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Elizabeth Wong (playwright)
From Wikipedia, the free encyclopedia
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Elizabeth Wong[1] is a contemporary American playwright, television writer, librettist, theatrical director,[2][3] college professor, social essayist,[4] and a writer of plays for young audiences. Her critically acclaimed plays include China Doll (An Imagined Life of an American Actress) is a fictional tale of the actress, Anna May Wong; and Letters to A Student Revolutionary, a story of two friends during the Tiananmen Square protests of 1989. Wong has written for television on All American Girl, starring Margaret Cho. She is a visiting lecturer at the College of Creative Studies, University of California, Santa Barbara, where her papers are archived,[5] an adjunct professor at the University of Southern California, USC School of Theater,[6] and an associate professor at Boston Conservatory at Berklee. She holds a Master of Fine Arts degree from New York University Tisch School of the Arts, Dramatic Writing Program (1991) and a Bachelor of Arts degree in English and Broadcast Journalism from the University of Southern California (1980). She studied playwriting with Tina Howe, Maria Irene Fornes and Mac Wellman.
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Selected plays
- Letters to a Student Revolutionary[7] (Pan Asian Repertory Theatre, 1991), (New York Times Review 5/16/1991)[8]
- Kimchee & Chitlins[9] (West Coast Ensemble, 1994), (Los Angeles Times feature article 5/26/1992 [10]
- China Doll[11] (Northwest Asian American Theatre, 1996)
- Let the Big Dog Eat (short play) (Humana Festival, Actors Theater of Louisville, 1998)[12]
- Amazing Adventures of the Marvelous Monkey King[13] (children's play) (Denver Center for the Performing Arts, 1991[citation needed])
- Prometheus[14] (children's play) (Denver Center Theater for the Performing Arts, 1999)
- The Happy Prince[15] (children's play)
- Boid & Oskar[16] (children's play) (Cincinnati Playhouse in the Park)
- Aftermath of a Chinese Banquet
- Bill of (W)Rights[17] (Minneapolis' Mixed Blood Theater, 2004)
- Alice Downsized
- Dating & Mating in Modern Times (Theatre Emory, 2003)[18]
- The Concubine Spy
- Badass of the RIP Eternal (short play) (Actors Theatre of Louisville, Humana Festival, part of "Heaven and Hell on Earth: A Divine Comedy," 2002)[19]
- Bu and Bun
- Inside the Red Envelope
- Quickdraw Grandma (2004)[20][21]
- Punk Girls
- Reveries of an Amorous Woman
- Love Life of a Chinese Eunuch (2004)
- Ibong Adarna: Fabulous Filipino Folktale (children's play) (Mu Performing Arts, 2006)
- Finding Your Inner Zulu (short play) (Silk Road Theatre Project, part of "The DNA Trail," 2010),[22][23]
- The Magical Bird: A Fabulous Filipino Folktail (musical), (Honolulu Theatre for Youth, 2007);[24] Honolulu Star-News Bulletin review 4/27/07 [25]
- The Happy Prince (musical/opera), based on her adaptation (children's play) (From Page-to-Stage/Prelude New Play Festival, Kennedy Center for the Performing Arts, 2003)
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Selected awards
- Tanne Foundation Award (2007) for artistic achievement[26]
- Board of Supervisors, County of Los Angeles, Letter of Commendation (2009) for human rights advocacy
- Outstanding Playwright Award (2009), Asian Pacific American Friends of Theatre
- The Mark David Cohen National Playwriting Award (2001), Kennedy Center for the Performing Arts[27]
- Lazarus New Play Prize for Young Audiences (1999)
- Jane Chambers Playwriting Award (1998), Kennedy Center's American College Theatre Festival and Association for Theatre in Higher Education[28]
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References
External links
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