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Craig Dworkin
American poet, and English professor (born 1969) From Wikipedia, the free encyclopedia
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Craig Dworkin is an American poet, critic, editor, and Professor of English at the University of Utah.[1][2][3] He is the founding senior editor of Eclipse, an online archive of 20th-century small-press writing and 21st-century born-digital publications.[4][5]
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Education and career
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Perspective
Dworkin received his BA from Stanford University and his PhD from the University of California, Berkeley.[2] He was an assistant[6] and associate professor[7] at Princeton University from 1998 to 2004 before joining the faculty at the University of Utah, where he is a Professor of English.[1]
Dworkin has written a number of books of poetry, including Helicography (Punctum Books, 2021),[8] The Pine-Woods Notebook (Kenning Editions, 2019),[9] Def (Information as Material, 2018),[10] Twelve Erroneous Displacements and a Fact (IAM, 2016),[11] Alkali (Counterpath Press, 2015),[12] The Crystal Text (After Clark Coolidge) (Compline, 2012),[13] Motes (Roof Books, 2011),[14] The Perverse Library (IAM, 2010),[15] and Strand (Roof, 2005).[16]
Dworkin is the author of four scholarly monographs: Radium of the Word: A Poetics of Materiality (Chicago, 2020);[17][18] Dictionary Poetics: Toward a Radical Lexicography (Fordham, 2020);[19] No Medium (MIT, 2013),[20] in which he discusses works that are "blank, erased, clear, or silent";[21] and Reading the Illegible (Northwestern, 2003).[22] Edited collections include Against Expression (co-edited with Kenneth Goldsmith, Northwestern, 2011), in which he coined the term "conceptual writing";[23] The Sound of Poetry / The Poetry of Sound, co-edited with Marjorie Perloff (Chicago, 2009); and The Consequence of Innovation: 21st Century Poetics (Roof, 2008). He has published articles in such diverse journals as October,[24] Grey Room,[25] Contemporary Literature,[26] PMLA,[27] and Critical Inquiry.[28]
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Eclipse
Dworkin is the founding senior editor of Eclipse, an online archive focusing on digital facsimiles of radical small-press writing from the last quarter of the 20th century.[4] Dworkin started the archive in 2002 to provide readers and scholars with access to avant-garde works that were no longer available in print from their original publishers; Eclipse later expanded to publish selected new works and born-digital publications in the spirit of those earlier presses.[29] The archive's name is an homage to Douglas Messerli’s Sun & Moon press.[29]
Eclipse includes high-resolution scans of every page of its included texts, most from Dworkin's personal collection,[4] in an attempt to "conserve ... the facture and material specificity of the book or printed document as an object."[30] Dworkin co-manages the archive with Danny Snelson, assistant professor of English at UCLA.[31]
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Works
Scholarly monographs
- Radium of the Word: A Poetics of Materiality. Thinking Literature. University of Chicago Press. 2020.
- Dictionary Poetics: Toward a Radical Lexicography. Fordham University Press. 2020.
- No Medium. MIT Press. 2013.
- Reading the Illegible. Northwestern University Press. 2003.
Edited collections
- Nothing: A User's Manual. Information as Material. 2015.
- Craig Dworkin and Kenneth Goldsmith, eds. Against Expression: An Anthology of Conceptual Writing. Northwestern University Press. 2011.
- Craig Dworkin and Marjorie Perloff, eds. The Sound of Poetry / The Poetry of Sound. University of Chicago Press. 2009.
- The Consequence of Innovation: 21st-Century Poetics. Roof Books. 2008.
- Language to Cover a Page: The Early Writings of Vito Acconci. MIT Press. 2006.
- Craig Dworkin and María Eugenia Díaz Sánchez, eds. Architectures of Poetry. Rodopi. 2004. ISBN 90-420-1892-5.
Poetry books and pamphlets
- Lagniappes. Hiding Press. 2022.
- Helicography. Punctum Books. 2021.
- Clock (PDF). Inscription: the Journal of Material Text. 2020.
{{cite book}}
: CS1 maint: publisher location (link) - The Pine-Woods Notebook. Kenning Editions. 2019.
- In Two Dimensions (PDF). Sync. 2019.
- Def. Information As Material. 2018.
- Twelve Erroneous Displacements and a Fact. Information As Material. 2016.
- Alkali. Counterpath Press. 2015.
- Craig Dworkin and Madeline Gilmore. An Attempt at Exhausting a Space in Williamstown (PDF). Publication Studio. 2015.
- Remotes. Little Red Leaves. 2013.
- Chapter XXIV. Red Butte Press. 2013.
- The Crystal Text (After Clark Coolidge). Compline. 2012.
- A Handbook of Protocols for Literary Listening (PDF). Arika. 2012.
- Emblem of My Work. Laurence Sterne Trust. 2011.
- Copys. No Press. 2011.
- Motes. Roof Books. 2011.
- The Perverse Library (PDF). Information As Material. 2010.
- Unheard Music (PDF). Information As Material. 2009.
- Parse. Atelos. 2008.
- Maps (PDF). Editions Ubu. 2007.
- Strand. Roof Books. 2005.
- Smokes. Editions Ubu. 2004.
- Dure (PDF). Cuneiform Press. 2004.
- Index (PDF). housepress. 2002.
- Signature—Effects. ghos-ti-. 1997. ISBN 978-1-891190-51-3.
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References
External links
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