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Darryl Pinckney

American novelist, playwright, and essayist (born 1953) From Wikipedia, the free encyclopedia

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Darryl Pinckney (born 1953 in Indianapolis, Indiana) is an American novelist, playwright, and essayist.

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Early life

Pinckney grew up in a middle-class African-American family in Indianapolis, Indiana, where he attended local public schools. He was educated at Columbia University in New York City.[1]

Career

Some of Pinckney's first professional works were theatre texts, plays developed in collaboration with director Robert Wilson.[2] These included the produced works of The Forest (1988) and Orlando (1989). Pinckney returned to theatre with Time Rocker (1995).[3]

His first novel was High Cotton (1992), a semi-autobiographical novel about "growing up black and bourgeois" in 1960s America. His second novel was Black Deutschland (2016), about a young gay black man in Berlin in the late 1980s, just before the fall of the Berlin Wall.[citation needed]

Pinckney has published several collections of essays covering topics such as African-American literature, politics, race, and other cultural issues. He is also a frequent contributor to the New York Review of Books, Granta, Slate, and The Nation. He frequently explores issues of racial and sexual identities, as expressed in literature and society.[citation needed]

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Awards

Personal life

Pinckney is gay[9] and lives with his partner, English poet James Fenton; the couple has been together since 1989.[10] Pinckney currently lives in New York City, but previously lived with Fenton in Oxfordshire, England.[11]

Bibliography

Books

  • High Cotton (novel; 1992)
  • Sold and Gone: African American Literature and U.S. Society (2001)
  • Out There: Mavericks of Black Literature (2002)
  • Blackballed: The Black Vote and US Democracy (2014)
  • Black Deutschland (2016)
  • Busted in New York and Other Essays (2019; Foreword by Zadie Smith)[12]
  • Come Back in September: A Literary Education on West Sixty-seventh Street, Manhattan (2022)

Selected essays

  • "England, Whose England?". Granta (16: Science). Summer 1985. (Subscription Required)
  • Pinckney, Darryl (February 2010). "Lonely Hearts Club". Harper's. Vol. February 2010.
  • "The Ethics of Admiration: Arendt, McCarthy, Hardwick, Sontag". The Threepenny Review. 135. Fall 2013.
  • Pinckney, Darryl (February 19, 2015). "Some Different Ways of Looking at Selma". The New York Review of Books. 62 (3).
  • Pinckney, Darryl (March 26, 2020). "Escaping Blackness". The New York Review of Books. 67 (5).
  • Pinckney, Darryl (August 20, 2020). "'We Must Act Out Our Freedom'". The New York Review of Books. 67 (13).
  • Pinckney, Darryl (November 5, 2020). "A Society on the Verge of a Nervous Breakdown". The New York Review of Books. 67 (17).

Theatre texts

  • (Collaborations with Robert Wilson)
    • The Forest (1988)
    • Orlando (1989)
    • Time Rocker (1995)
    • Garrincha - a street opera (2016)
    • Mary Said What She Said (2019)
    • Dorian (2022)
    • Pessoa: since I've been me (2024)
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References

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