Bed and Sofa

This article is about the 1927 film. For the item of furniture, see sofa bed.

Bed and Sofa (Russian: Третья Мещанская, romanized: Tretya Meshchanskaya) is a 1927 Soviet silent film directed by Abram Room.

Bed and Sofa
Directed by	Abram Room
Produced by	Sovkino Studio
Starring	Nikolai Batalov Lyudmila Semyonova Vladimir Fogel
Cinematography	Grigorii Giber
Release date	15 March 1927 (1927-03-15)[1]
Running time	75 minutes
Country	USSR
Language	Silent

Plot

Bed and Sofa, full film

The film is set during the years of the Soviet New Economic Policy. A printer named Vladimir arrives in Moscow from the countryside. He temporarily moves into the apartment of his wartime friend, Nikolai, on 3rd Meshchanskaya Street, where he sleeps on the sofa. Nikolai, who works as a stonemason, is charming and good-natured, but also dictatorial and egocentric. Lyudmila, Nikolai's wife, is resentful of the constant demand of household duties and their cramped living conditions. Although she is unhappy at first with the new arrangements, Vladimir wins her over with helpful behavior and gifts. Lyudmila grows infatuated with their guest, as he treats her with a kindness that her husband lacks. She does not hide her feelings for Vladimir from Nikolai, and, with the three of them living together, their relationships become increasingly tangled.

When Nikolai leaves town for work, Vladimir begins seducing Lyudmila, taking her on a plane ride over Moscow. When he returns from his trip, Nikolai is relegated to sleeping on the sofa; Vladimir has taken the role of "husband." Lyudmila begins sleeping with both men and eventually falls pregnant, although it is unclear who the father is. They send her to a private clinic to undergo an abortion. As Lyudmila is waiting, she sees a baby in a carriage on the sidewalk below. She makes the decision to take control of her life, keep the baby, and get away from Moscow. Lyudmila boards a train departing from Moscow, leaving Nikolai and Vladimir behind.

Cast

• Nikolai Batalov as Nikolai (Kolia)
• Lyudmila Semyonova as Lyudmila (Liuda)
• Vladimir Fogel as Vladimir (Volodia)
• Leonid Yurenyov as The Porter^[2]
• Yelena Sokolova as The Nurse^[2]
• Mariya Yarotskaya as The Peasant

Themes

The film is a psychological drama that lay bare the dysfunctions and contradiction of early Soviet society.^[3] It features a frank portrayal of sexual manners in the 1920s as well as the living conditions in Moscow at the time, which are in sharp contrast to the picture of a state where everything was to be the perfect idyll of Soviet life.^[1] Abram Room had intended not only to make a picture exploring the social problems of urban life during the last years of the New Economic Policy (1921–28), but specifically to support the state's campaign against the sexual freedom of the revolutionary years and abortion on demand.^[3]

Production

During lunch at a film studio cafeteria, screenwriter Viktor Shklovsky told Abram Room a plot idea for a short screenplay. He had previously pitched the same story to director Yuri Tarich, but Tarich had turned it down. Shklovsky had found the story in the pages of Komsomolskaya Pravda, a tabloid newspaper. The newspaper reported how, at a maternity hospital, two men came to see the same newborn child, as the young mother was married to both of them at the same time. The people involved were young Komsomol members, students at workers' faculties. They called it "a love of three," claiming that Komsomol love knew no jealousy.

Abram Room sensed that the story had great potential for actors. The screenplay began to take shape in Moscow, although he didn’t have time to finish it; Room had to urgently leave for Crimea to shoot the documentary Jews on the Land. The script was eventually written by him on the express train from Moscow to Sevastopol.

The film was shot on location in Moscow.^[3]