Year |
Title |
Notes |
2013 |
12 Years a Slave |
Co-production with Regency Enterprises, River Road Entertainment and Plan B |
2010 |
127 Hours |
Co-production with Pathé, Fox Searchlight Pictures, Everest Entertainment, Cloud Eight Films, Darlow Smithson Productions and Warner Bros. Pictures |
2014 |
20,000 Days on Earth |
Co-production with British Film Institute |
2002 |
24 Hour Party People |
Co-production with United Artists, UK Film Council, Revolution Films and Baby Cow Productions |
2015 |
45 Years |
Co-production with British Film Institute |
2014 |
'71 |
Co-production with British Film Institute, Screen Yorkshire, Creative Scotland and Warp Films |
2008 |
A Complete History of My Sexual Failures |
Co-production with Warp Films, Screen Yorkshire, EM Media, Madman Entertainment and UK Film Council |
2013 |
A Field in England |
|
1997 |
A Life Less Ordinary |
Co-production with PolyGram Filmed Entertainment and 20th Century Fox |
2014 |
A Most Wanted Man |
Co-production with FilmNation Entertainment |
1987 |
A Month in the Country |
Co-production with Euston Films |
1985 |
A Room with a View |
Co-production with Merchant Ivory Productions and Goldcrest Films |
1985 |
A Zed and Two Noughts |
Co-production with British Film Institute and Artificial Eye |
2015 |
Amy |
Co-production with Universal Music, Playmaker Films & Krishwerkz Entertainment |
2018 |
American Animals |
|
1996 |
American Buffalo |
Co-production with Capitol Films |
2016 |
American Honey |
Co-production with Parts & Labor, Pulse Films, ManDown Pictures, British Film Institute, and Maven Pictures |
2018 |
An Evening with Beverly Luff Linn |
Co-production with British Film Institute |
2007 |
And When Did You Last See Your Father? |
Co-production with Sony Pictures Classics, UK Film Council, EM Media, Tiger Aspect, Bórd Scannán na hÉireann/Irish Film Board and European Development Fund |
1982 |
Angel |
|
1995 |
Angels & Insects |
Co-production with The Samuel Goldwyn Company |
2010 |
Another Year |
Co-production with Thin Man Films |
2011 |
Attack the Block |
Co-production with Big Talk Productions, StudioCanal and UK Film Council |
1994 |
Backbeat |
Co-production with PolyGram Filmed Entertainment |
1993 |
Bad Behaviour |
|
1994 |
Bandit Queen |
Co-production with Kaleidoscope Entertainment |
2017 |
Beast |
Co-production with British Film Institute |
1996 |
Beautiful Thing |
|
2018 |
Been So Long |
Co-production with Netflix and British Film Institute |
1997 |
Bent |
Co-production with Arts Council of England |
2012 |
Berberian Sound Studio |
Co-production with Warp X Productions, Screen Yorkshire and UK Film Council |
1993 |
Bhaji on the Beach |
|
2016 |
Billy Lynn's Long Halftime Walk |
Co-production with TriStar Pictures |
2001 |
Birthday Girl |
Co-production with Miramax Films, Mirage Enterprises and HAL Films |
2014 |
Black Sea |
Co-production with Focus Features |
1993 |
Blue |
Co-production with BBC Radio 3 and Arts Council of Great Britain |
1995 |
Blue Juice |
|
1991 |
Blonde Fist |
|
1996 |
Brassed Off |
Co-production with Miramax Films and Prominent Features |
2000 |
Bread and Roses |
|
2022 |
Brian and Charles |
Co-production with British Film Institute and Mr Box Productions |
2005 |
Brothers of the Head |
Co-production with Screen East and EM Media |
1999 |
Buena Vista Social Club |
Co-production with Road Movies Filmproduktion and Arte |
2001 |
Buffalo Soldiers |
