Top Qs
Timeline
Chat
Perspective

Golden Lion

Highest prize awarded at the Venice Film Festival From Wikipedia, the free encyclopedia

Golden Lion
Remove ads

The Golden Lion (Italian: Leone d'oro) is the highest prize given to a film at the Venice Film Festival. The prize was introduced in 1949 by the organizing committee and is regarded as one of the film industry's most prestigious and distinguished prizes.[1] In 1970, the Golden Lion for Lifetime Achievement was introduced, an honorary prize for people who have made an important contribution to cinema.

Quick Facts Location, Country ...

The prize was introduced in 1949 as the Golden Lion of Saint Mark (which was one of the best known symbols of the ancient Republic of Venice).[2] In 1954, the prize was permanently named the Golden Lion.

Remove ads

History

Summarize
Perspective
Thumb
A Golden Lion trophy
Thumb
Roberto Rossellini and Mario Monicelli winning the Golden Lion in 1959 for General Della Rovere and The Great War, respectively

The first Golden Lion was awarded in 1949. Previously, the equivalent prize was the Gran Premio Internazionale di Venezia (Grand International Prize of Venice), awarded in 1947 and 1948. No Golden Lions were awarded between 1969 and 1979. According to the Biennale's official website, the hiatus was a result of the 1968 Lion being given to the radically experimental Die Artisten in der Zirkuskuppel: Ratlos; the website says that the awards "still had a statute dating back to the fascist era and could not side-step the general political climate. Sixty-eight produced a dramatic fracture with the past".[3] Fourteen French films have been awarded the Golden Lion, more than to any other nation. However, there is considerable geographical diversity in the winners. Eight American filmmakers have won the Golden Lion, with awards for John Cassavetes and Robert Altman (both times the awards were shared with other winners who tied), as well as Ang Lee (Brokeback Mountain was the first winning U.S. film not to tie), Darren Aronofsky, Sofia Coppola, Todd Phillips, Chloé Zhao, and Laura Poitras.

Although prior to 1980, only three of 21 winners were of non-European origin, since the 1980s, the Golden Lion has been presented to a number of Asian filmmakers, particularly in comparison to the Cannes Film Festival's top prize, the Palme d'Or, which has only been awarded to five Asian filmmakers since 1980. The Golden Lion, by contrast, has been awarded to ten Asians during the same time period, with two of these filmmakers winning it twice. Ang Lee won the Golden Lion twice within three years during the 2000s, once for an American film and once for a Chinese-language film. Zhang Yimou has also won twice. Other Asians to win the Golden Lion since 1980 include Jia Zhangke, Hou Hsiao-hsien, Tsai Ming-liang, Trần Anh Hùng, Takeshi Kitano, Kim Ki-duk, Jafar Panahi, Mira Nair, and Lav Diaz. Russian filmmakers have won the Golden Lion several times, including since the end of the USSR.

To date, 33 of the 54 winners were European men (including Soviet/Russian winners). Since 1949, only seven women have won the Golden Lion for directing: Margarethe von Trotta, Agnès Varda, Mira Nair, Sofia Coppola, Chloé Zhao, Audrey Diwan, and Laura Poitras (though in 1938, German director Leni Riefenstahl won the Festival when its highest award was the Coppa Mussolini). In 2019, Joker became the first movie based on original comic book characters to win the prize.[4]

Controversies

From 1934 until 1942, the highest award of the festival was the Coppa Mussolini for Best Italian Film and Best Foreign Film. Even though other awards were attributed to Nazi propaganda films, such as Jud Süß (Suss, the Jew), an antisemitic production made at the behest of Nazi Propaganda Minister Joseph Goebbels, won the festival's Golden Crown[5][6] award in 1940.[7][8][9]

Gran Premio Internazionale di Venezia

After the end of the WWII during the reestablishment of the festival, The Southerner, directed by Jean Renoir, won the main prize at the 1946 edition. During 1947 and 1948 the equivalent prize for the Golden Lion was the Gran Premio Internazionale di Venezia (Grand International Prize of Venice), awarded to Karel Steklý's The Strike in 1947 and Laurence Olivier's Hamlet in 1948.

Remove ads

Winners

Summarize
Perspective

These films received the Golden Lions or the major awards of the Venice Film Festival:[10]

Thumb
Akira Kurosawa won for Rashomon (1950)
Thumb
Carl Theodor Dreyer won for Ordet (1946)
Thumb
Satyajit Ray won for Aparajito (1957)
Thumb
Michelangelo Antonioni won for Red Desert (1964)
Thumb
Louis Malle won twice for Atlantic City (1980) and Au revoir les enfants (1987)
Thumb
John Cassavetes won for Gloria (1980)
Thumb
Jean-Luc Godard won for First Name: Carmen (1983)
Thumb
Agnès Varda won for Vagabond (1985)
Thumb
Zhang Yimou won twice for The Story of Qiu Ju (1992) and Not One Less (1999)
Thumb
Jafar Panahi won for The Circle (2000)
Thumb
Ang Lee won twice for Brokeback Mountain (2005) and Lust, Caution (2007)
Thumb
Jia Zhangke won for Still Life (2006)
Thumb
Sofia Coppola won for Somewhere (2010)
Thumb
Pedro Almodóvar won for The Room Next Door (2024)

1940s

More information Year, Title ...

1950s

More information Year, English Title ...

1960s

More information Year, English Title ...

1970s

More information Year, English Title ...

1980s

More information Year, English Title ...

1990s

More information Year, English Title ...

2000s

More information Year, English Title ...

2010s

More information Year, English Title ...

2020s

More information Year, English Title ...
Notes
§ Denotes unanimous win
Remove ads

Multiple winners

Four directors have won the award twice:

Golden Lion for Lifetime Achievement

Thumb
Marcello Mastroianni receiving the prize in 1990
Thumb
Steven Spielberg receiving the prize from Gillo Pontecorvo in 1993
Thumb
Martin Scorsese receiving the prize from Monica Vitti, 1995
Thumb
Omar Sharif receiving the prize in 2003
More information Year, Winner(s) ...
Remove ads

See also

Notes

  1. There was a tie between The Burmese Harp (ビルマの竪琴) by Kon Ichikawa (Japan) and Calle Mayor by Juan Antonio Bardem (Spain) and the international jury was unable to decide the winner, the prize was declared void
  2. Even though a cinema section within the Biennale was organized with "proposals for new films", tributes, retrospectives, conventions, and some screenings.
  3. Even though an event integrated into the Biennale project on "cultural dissent" focused on cinema in Eastern Europe took place.
Remove ads

References

Loading related searches...

Wikiwand - on

Seamless Wikipedia browsing. On steroids.

Remove ads