Chiaramontan Gothic architecture

Chiaramontan Gothic architecture (Italian: gotico chiaramontano) is a regional variant of Sicilian Gothic that developed in the 14th century under the patronage and influence of the Chiaramonte family, particularly in western Sicily.^[1] It developed during the Aragonese period and is identified in the literature as architettura chiaramontana.^[1][2]

Chiaramontan Gothic architecture
Exterior of the Palazzo Chiaramonte-Steri in Palermo, the most prominent example of the style
Branch	Architecture
Years active	14th century
Location	Sicily, Italy
Major figures	Chiaramonte family (patrons)
Influences	Norman; Byzantine; Islamic

The style is characterised by the use of pointed arches, mullioned/bifora windows and fortified palace forms, combined with decorative elements associated with Norman, Byzantine and Islamic traditions. Typical features include sculptural façades, saw-tooth/zig-zag mouldings and elaborate portals. Notable examples include the Steri in Palermo and religious complexes such as Santo Spirito in Agrigento, as well as the Matrice at Erice.^[1][3]

History

After the Sicilian Vespers (1282) and the island’s incorporation into the Aragonese sphere, the house of Chiaramonte became one of the principal noble families in western Sicily.^[2] Its power base centred on Palermo, Agrigento and a network of fortified sites and estates, where the family commissioned castles, palaces and churches that shaped regional building activity.^[1]

In the first half of the 14th century, early commissions included the Palazzo Chiaramonte-Steri in Palermo and the monastery of Santo Spirito in Agrigento, with further works across the family’s territories.^[1][3]

The style reached a peak in the mid-14th century under figures such as Manfredi III Chiaramonte, whose patronage is attested at castles in Mussomeli, Naro and Favara.^[4]

The fall of the Chiaramonte in 1392, marked by the execution of Andrea Chiaramonte and the confiscation of family estates by the Aragonese crown, curtailed the patronage that had sustained the style.^[2] Thereafter, Sicilian Gothic was increasingly shaped by Catalan Gothic models under Aragonese rule, although many Chiaramontan buildings remained in use and were altered in later periods.

Characteristics

Chiaramontan Gothic architecture combines fortified massing with elaborate stone carving, most visible in secular palaces and selected religious buildings in western Sicily.^[1]

• Large mullioned (often bifora or trifora) windows on principal floors.
• Zig-zag or broken-staff mouldings framing portals, arches and windows.
• Rose windows and elaborate portals providing sculptural emphasis on plain wall surfaces.^[5]
• A castle-like massing in major palaces (crenellations, towers) alongside Gothic openings.
• Use of pointed arches; buttresses appear where required by plan.
• Emphasis on carved stone decoration and three-dimensional façades.

These features occur in both civic and religious contexts, with the clearest concentrations in the west of the island.^[1][3]

Gallery

• 
  Trifora window of the Steri in Palermo
• 
  The Matrice of Erice, with Chiaramontan Gothic portal
• 
  The Santo Spirito monastery in Agrigento
• 
  Portal of the Mother Church in Bivona
• 
  Palazzo Montalto in Syracuse
• 
  Entrance portal, Palermo Conservatory