Co-production with Good Machine and Miramax Films |
2009 |
Bunny and the Bull |
Co-production with Warp X Productions, Wild Bunch, Optimum Releasing, Screen Yorkshire and UK Film Council |
1997 |
Career Girls |
|
1996 |
Carla's Song |
Co-production with Glasgow Film Office and Televisión Española |
2015 |
Carol |
Co-production with Number 9 Films and Killer Films |
2014 |
Catch Me Daddy |
Co-production with British Film Institute and Screen Yorkshire |
2001 |
Charlotte Gray |
Co-production with Ecosse Films and Warner Bros. |
2001 |
Christmas Carol: The Movie |
Co-production with UK Film Council |
2018 |
Cold War |
Co-production with British Film Institute and MK2 |
1986 |
Comrades |
Co-production with now-defunct National Film Finance Corporation |
1998 |
Croupier |
Co-production with Arte and Westdeutscher Rundfunk |
2014 |
Cuban Fury |
Co-production with British Film Institute |
1992 |
Damage |
Co-production with Le Studio Canal+ and Canal+ |
1985 |
Dance with a Stranger |
|
2000 |
Dancer in the Dark |
Co-production with Canal+, France 3 Cinéma, Zentropa and Fine Line Features |
1998 |
Dancing at Lughnasa |
Co-production with Sony Pictures Classics, Bórd Scannán na hÉireann/Irish Film Board, Raidió Teilifís Éireann and Capitol Films |
2004 |
Dead Man's Shoes |
|
1994 |
Death and the Maiden |
Co-production with Capitol Films, Canal+, TF1 and Fine Line Features |
2002 |
Death to Smoochy |
Co-production with Senator Film and Warner Bros. |
2006 |
Deep Water |
|
2019 |
Dirt Music |
Co-production with ScreenWest |
2017 |
Disobedience |
Co-production with FilmNation Entertainment and Element Pictures |
2001 |
Dog Eat Dog |
Co-production with Tiger Aspect Productions |
1999 |
Dogma |
Produced by View Askew |
2008 |
Donkey Punch |
Co-production with EM Media, Madman Entertainment, Screen Yorkshire, UK Film Council and Warp X Productions |
2020 |
Dream Horse |
Co-production with Cornerstone Films, Ingenious Media, Raw, Topic Studios, FFilm Cymru Wales, Bleecker Street, Sony Pictures Worldwide Acquisitions and Warner Bros. Pictures |
1988 |
Drowning by Numbers |
|
1992 |
Dust Devil |
Co-production with Miramax Films |
1999 |
East Is East |
|
1987 |
Eat the Rich |
Co-production with Michael White |
1998 |
Elizabeth |
Co-production with PolyGram Filmed Entertainment, Meridian and Working Title Films |
2004 |
Enduring Love |
Co-production with Pathé, UK Film Council and Ingenious Film Partners |
2014 |
Ex Machina |
Co-production with Universal Pictures and DNA Films |
1982 |
Experience Preferred... But Not Essential |
|
2021 |
Everybody's Talking About Jamie |
Co-production with New Regency Pictures, 20th Century Fox and Warp Films |
1997 |
Fever Pitch |
|
2019 |
Fighting with My Family |
Co-production with Metro-Goldwyn-Mayer, WWE Studios and Seven Bucks Productions |
2013 |
For Those in Peril |
Co-production with Warp X Productions |
2010 |
Four Lions |
Co-production with Warp Films, Wild Bunch and Optimum Releasing |
1994 |
Four Weddings and a Funeral |
Co-production with PolyGram Filmed Entertainment and Working Title Films |
2014 |
Frank |
|
2008 |
Franklyn |
Co-production with Recorded Picture Company, HanWay Films and UK Film Council |
2016 |
Free Fire |
Co-production with British Film Institute |
2007 |
Funny Games |
Co-production with Warner Independent Pictures and Tartan Films |
2001 |
Gabriel and Me |
Co-production with Pathé, Isle of Man Film and UK Film Council |
2000 |
