Chaya Czernowin

Chaya Czernowin (Hebrew: חיה צ'רנובין, Hebrew pronunciation: [ˌχaja t͡ʃɛʁˈnobin]; born December 7, 1957) is an Israeli American composer,^[1] and Walter Bigelow Rosen Professor of Music at Harvard University.^[2][3]

Chaya Czernowin
חיה צ'רנובין
Born	December 7, 1957 Haifa, Israel
Nationality	Israeli American
Title	Walter Bigelow Rosen Professor of Music at Harvard University
Awards	Guggenheim Fellow Ernst von Siemens Music Prize
Academic background
Education	Tel-Aviv University Bard College University of California, San Diego (Ph.D. 1993)
Academic advisors	Brian Ferneyhough Roger Reynolds
Academic work
Institutions	Professor of composition at University of California, San Diego (1997–2006) Professor of composition at the University of Music and Performing Arts, Vienna (2006–2009) Professor of music at Harvard University (2009–Present)

She is the lead composer at the Schloß Solitude Sommerakademie,^[4] a biannual international academy of composers and resident musicians at the landmark Schloß Solitude, in Stuttgart, Germany.^[5] She is a 2011 Guggenheim Fellow.^[6]

Education and early career

Czernowin was born in Haifa, and raised in Israel. She studied in Israel, Germany, and in the United States. She also received fellowships to compose in Japan and in Germany.^[7] Czernowin studied at the Rubin Academy of music at Tel-Aviv University, Bard College, and received her PhD from the University of California, San Diego in 1993. At UCSD, she studied with Brian Ferneyhough and Roger Reynolds.

Czernowin spent several years after her formal studies on residencies and fellowships in Japan, Europe, and the United States.^[8] She was awarded the Ernst von Siemens Composer Prize in 2003.

From 1997 to 2006, she was professor of composition at UCSD, and between 2006 and 2009 she was professor of composition at the University of Music and Performing Arts, Vienna.

Musical works

Source:^[9]

Early works

• Dam Sheom Hachol

Operas

• "opera without words," PNIMA...ins innere. (2000), premiered at the Munich Biennale
• A companion to Mozart's fragment, Adama/Zäide (2006)^[10]
• "Infinite Now" (2017), opera in six acts, premiered at the Vlaamse Opera in Ghent^[11]
• Heart Chamber, 2019, premiered at the Deutsche Oper Berlin.^[12]

Orchestra

• Birds for string orchestra (1984), 11'
• The hour glass bleeds still for string orchestra (1992, rev. 2002)
• Amber for large orchestra (1993), 18'
• Afatsim for mixed ensemble (1996), 10'
• Shu Hai in an orchestral setting for orchestra, female voice, and live electronics (2001), 30'
• Dam Sheon Hachol (the hourglass bleeds still) version for string orchestra (2002), 19'
• Maim (strange water, stolen water), triptych for large orchestra, tubax recorded and a quintet of soloists (oboe, tubax, electric guitar, piano, viola) (2001/2002), 18';
  • I: maim zarim maim gnuvim (strange water stolen water) (2002);
  • II: The memory of water (2006);
  • III: mei mechaa (water of disent) (2005–2006)

Ensemble

• Afatsim for mixed ensemble (1996). Appears twice (see orchestra)
• Winter Songs I: Pending Light for live electronics and seven instruments (2002/2003), 12'
• Winter Songs II: Stones for seven instruments and three percussionists (2003), 12'
• Winter Songs III: Roots for live electronics, seven instruments and three percussionists (2003), 14'
• Excavated Dialogues Fragments for a mixed ensemble of Eastern and Western instruments (2003), 8‘
• Excavated Dialogues Fragments – Second version for a mixed ensemble of modern and Renaissance/Baroque instruments (2003, rev. 2005)
• Anea Crystal for Two String Quartets and an Octet (2008)
• Sheva for seven players, for tpt b trb 2 percussionists pno contra guitar and vcl (2008)

Concerto

• While Liquid Amber for three amplified piccolos (solo) and large orchestra (2000), 18'

Chamber music

• Ina for bass flute and pre-recorded flutes (1989), 12' – ED 9680
• LeArye for violin and 15 pre-recorded violins and violas (1990), 14'
• Dam Sheon Hachol (the hourglass bleeds still) for string sextet (1992), 18' – ED 9663
• A map of a recurrent dream for sho, u, live and pre-recorded Tape (1994), 17'
• Tris for percussion and pre recorded percussion (1993), 13'
• Die Kreuzung for accordion, alt saxsophone and bass (1994), 10' – ED 9684
• String Quartet (1995), 14'
• Drift (Sahaf) for saxophone (baritone and sopranino) or clarinet (Eb clarinet and bass clarinet), E-guitar, piano and percussion (timpano, marimba, 2 plastic triangle liners, bamboo wind chime, ocean drum, ratchet, snare drum) (2008)

Vocal music

• Manoalchadiya for bass flute and two female voices (1988), 13'
• Shu Hai Mitamen Behatalat Kidon (Shu Hai Practices Javalin) for solo female voice and recorded nine voices with live electronics (1996/1997), 30' – ED 9672
• Six Miniatures and a Simultaneous Song for mixed ensemble and a singer (1998), 13'
• Pilgerfahrten for narrator, boy's choir, and instrumental ensemble (2005/2006, rev. 2007)

Recent works

• Winter Songs, Maim Zarim, Main Gnuvim

Discography

Portrait CDs

Afatsim

• Released: 1999
• Format: CD
• Label: Mode Records

Shu Hai Practices Javelin

• Released: 2002
• Format: CD
• Label: Mode Records

Maim

• Released: 2010
• Format: CD
• Label: Mode Records

Shifting Gravity

• Released: 2011
• Format: CD
• Label: Wergo