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Bernard Maybeck

American architect (1862–1957) From Wikipedia, the free encyclopedia

Bernard Maybeck
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Bernard Ralph Maybeck (February 7, 1862 – October 3, 1957) was an American architect. He worked primarily in the San Francisco Bay Area, designing public buildings, including the Palace of Fine Arts in San Francisco, and also private houses, especially in Berkeley, where he lived and taught at the University of California. A number of his works are listed on the National Register of Historic Places.[1]

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Biography

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Maybeck was born in New York City, the son of a German immigrant and studied at the Ecole des Beaux Arts in Paris, France.[2] He moved to Berkeley, California, in 1892. He taught engineering drawing and architectural design at the University of California, Berkeley from 1894 to 1903, and acted as a mentor for a number of other important California architects, including Julia Morgan and William Wurster.[3] In 1951, he was awarded the Gold Medal of the American Institute of Architects.[citation needed]

Maybeck was equally comfortable producing works in the American Craftsman, Mission Revival, Gothic revival, Arts and Crafts, and Beaux-Arts styles, believing that each architectural problem required development of an entirely new solution. While working in the office of A. Page Brown in San Francisco, Maybeck probably contributed to the Mission Style California Building at the 1893 World's Columbian Exposition in Chicago and was one of the designers of the San Francisco Swedenborgian Church, which included the first Mission Style chair.[4][5] For the 1915 Panama-Pacific International Exposition, he designed the domed Palace of Fine Arts[6] and also the "House of Hoo Hoo", a "lumberman's lodge" made of rough-barked tree trunks. The Palace of Fine Arts was seen as the embodiment of Maybeck's elaboration of how Roman architecture could fit within a California context. Maybeck said that the popular success of the Palace was due to the absence of a roof connecting the rotunda to the art gallery building, along with the absence of windows in the gallery walls and the presence near the rotunda of trees, flowers and a water feature.[7] In 1928, he designed the Harrison Memorial Library in Carmel in a Spanish Eclectic style.[8][9]

In his long-time home city of Berkeley, the 1910 First Church of Christ, Scientist, Berkeley is designated a National Historic Landmark and is considered one of his masterpieces.[10][11] In 1914, he oversaw the building of the Maybeck Recital Hall in Berkeley. On flatter sites such as the city of San Francisco, the campus of the University of California, Berkeley, and the Loch Lin General Plan for Principia College in Illinois, his proposals were guided by more formal Beaux Arts planning principles.[12]

One of Maybeck's most interesting office buildings is the home of the Family Service Agency of San Francisco at 1010 Gough Street, from 1928, which is on the city's Historic Building Register. Some of his larger residential projects, particularly those in the Berkeley hills such as La Loma Park, have been compared to the ultimate bungalows of the architects Greene and Greene.[13]

Maybeck had many ideas about town planning that he elaborated throughout his career. As a citizen of Berkeley from the 1890s, he was intimately involved in the Hillside Club. His associations and work there helped evolve ideas about hillside communities. Maybeck developed a number of firm beliefs in how civilization and the land should relate to each other.[14] Two overriding principles would be: 1) the primacy of the landscape - geology, flora and fauna were not to be subdued by architecture so much as enhanced by architecture 2) roads should pattern the existing grade and not be an imposition upon it. There were other principles he would elucidate, such as a shared public landscape, but these were key, and helped Berkeley evolve into a paradigm for hillside living that was organic and unique.[15] Maybeck's visions for communities in the East Bay were also a conscientious counterpoint to across the bay where in San Francisco city planning was much more conventional, forced, and regimented into expansive grids of streets. Its grids, imposed in places on very steep grades, resulted in extremely steep streets, sidewalks and urban transitions, some almost comically so.

He also developed a comprehensive town plan for the company town of Brookings, Oregon, a clubhouse at the Bohemian Grove, and many of the buildings on the campus of Principia College in Elsah, Illinois.[16][17]

A lifetime fascination with drama and the theater can be seen in much of Maybeck's work. In his spare time, he was known to create costumes, and also designed sets for the amateur productions at the Hillside Club.[18]

Bernard Maybeck died on October 3, 1957, aged 95, and is buried in the Mountain View Cemetery in Oakland, California.[citation needed]

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Works

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Notable works include:

Later the Countess Bernardine Murphy Donohue estate (c.1950−c.1970) with gardens designed by Florence Yoch & Lucile Council.[46] Later the Convent of the Sisters of the Immaculate Heart of Mary, and the Cardinal Timothy Manning House of Prayer for Priests complex (1975−2011).[47][48]
Historic districts with Maybeck designed works include
Maybeck designed residences include the Boke House (1902) at 23 Panoramic Way[1]
Maybeck designed the 'English village' campus master plan, and campus buildings including the Colonial Revival style Chapel (1931–34) at 1 Maybeck Place.[51]
Maybeck designed the "Sunbonnet House" (1899, restored 2004) for Emma Kellogg.[53]
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References

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