Gangster No. 1 |
Co-production with Medienboard Berlin-Brandenburg, Road Movies Filmproduktion and BSkyB |
1982 |
Giro City |
|
1990 |
God on the Rocks |
|
1999 |
Gregory's Two Girls |
|
2019 |
Greed |
Co-production with Columbia Pictures and Revolution Films |
2007 |
Hallam Foe |
Co-production with Ingenious Film Partners, Glasgow Film Office, Scottish Screen and Sigma Films |
2008 |
Happy-Go-Lucky |
Co-production with Ingenious Film Partners and Summit Entertainment |
1991 |
Hear My Song |
|
1982 |
Hero |
|
1987 |
Hidden City |
|
1988 |
High Hopes |
|
2015 |
High-Rise |
Co-production with Recorded Picture Company, HanWay Films and the British Film Institute |
1998 |
Hilary and Jackie |
|
1999 |
Holy Smoke! |
Co-production with Miramax Films |
2013 |
How I Live Now |
Co-production with British Film Institute, Magnolia Pictures and Passion Pictures |
2008 |
How to Lose Friends & Alienate People |
Co-production with UK Film Council |
2017 |
How to Talk to Girls at Parties |
Co-production with HanWay Films, See-Saw Films and Little Punk |
2019 |
How to Build a Girl |
Co-production with Tango Entertainment, British Film Institute, Monumental Pictures, Protagonist Pictures |
1992 |
Howards End |
|
2008 |
Hunger |
|
2009 |
Hush |
Co-production with Warp X, Pathé, Screen Yorkshire, UK Film Council and Optimum Releasing |
2012 |
Hyde Park on Hudson |
Co-production with Daybreak Pictures and Focus Features |
2008 |
In Bruges |
Co-production with Focus Features |
2007 |
In the Shadow of the Moon |
Co-production with Discovery Films and Passion Pictures |
1995 |
Institute Benjamenta |
Co-production with Pandora Film |
2001 |
Invincible |
Co-production with Fine Line Features |
2014 |
Jimmy's Hall |
|
2007 |
Joe Strummer: The Future Is Unwritten |
|
2017 |
Journeyman |
|
2001 |
K-PAX |
Co-production with Universal Pictures and Intermedia Films |
2011 |
Kill List |
Co-production with UK Film Council, Warp X, Screen Yorkshire and Rook Films |
2024 |
Kinds of Kindness |
Co-production with Searchlight Pictures, Element Pictures and TSG Entertainment |
1994 |
Ladybird, Ladybird |
|
2021 |
Last Night in Soho |
Co-production with Focus Features and Working Title Films |
2001 |
Late Night Shopping |
Co-production with Scottish Screen and Glasgow Film Office |
2013 |
Le Week-End |
|
2017 |
Lean on Pete |
Co-production with British Film Institute |
2014 |
Life |
Co-production with See-Saw Films, Telefilm Canada and Screen Australia |
1990 |
Life Is Sweet |
|
1991 |
London Kills Me |
Co-production with PolyGram Filmed Entertainment and Working Title Films |
2009 |
Looking for Eric |
Co-production with Icon Entertainment International and Wild Bunch |
2001 |
Lucky Break |
Co-production with Paramount Pictures and Miramax Films |
2015 |
Macbeth |
Co-production with StudioCanal, DMC Film, Anton Capital Entertainment, Creative Scotland and See-Saw Films |
1998 |
Martha, Meet Frank, Daniel and Laurence |
|
2018 |
Mary Magdalene |
Co-production with Universal Pictures, Porchlight Films, Affirm Films, Columbia Pictures and See-Saw Films[19]) |
2005 |
Me and You and Everyone We Know |
|
2007 |
Mister Lonely |
Co-production with Recorded Picture Company |
1982 |
Moonlighting |
|
2014 |
Mr. Turner |
Co-production with British Film Institute, Focus Features International and Thin Man Films |
1985 |
My Beautiful Laundrette |
Co-production with SAF Productions and Working Title Films |
1998 |
My Name Is Joe |
