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Diminished major seventh chord

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In music theory, a diminished major seventh chord is a seventh chord composed of a diminished triad and a major seventh.[1] Thus, it is composed of a root note, together with a minor third, a diminished fifth, and a major seventh above the root: (1, 3, 5, 7). For example, the diminished major seventh chord built on C, commonly written as CoM7, has pitches C–E–G–B:


{
\override Score.TimeSignature #'stencil = ##f
\relative c' {
   \clef treble 
   \time 4/4
   \key c \major
   <c es ges b>1
} }
Quick Facts Component intervals from root, Tuning ...

Diminished major seventh chords are very dissonant, containing the dissonant intervals of the tritone and the major seventh. They are frequently encountered, especially in jazz, as a diminished seventh chord with an appoggiatura[citation needed], especially when the melody has the leading note of the given chord: the ability to resolve this dissonance smoothly to a diatonic triad with the same root allows it to be used as a temporary tension before tonic resolution.

The chord can be represented by the integer notation {0, 3, 6, 11}.

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Diminished major seventh chord table

More information Chord, Root ...
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References

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