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City symphony

Film genre encompassing documentary, experimental and the avant-garde From Wikipedia, the free encyclopedia

City symphony
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City symphony is a film genre encompassing documentary, experimental, and the avant-garde that emerged in the 1920s.[1] Coming to prominence alongside modernist art movements such as futurism, constructivism, and radicalism, city symphonies reflect the historical development of city centers and technological hubs of advancement.[2] As the art of cinema became more respected, filmmakers such as Walter Ruttman and Dziga Vertov gravitated towards works highlighting the beauty of cities, aiming to capture scenes of modern life from their narrative points of views.[1]

A Bronx Morning by Jay Leyda, a 1931 short film documenting the Bronx
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Emergence

The term city "symphony" suggests a musically inclined editing pace and harmonious imagery to support the visual images. Many city symphony filmmakers shot their films with an artistically inclined eye, aiming to show urban hubs with aestheticism and beauty rather than as a travel log.[3] Cities across the world such as Manhattan, Berlin, and Milan were filmed in admiration with positive images of their hardworking people and impressive industrial feats. Rather than have characters, dialogue, or narrative, the city itself was the star of these films.[3]

City symphony films made during the 1920s-1930s were before the era of sound cinema, however images were also supported by orchestral accompaniments.

City symphonies, which continued well into the post-WWII era,[4][5] are usually associated with the rise in art film as well as contemporaneous trends in art and photography movements like modernism.[1]

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Notable works

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Below are some popular city symphony works, not all-encompassing.

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See also

References

Bibliography

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