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Cole Weston

American photographer (1919-2003) From Wikipedia, the free encyclopedia

Cole Weston
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Cole Weston (January 30, 1919 – April 20, 2003) was photographer Edward Weston's fourth and youngest son. Although Weston "was born into the tradition of craftsman-produced black-and-white art photography, he was to find his own photographic direction in colour."[1]

Quick facts Born, Died ...

Cole Weston's life followed a diverse course that started with theater, later leading him to the Navy,[2][3] a position photographing for Life,[4] and later photographing portraits, before he moved to Carmel, California, in 1946, at his father's request. In the years that followed, Cole became his father's assistant and trusted companion; and, as Edward's struggle with Parkinson's disease worsened, Cole became the keeper of two careers, his father's and his own.[1] Before his death in 2003, Cole Weston was devoted to keeping both bodies of work flourishing and circulating widely.[5][6][7]

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Early life

Cole graduated with a degree in theater arts from the Cornish School in Seattle in 1937.[2] Cole served in the United States Navy during World War II as a welder and photographer[2] in Norman, OK.[3] He ran for Congress in 1948 on the Progressive Party ticket, but was unsuccessful.[8]

Assisting Edward Weston and discovering color (1946–1958)

Upon his discharge from the navy, Cole started photographing for Life in Southern California.[4] At the same time, Edward became increasingly crippled by Parkinson's disease and wrote to Cole asking for his help with the printing of his negatives;[4][9] and so, in 1946, Cole and his wife moved to Carmel to help his ailing father in his darkroom and studio.[1][2] Cole and his brother Brett Weston printed their father's negatives under his supervision.[6][7]

At the time, Eastman Kodak sent their new color films Kodachrome and Ektachrome to Edward because they wanted him to "photograph Point Lobos in color" to which Edward responded: "Well, I don’t know anything about color, but I know Point Lobos better than any man alive".[5] With the leftover film, Cole began experimenting with the new medium and, in 1957, he created his first color prints of the California coastline.[2][10]

"I’m a color photographer. That’s what I do. Whether you like it or not, that’s what I do. There is nothing wrong with black and white, but I am into color. And I like it!"[5]

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The second Forest Theater Guild

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Cole Weston Statue at the Forest Theater, Carmel-by-the-Sea, California

In 1971, Cole Weston established the second Forest Theater Guild in Carmel, CA and began directing productions on the outdoor stage during spring and summer months.[11] Weston worked with the Forest Theater Guild for 50 years in which he directed more than 30 plays and was involved with the physical construction of the Indoor Forest Theater[12][13] (a small theater beneath the outdoor stage) "hauling in the concrete and other building materials himself".[14]

Edward Weston's negatives and the Cole Weston Trust

In his will, Edward Weston left his negatives to Cole, who printed them[1][15] for more than 30 years. On September 30, 2014, a collection of 548 prints from Edward's negatives, printed posthumously by Cole, was auctioned by Sotheby's in New York.[16]

Publications

  • 1981 – Cole Weston, eighteen photographs[17]
  • 1998 – Cole Weston: At Home and Abroad[18]
  • 1991 – Cole Weston, fifty years[19]
  • 1995 – Not Man Apart: Photographs of the Big Sur Coast[20]
  • 2000 – Laughing Eyes: A Book of Letters Between Edward and Cole Weston, 1923–1946[9]

References

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