903, and her future direction was set.[3] She began her studies in 1904 at the School of Industrial Art (now High School of Art and Design) in New York City, where she was taught by Alexander Stirling Calder.

From 1904 to 1912, she attended the Pennsylvania Academy of the Fine Arts in Philadelphia, and studied with Charles Grafly.[4]

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Career

Fenton succeeded Samuel Murray as instructor in sculpture at the Moore College of Art and Design (formerly the Philadelphia School of Art for Women) in Philadelphia, teaching there from 1942 to 1953.[5]

Works by Fenton were shown at PAFA's annual exhibition most years from 1911 to 1964,[6] and she was awarded the George D. Widener Memorial Gold Medal in 1922 for Seaweed Fountain.[7] She was a member of the National Sculpture Society, and her Nereid Fountain was featured in the NSS exhibition of 1929.[8] A cast of Seaweed Fountain has been in the Brookgreen Gardens collection since 1934.[9]

She died in Philadelphia in 1983.

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Personal life

While studying at PAFA, Fenton met fellow artists Marjorie Martinet and Emily Clayton Bishop. Her relationship with Martinet lasted more than fifty years, and included the exchange of passionate letters.[10][11]

References

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