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Come Sunday
1943 jazz standard by Duke Ellington From Wikipedia, the free encyclopedia
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"Come Sunday" is a sacred jazz piece by Duke Ellington that has become a jazz standard. It was written as a part of the first movement of a suite entitled Black, Brown and Beige.
History
Ellington was engaged for a performance at Carnegie Hall on January 23, 1943, for which he wrote the entire composition (that whole concert was released in 1977 as The Carnegie Hall Concerts: January 1943). In 1958 he revised the suite and recorded it in its entirety for that year's album titled after the suite.[1] "Come Sunday" was originally a centerpiece for alto saxophone player Johnny Hodges; the 1958 album, which contained a vocal version of the piece with new lyrics by Ellington featuring gospel singer Mahalia Jackson, greatly increased its popularity.[2]
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Notable recordings
- Duke Ellington – Black, Brown and Beige (rel. 1946), recording of 1943 Carnegie Hall concert[2]
- Duke Ellington – Black, Brown and Beige (1958, with Mahalia Jackson)[2]
- Dizzy Gillespie – A Portrait of Duke Ellington (1960)[2]
- Carmen McRae - Bittersweet (1964)[3]
- Jennifer Holliday – Say You Love Me (1985), Grammy Award Winner, Best Inspirational Performance, 1986[4]
- Donna McElroy – Bigger World (1990)[5][6][7]
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See also
References
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