|
2010 |
Neds |
Co-production with Scottish Screen, UK Film Council and Wild Bunch |
2010 |
Never Let Me Go |
Co-production with DNA Films and Fox Searchlight Pictures |
1991 |
Night on Earth |
Co-production with JVC Entertainment, Victor Music Industries, Le Studio Canal + and Pandora Film |
1995 |
Nothing Personal |
Co-production with Bórd Scannán na hÉireann/Irish Film Board |
2009 |
Nowhere Boy |
Co-production with UK Film Council, Ecosse Films and The Weinstein Company |
2012 |
On the Road |
Co-production with American Zoetrope, MK2, France Télévisions, Canal+, Ciné+, France 2 Cinéma and Vanguard Films |
2002 |
Once Upon a Time in the Midlands |
Co-production with UK Film Council |
2011 |
One Day |
Co-production with Focus Features, Random House Films and Color Force |
1998 |
Orphans |
Co-production with Scottish Arts Council and Glasgow Film Office |
1982 |
P'tang, Yang, Kipperbang |
|
1984 |
Paris, Texas |
Co-production with Westdeutscher Rundfunk |
1992 |
Peter's Friends |
Co-production with The Samuel Goldwyn Company |
2018 |
Peterloo |
Co-production with British Film Institute, Amazon Studios and Thin Man Films |
2023 |
Poor Things |
Co-production with Searchlight Pictures, Element Pictures and TSG Entertainment |
1991 |
Prospero's Books |
Co-production with Canal+, Eurimages, VPRO, NHK, Cineplex Odeon Films and Palace Pictures |
2000 |
Purely Belter |
|
1989 |
Queen of Hearts |
Co-production with Nelson Entertainment, TVS Television and Cinecom |
1993 |
Raining Stones |
|
1983 |
Red Monarch |
Co-production with Goldcrest Films and Enigma Productions |
1982 |
Remembrance |
|
1991 |
Riff-Raff |
|
1987 |
Rita, Sue and Bob Too |
|
2019 |
Rocks |
|
2015 |
Room |
Co-production with Element Pictures and No Trace Camping |
2019 |
Saint Maud |
Co-production with British Film Institute, Escape Plan Productions and StudioCanal |
1987 |
Sammy and Rosie Get Laid |
Co-production with Working Title Films |
1996 |
Secrets & Lies |
Co-production with Ciby 2000 |
2001 |
Series 7: The Contenders |
Co-production with USA Films |
2012 |
Seven Psychopaths |
Co-production with British Film Institute, HanWay Films and CBS Films |
2000 |
Sexy Beast |
Co-production with Kanzaman, Fox Searchlight Pictures and Recorded Picture Company |
1994 |
Shallow Grave |
|
2011 |
Shame |
Co-production with Fox Searchlight Pictures, UK Film Council, See-Saw Films, HanWay Films and Momentum Pictures/Alliance Films |
2004 |
Shaun of the Dead |
Co-production with Big Talk Productions, Working Title Films, StudioCanal, Universal Pictures and Rogue Pictures |
1985 |
She'll Be Wearing Pink Pyjamas |
|
1994 |
Shopping |
Co-production with Kuzui Enterprises and PolyGram Filmed Entertainment |
2012 |
Sightseers |
Co-production with Big Talk Pictures |
1994 |
Sister My Sister |
|
2015 |
Slow West |
Co-production with the New Zealand Film Commission and See-Saw Films |
2008 |
Slumdog Millionaire |
Co-production with Fox Searchlight Pictures, Warner Bros. Pictures, Pathé and Celador Films |
2013 |
Starred Up |
Co-production with Creative Scotland, Northern Ireland Screen and Sigma Films |
1988 |
Stormy Monday |
Co-production with Atlantic Entertainment Group |
2007 |
Straightheads |
Co-production with Ingenious Film Partners and UK Film Council |
2010 |
Submarine |
Co-production with Red Hour Films and Warp Films |
2015 |
Suffragette |
Co-production with 20th Century Fox, Pathé, BFI, Ingenious Media, Canal+, Cine+ and Ruby Films |
