Committed (Canadian TV series)

Committed is a Canadian animated sitcom based on the comic strip of the same name by Michael Fry,^[1] co-produced by Nelvana Limited and Philippine Animation Studio Inc., the series aired on CTV from March 3 to June 8, 2001, and was broadcast by WE: Women's Entertainment as WE TV’s first scripted original series in the United States.^[2]

Committed
Genre	Animated sitcom
Created by	Michael Fry Mary Feller
Based on	Committed by Michael Fry
Developed by	Howard Nemetz
Written by	Michael Fry
Directed by	Dennis Miller
Voices of	Eugene Levy Catherine O'Hara Andrea Martin Dave Foley Annick Obonsawin Charlotte Arnold Cole Caplan
Theme music composer	Steve Mooney
Opening theme	Trisha Yearwood
Country of origin	Canada Philippines
Original language	English
No. of seasons	1
No. of episodes	13
Production
Executive producer	Annie Groovie
Producer	Frank Saperstein
Editor	Kelly Vrooman
Running time	approx. 23 minutes
Production companies	CTV Philippine Animation Studio Inc. Nelvana Limited
Original release
Network	CTV
Release	March 3 (2001-03-03) – June 8, 2001 (2001-06-08)

Content

The show is based on the comic strip of the same name. It features mother Liz Larsen, her husband Joe, their children, Tracy, Zelda, and Nicholas; and their pet dog, Bob. The show's comedy focuses on the parents' attempts to balance their careers and personal lives while raising their children. Interludes of the cartoon feature Bob acting as a Greek chorus.^[3] Bob also breaks the fourth wall throughout the series.

The show features celebrity voice talents such as Eugene Levy as Joe Larsen, Catherine O'Hara as Liz Larsen, Andrea Martin as Frances Wilder, and Dave Foley as Bob the Dog.

Famous country singer celebrity Trisha Yearwood performs the theme song.

Cast

• Eugene Levy as Joe Larsen
• Catherine O'Hara as Liz Larsen
• Andrea Martin as Frances Wilder
• Dave Foley as Bob the Dog
• Annick Obonsawin as Tracy Larsen
• Charlotte Arnold as Zelda Larsen
• Cole Caplan as Nicholas Larsen
• Oscar Hsu as Gary Wong
• Ron Pardo as Cal
• Linda Kash as Val
• Len Carlson as Additional Voices
• Greg Spottiswood as Additional Voices
• Adrian Truss as Additional Voices

Episodes

No.	Title
1	"Liz's Choice"
When the babysitter quits, working parents Liz and Joe Larsen have to scramble to find childcare for their two-year-old potty training Nicholas.
2	"Time Waits For No Mom"
Liz faces a performance review at work, while trying to keep track of three sick kids and a husband facing a writing deadline.
3	"Mom On Strike"
Liz comes home from work to find the house a mess and her family oblivious.
4	"My Daughter The Star"
After ten-year-old Tracy gets a part in an experimental school play, Joe and Liz disagree about how to best encourage her new-found interest in acting.
5	"Two Minutes to Paradise"
Having scheduled a romantic date night, Liz ends up reassessing the state of her marriage while waiting for Joe to watch the last two minutes of a championship basketball game.
6	"www.joie-de-tot.com"
Joie de Tot, Nicholas' daycare center, has just installed a web cam so the parents can watch their kids during the day.
7	"Life Goes On, Bra"
When Tracy decides she needs a bra, Liz is forced to face the reality that her little girl is becoming a pre-woman.
8	"Who Wants To Be A Crillionaire?"
On a field trip, an eight-year-old Zelda's bus has a minor accident.
9	"Be My Guest"
The new next-door neighbors ask the Larsens to dog-sit in their all-new, cutting edge computer controlled home.
10	"Married To The Mob Rat"
Liz discovers that Zelda's Girl Tracker cookie drive is not only controlled by the mob, but that the cookies are made by her company.
11	"There Must Be a Pony"
Liz suggests to a bored Zelda that she throw herself into hobby.
12	"The College Slush Fund"
After a career day at school, Zelda and Tracy discover that going to college costs money.
13	"Beauty Is In The Eye of the Beholden"
Liz questions her attractiveness when Joe is picked to judge "The Miss Downloadable" beauty contest.

Critical reception

Lynne Heffley of The Los Angeles Times gave the show a mostly-negative review, stating that "Not even the show's few moments of genuinely resonant parental reality can overcome forced plotlines".^[4]