Top Qs
Timeline
Chat
Perspective

Big Comic

Japanese manga magazine From Wikipedia, the free encyclopedia

Big Comic
Remove ads

Big Comic (ビッグコミック, Biggu Komikku) is a semimonthly seinen manga magazine published since 18 February 1968 by Shogakukan in Japan.[3][4]

Quick Facts Editor in Chief, Categories ...
Remove ads

Publication history

It was originally launched as a monthly magazine, but switched to twice monthly on the 10th and 25th beginning in April 1968. It is paired with sister magazine Big Comic Original, going on sale in the weeks Big Comic Original does not. Circulation in 2008 was reported at slightly over a half-million copies.[5] but by mid-2015 had declined to 315,000,[6] as part of an industry-wide trend in manga magazine sales.

The magazine has published works by a number of well-known manga artists, including Osamu Tezuka, Shotaro Ishinomori, Sanpei Shirato, Takao Saito, Fujiko Fujio A, Fujiko F. Fujio, and Tetsuya Chiba. Big Comic also serializes Saito's Golgo 13, which is the oldest manga series still in publication.

The front cover of the magazine featured a caricature of a famous individual by manga illustrator Shūichi Higurashi for more than forty years.[7] Higurashi's drawings were featured on the cover of Big Comic from 1970 until 2011.[7] Higurashi retired in the autumn of 2011 due to failing health.[7]

Remove ads

Legacy

Big Comic played a pivotal role in the maturation of postwar manga, particularly in the emergence of seinen manga during the late 1960s and 1970s. The magazine brought together diverse artistic currents: it featured contributors from the gekiga tradition, such as Sanpei Shirato and Shigeru Mizuki, as well as artists associated with story manga, including Osamu Tezuka and the Fujiko team. Under the editorial direction of Konishi Yōnosuke, Big Comic embraced the concept of the "quasi-novel" (chūkan shōsetsu), aiming to bridge mass media and serious literature. This editorial vision helped elevate manga as a serious art form and positioned Big Comic as a cornerstone of literary and artistic manga. While some critics of the time resisted what they saw as the commercialization of manga by major publishers, Big Comic nonetheless became a platform for more mature, diverse, and experimental storytelling, influencing generations of artists and readers.[8]

Remove ads

List of works

Summarize
Perspective

Currently serialized

These series appear according to a regular schedule in the magazine.

  • Golgo 13 (ゴルゴ13) by Takao Saito
  • Hinemosu no Tari Nikki (ひねもすのたり日記) by Tetsuya Chiba (since 2015)
  • Deep3 written by Mitsuhiro Mizuno and illustrated by Ryosuke Tobimatsu
  • Ōgon no Rafu: Sōta no Stance (黄金のラフ〜草太のスタンス〜) by Tsuyoshi Nakaima
  • S - Saigo no Keikan (S エス‐最後の警官‐) by Yoichi Komori and Yutaka Toudo
  • Shin C-Kyu Salaryman Koza (新C級さらりーまん講座) by Keisuke Yamashina
  • Sōmubu Sōmuka Yamaguchi Roppeita (総務部総務課山口六平太), written by Norio Hayashi and illustrated by Ken'ichirō Takai
  • Sekuhara-kachō no Tsubuyaki (五月原課長のつぶやき) by Tōru Nakajima
  • Gallery Fake (ギャラリーフェイク) by Fujihiko Hosono (continued from Big Comic Spirits)

Irregularly serialized

These series are currently serialized, but have no specific schedule for when each chapter appears in the magazine.

  • Uchū Kazoku Nobeyama by Jirō Okazaki

Formerly serialized

Remove ads

References

Loading related searches...

Wikiwand - on

Seamless Wikipedia browsing. On steroids.

Remove ads