1999 |
Sunshine |
Co-production with Alliance Atlantis, Eurimages, Telefilm Canada, The Movie Network, Kinowelt, TV2, ORF and Paramount Classics |
1994 |
The Acid House |
|
2003 |
The Actors |
Co-production with Miramax Films and Bórd Scannán na hÉireann/Irish Film Board |
1993 |
The Baby of Mâcon |
Co-production with UGC and Canal+ |
1987 |
The Belly of an Architect |
Co-production with Hemdale Film Corporation |
1992 |
The Crying Game |
Co-production with British Screen, Eurotrustees, Nippon Film Development and Finance and Palace Pictures |
1999 |
The Debt Collector |
|
2011 |
The Deep Blue Sea |
Co-production with UK Film Council and Artificial Eye |
2013 |
The Double |
Co-production with Alcove Entertainment and British Film Institute |
1982 |
The Draughtsman's Contract |
Co-production with British Film Institute |
2011 |
The Eagle |
Co-production with Focus Features |
2011 |
The Emperor's New Clothes |
|
2018 |
The Favourite |
Co-production with Fox Searchlight Pictures and Element Pictures |
2018 |
The Festival |
Co-production with Entertainment Film Distributors |
2000 |
The Filth and the Fury |
Co-production with Jersey Films |
2011 |
The Future |
Co-production with Medienboard Berlin-Brandenburg |
2011 |
The Great Bear |
|
2000 |
The House of Mirth |
Co-production with Granada Productions, Kinowelt, Arts Council of England, Showtime Networks and The Scottish Arts Council |
2011 |
The Inbetweeners Movie |
Co-production with Bwark Productions, Young Films and Entertainment Film Distributors |
2014 |
The Inbetweeners 2 |
Co-production with Bwark Productions |
2011 |
The Iron Lady |
Co-production with Pathé, UK Film Council and The Weinstein Company |
2005 |
The King |
|
2017 |
The Killing of a Sacred Deer |
Co-production with Element Pictures, Newsparta Films & A24 |
1998 |
The Land Girls |
Co-production with PolyGram Filmed Entertainment, Gramercy Pictures, Intermedia Films and Canal+ |
2006 |
The Last King of Scotland |
Co-production with DNA Films and Fox Searchlight Pictures |
2005 |
The League of Gentlemen's Apocalypse |
Co-production with Universal Pictures and Tiger Aspect |
2018 |
The Little Stranger |
Co-production with Pathé, Canal+ and Element Pictures |
2015 |
The Lobster |
Co-production with Irish Film Board, Eurimages, Netherlands Film Fund, British Film Institute, Canal+, Ciné+, CNC, Institut Français, Greek Film Centre, Element Pictures, Scarlet Films, Faliro House, Haut et Court and Lemming Films |
2013 |
The Look of Love |
Co-production with StudioCanal UK, Revolution Films and Baby Cow Productions |
2009 |
The Lovely Bones |
Co-production with DreamWorks Pictures and Paramount Pictures |
2001 |
The Low Down |
Co-production with British Screen, Oil Factory and Sleeper Films |
1994 |
The Madness of King George |
Co-production with The Samuel Goldwyn Company |
1991 |
The Miracle |
|
2004 |
The Motorcycle Diaries |
|
2001 |
The Navigators |
Co-production with Road Movies Filmproduktion, Westdeutscher Rundfunk and Arte |
1995 |
The Neon Bible |
Co-production with Artificial Eye |
2019 |
The Personal History of David Copperfield |
Co-production with FilmNation Entertainment |
1996 |
The Pillow Book |
Co-production with Canal+ |
1994 |
A Pin for the Butterfly |
|
1983 |
The Ploughman's Lunch |
Co-production with Goldcrest Films and Michael White |
1991 |
The Pope Must Die |
Co production with Miramax Films, Palace Pictures and Michael White |
