Donika Kelly

Donika Kelly (born early 1980s)^[1] is an American poet and academic, who is Assistant Professor of English at the University of Iowa,^[2] where she teaches creative writing. She is the author of the chapbook Aviarium, published with fivehundred places in 2017, and the full-length collections Bestiary (Graywolf Press, 2016) and The Renunciations (Graywolf Press, May 2021).

Donika Kelly
Born	early 1980s Los Angeles, California, U.S.
Occupation	Academic and poet
Notable works	The Renunciations
Notable awards	Anisfield-Wolf Book Award, 2022
Spouse	Melissa Febos
Website
donikakelly.com

Bestiary is the winner of the 2015 Cave Canem Poetry Prize,^[3] the 2017 Hurston/Wright Legacy Award for poetry,^[4] and the 2018 Kate Tufts Discovery Award,^[4] and was longlisted for the National Book Award in 2016^[5] and a finalist for a Lambda Literary Award^[6] and a Publishing Triangle Award in 2017.^[7]

The Renunciations was a finalist for the 2021 National Book Critics Circle Award for Poetry,^[8] and the winner of the 2022 Anisfield-Wolf Book Award for poetry.^[9]

Kelly earned her MFA in Writing from the Michener Center for Writers^[10] and a Ph.D. in English from Vanderbilt University.^[10] She is a Cave Canem Foundation Graduate Fellow,^[1] the recipient of a Lannan Residency fellowship,^[11] and a fellowship to the Fine Arts Work Center in Provincetown, Massachusetts.^[2] Her poems have appeared in The Paris Review,^[12] Foglifter,^[13] and The New Yorker, among other journals and magazines,^[14] and she is a contributor to the 2019 anthology New Daughters of Africa, edited by Margaret Busby.^[15] Kelly lives in Iowa with her wife Melissa Febos.^[16]

Biography

Early years

Kelly was born in Los Angeles, California, in the early 1980s and moved with her family to Arkansas in the late 1990s.^[1]

Education

In 2005, Kelly received a Bachelor of Arts degree in English from Southern Arkansas University.^[17] She received a Master of Fine Arts from the University of Texas in 2008.^[10] Her thesis was called The White Meat. In 2009, she obtained a Master of Arts from Vanderbilt University.^[1] Her thesis, Framing the Subject in Natasha Trethewey's Bellocq's Ophelia, analyzed Natasha Trethewey's book on Ernest J. Bellocq's photography, specifically those of unnamed mixed-race prostitutes. Kelly finished her Ph.D. in English literature from Vanderbilt University in August 2013.^[1] Her dissertation was titled Reading against Genre: Contemporary Westerns and the Problem of White Manhood. In it, Kelly explains how the way in which society perceives the role of white men is largely influenced by the way they are portrayed in media, with a particular focus on contemporary Western films.^[18]

Personal life

She lives in Iowa with her wife, the poet Melissa Febos.^[19]

Awards and honors

• National Book Award, Longlist, 2016^[1]
• Bucknell Seminar for Younger Poets, June Fellow, 2004
• James A. Michener Fellow in Writing, 2005–2008
• Provost's Graduate Fellowship, Vanderbilt University, 2008–2013
• University Fellowship, Vanderbilt University, 2008–2013
• Cave Canem Graduate Fellow, 2009, 2011, 2013
• Thomas Daniel Young Award for Excellence in Teaching, Vanderbilt, 2013
• Bayard Rustin Advocacy Award, Office of LGBTQI Life, Vanderbilt, 2015
• Cave Canem Poetry Prize, Winner, 2015^[3]
• Anisfield-Wolf Book Award, 2022^[20]

Bibliography

Poetry

Collections

• Bestiary. Minneapolis: Graywolf Press. 2016. ISBN 9781555977580.
• The Renunciations. Minneapolis: Graywolf Press. 2021. ISBN 9781644450536.^[a]

Chapbooks

• Aviarium (500 Places, 2017)

List of poems

Title	Year	First published	Reprinted/collected
From the catalogue of cruelty	2020	Kelly, Donika (January 6, 2020). "From the catalogue of cruelty". The New Yorker. Vol. 95, no. 43. pp. 22–23.

• "Bedtime Story for the Bruised Heart", "Cartography as an Act of Remembering", "The Three Birds of the Milky Way" and "Labyrinth", Sinister Wisdom, 2017
• "The Oracle Remembers the Future Cannot Be Avoided", "Gun Control (Mama)", and "Primer: D'Aulaire's Book of Greek Myths", Tin House, 2017
• "In the Chapel of St. Mary's" and "Self-Portrait in Labyrinth", Washington Square, 2017
• "Partial Hospitalization", Buzzfeed Reader, 2016
• "Love Poem: Chimera", Gulf Coast, 2016
• "Construction", "Revelation: Black Bear", "Revelation: White Bear", and "Pony", Rockhurst Review, 2016
• "Bower Bird", "Swallow", and "How to Be Alone", Virginia Quarterly Review, 2016
• "Love Poem: Centaur" and "Love Poem Mermaid", Pleiades, 2016
• "Fourth Grade Autobiography", Nashville Review, 2016
• "Handsome Is", "Little Box", and "Love Letter", Gris-Gris, 2016
• "Acheron" and "Hymn", Cincinnati Review, 2015
• "Ocelot", Eleven Eleven Journal, 2015
• "Statistics", Rove, 2015
• "A Man Goes West and Falls Off His Horse in the Desert" and "Self-Portrait as a Door", Tupelo Quarterly, 2013
• "Arkansas Love Poem", The Best of Kore Press, 2013
• "Love Poem: Griffon", West Branch, 2013
• "Last Rites", RHINO, 2013
• "Tender" and "What Gay Porn Has Done for Me", Bloom, 2012
• "Love Poem: Minotaur" and "Sonnet in Which Only One Bird Appears", Vinyl, 2012
• "The Yard", "Love Song", "Whale", "Arkansas Love Song", and "Where She Is Opened. Where She Is Closed", The Feminist Wire, 2011
• "Archaeology" and "Perhaps You Tire of Birds", Crazyhorse, 2011
• "Whale", Hayden's Ferry Review, 2011
• "Sanctuary", "Where We End Up" and "Brood", in Margaret Busby (ed.), New Daughters of Africa, 2019.

Theses

• Framing the Subject in Natasha Trethewey's Bellocq's Ophelia (MA). Vanderbilt University. 2009.
• Reading Against Genre: Contemporary Westerns and the Problem of White Manhood (PhD). Vanderbilt University. 2013.

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Notes

1. Briefly reviewed in the May 31, 2021 issue of The New Yorker, p.63.

Sources

• Kelly, Donika (2013). Reading against Genre: Contemporary Westerns and the Problem of White Manhood
• Kelly, Donika (2009), Framing the Subject in Natasha Trethewey's Bellocq's Ophelia