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Chris Bush (playwright)
British playwright and artistic director From Wikipedia, the free encyclopedia
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Christine Claire Bush[1] (born 3 July 1986) is a British playwright and artistic director.
Overview
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Perspective
Bush was born in Sheffield, England.[2] She studied at the University of York and currently resides in London.
She is best known for her 2007 work TONY! The Blair Musical, which enjoyed sell-out runs and critical acclaim[3] at the York Theatre Royal and Edinburgh Fringe before transferring to the Pleasance Islington as winner of the inaugural Sunday Times NSDF Award[4] for a successful off West-End run. Its sequel, Tony of Arabia, debuted at the Pleasance Dome, Edinburgh in 2008, running in rep with the original show.
In 2012 Bush made her full-length debut as a writer/performer with The Loves I Haven't Known,[5] a musical comedy performed with regular composing partner Ian McCluskey.
In 2012-13 Bush completed a writer's attachment at the National Theatre Studio, and was the 2013 Pearson Playwright-in-Residence for Sheffield Theatres, where she wrote The Sheffield Mysteries, a contemporary take on the medieval Mystery Plays, directed by Daniel Evans.[6]
Bush has been an Artist in Residence for the Oxford Playhouse and Sheffield Theatres, and a member of the Orange Tree Theatre Writers' Collective.[7] She has won both the Perfect Pitch Award and Kevin Spacey Foundation Artist of Choice Award for Musical Theatre.[8][9]
She has stated on numerous occasions that her favourite colour is Periwinkle. More recently, she was among the writers to receive first-look deals with ViacomCBS International Studios to start a program to amplify diverse voices.[10]
On 18 July 2024, Bush was made an honorary Doctor of Letters at the University of Sheffield.[11] Later that month, on 29 July 2024, she received a second honorary degree from the University of York.[12]
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Selected stage works
- TONY! The Blair Musical (2007) York Theatre Royal, Pleasance
- Tony of Arabia (2008) Theatre Royal, Wakefield, Oxford North Wall, Pleasance
- WOLF (2009) The Theatre, Chipping Norton and Latitude Festival
- The Loves I Haven't Known (2012) C Venues, Edinburgh
- 20 Tiny Plays about Sheffield (2013) Crucible Theatre Studio
- The Sheffield Mysteries (2014) Crucible Theatre
- Poking the Bear (2014) Theatre503
- Be|Spoke (2014) Sheffield Hallam University/Welcome to Yorkshire, Tour de Yorkshire
- Larksong (2015) New Vic Theatre
- A Declaration From the People (2015) Royal National Theatre
- A Dream (2016) Crucible Theatre
- What We Wished For (2017) Crucible Theatre
- Steel (2018) Sheffield Theatres
- The Assassination of Katie Hopkins (2018) Theatr Clwyd
- Pericles (2018) National Theatre
- The Changing Room (2018) National Theatre Connections
- The Last Noël (2018) The Old Fire Station
- Standing At The Sky's Edge (2019) Sheffield Theatres
- Faustus: That Damned Woman (2019) Lyric Hammersmith
- Kein Weltuntergang (2021) Schaubühne, Berlin
- Rock/ Paper/ Scissors (2022) Sheffield Theatres
- A Dolls House (adaptation) (2024) Sheffield Theatres
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Complete List of Plays
- TONY! The Blair Musical (2007) York Theatre Royal, Pleasance
- Tony of Arabia (2008) Theatre Royal, Wakefield, Oxford North Wall, Pleasance
- WOLF (2009) The Theatre, Chipping Norton and Latitude Festival
- The Loves I Haven't Known (2012) C Venues, Edinburgh
- 20 Tiny Plays about Sheffield (2013) Crucible Theatre Studio
- The Sheffield Mysteries (2014) Crucible Theatre
- Sleight & Hand (2014) Summerhall
- Poking the Bear (2014) Theatre503
- Be|Spoke (2014) Sheffield Hallam University/Welcome to Yorkshire, Tour de Yorkshire
- Larksong (2015) New Vic Theatre
- The Bureau of Lost Things Theatre503
- A Declaration From the People (2015) Royal National Theatre
- A Dream (2016) Crucible Theatre
- What We Wished For (2017) Crucible Theatre
- Speaking Freely (2018) Theatre 503
- The Assassination of Katie Hopkins (2018) Theatr Clwyd
- The Changing Room (2018) National Theatre Connections
- Scenes From The End Of The World (2018) The Yard, London
- Pericles (2018) National Theatre
- Steel (2018) Sheffield Theatres
- Standing At The Sky's Edge (2019) Sheffield Theatres
- The Last Noël (2019) The Old Fire Station
- Faustus: That Damned Woman (2019) Lyric Hammersmith
- Nine Lessons and Carols: Stories for a Long Winter (2020) Almeida Theatre
- The Band Plays On (2021) Sheffield Theatres
- Hungry (2021) Paines Plough
- Kein Weltuntergang (2021) Schaubühne, Berlin
- Fantastically Great Women Who Changed The World (2021) MAST Mayflower, Southampton
- Jane Eyre (adaptation from Bronte) (2022) Stephen Joseph Theatre
- Rock / Paper / Scissors (2022) Sheffield Theatres
- The Doncastrian Chalk Circle (2022) National Theatre
- The Odyssey (adaptation from Homer) (2023) National Theatre
- A Doll's House (adaptation from Ibsen) (2024) Sheffield Theatres
- Robin Hood and the Christmas Heist (music by Matt Winkworth) Rose Theatre, Kingston
- Otherland (2025) Almeida Theatre
- Cinderella (2026, upcoming)
- Orlando (FL) (TBA)
Political views
Despite lampooning him on stage, Bush described Tony Blair as "a decent man who made some bad decisions", and stated that she had "come to ridicule beautiful Blair not vilify him".[13] Some have argued that Bush is not critical enough of New Labour. Writing in The Daily Telegraph, Dominic Cavendish claimed that "the country is angrier than [Tony, The Blair Musical] allows".[14] Contrarily, Paul Lowman of The Press (York) has praised Bush's even-handedness, stating that her greatest strength is her ability to "camouflage complex issues in a vastly entertaining, glossy, media friendly package".[15]
Bush has stated that she is proud of her British heritage, and is a supporter of immigration to the country. On a 2009 episode of Come Dine with Me she stated that "what makes [her] really proud of Britain [is] the number of people who want to be here".[16]
Bush champions the Koala and is a frequent donor to the Australian Koala Foundation.[17]
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Trivia
In November 2009, Bush appeared on an episode of the Channel 4 reality television programme Come Dine with Me. Bush placed joint first and received £500 of the £1000 prize, which according to her equated to a "year's wages in the theatre".[16]
References
External links
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