1998 |
The Red Violin |
Co-production with New Line Cinema, Lionsgate, Telefilm Canada and CITY-TV |
2014 |
The Riot Club |
Co-production with Universal Pictures, British Film Institute, HanWay Films and Pinewood Pictures |
2013 |
The Selfish Giant |
Co-production with British Film Institute |
2009 |
The Scouting Book for Boys |
Co-production with Celador Films, Screen East and Pathé |
2013 |
The Spirit of '45 |
|
2013 |
The Stone Roses: Made of Stone |
Co-production with Warp Films |
1999 |
The Straight Story |
Co-production with StudioCanal and Walt Disney Pictures |
1985 |
The Supergrass |
Co-production with The Comic Strip and Michael White |
2011 |
The Woman in the Fifth |
Co-production with UK Film Council, Canal+, Orange Cinéma Séries and Artificial Eye |
1997 |
The Woodlanders |
Co-production with Pathé Productions and Arts Council of England |
2006 |
This Is England |
Co-production with UK Film Council, Optimum Releasing, Screen Yorkshire and Warp Films |
2017 |
Three Billboards Outside Ebbing, Missouri |
Co-production with Fox Searchlight Pictures and Blueprint Pictures |
2003 |
To Kill a King |
Co-production with Natural Nylon and HanWay Films |
2003 |
Touching the Void |
Co-production with Channel 4, UK Film Council, Darlow Smithson Productions and PBS |
1996 |
Trainspotting |
|
2017 |
T2 Trainspotting |
Co-production with TriStar Pictures, Cloud Eight Films and DNA Films |
2013 |
Trance |
Co-production with Pathé, Fox Searchlight Pictures and Cloud Eight Films and Indian Paintbrush |
2016 |
Trespass Against Us |
Co-production with Potboiler Productions |
1996 |
Trojan Eddie |
Co-production with Bórd Scannán na hÉireann/Irish Film Board |
1996 |
True Blue |
|
2019 |
True History of the Kelly Gang |
Co-production with Film Victoria and Screen Australia |
2011 |
Tyrannosaur |
Co-production with Warp X, Inflammable Films, UK Film Council, Screen Yorkshire, EM Media, and Optimum Releasing (as StudioCanal UK) |
2013 |
Under the Skin |
Co-production with British Film Institute, FilmNation Entertainment, Scottish Screen, Nick Wechsler Productions and A24 Films |
2016 |
Una |
Co-production with Bron Studios, Jean Doumanian Productions, and WestEnd Films |
1998 |
Velvet Goldmine |
Co-production with Newmarket Capital Group, Miramax Films, Killer Films and Zenith Entertainment |
2006 |
Venus |
Co-production with UK Film Council and Miramax Films |
2001 |
Very Annie Mary |
Co-production with Canal+ |
1996 |
Walking and Talking |
Co-production with Miramax Films, Zenith Productions, Pandora Film, Mikado Films (France), Electric, TEAM Communications Group, PolyGram Filmed Entertainment and Good Machine |
1982 |
Walter |
|
1992 |
Waterland |
|
1997 |
Welcome to Sarajevo |
Co-production with Miramax Films |
1986 |
When the Wind Blows |
Co-production with Kings Road Entertainment |
2018 |
Widows |
Co-production with 20th Century Fox, Regency Enterprises and See-Saw Films |
1992 |
Wild West |
|
1987 |
Wish You Were Here |
|
1999 |
With or Without You |
Co-production with Miramax Films and Revolution Films |
1993 |
Wittgenstein |
Co-production with the British Film Institute |
2011 |
Wuthering Heights |
Co-production with HanWay Films, Ecosse Films, UK Film Council, Goldcrest Films and Screen Yorkshire |
2017 |
You Were Never Really Here |
Co-production with Why Not Productions, British Film Institute and Page 114 |
1986 |
Zastrozzi, A Romance |
|