Gerhard Seyfried

Gerhard Seyfried (born March 15, 1948)^[1] is a German comic artist, cartoonist, and writer. One of the most popular German underground artists, he won the Max & Moritz Prize in 1990.^[1]

You can help expand this article with text translated from the corresponding article in German. (May 2014) Click [show] for important translation instructions.

View a machine-translated version of the German article.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing German Wikipedia article at [[:de:Gerhard Seyfried]]; see its history for attribution.
You may also add the template {{Translated|de|Gerhard Seyfried}} to the talk page.
For more guidance, see Wikipedia:Translation.

Working method

Summarize

Perspective

With Flucht aus Berlin (1989/90) he changed his drawing style and switched from the "scurrying line that curls around the tiniest little things" (F. W. Bernstein)^[2] to ligne claire. In the meantime, he uses the computer to color his figures: "I draw with pencil, then trace it with ink, but no longer color by hand.^[3] That's too expensive and too toxic." His colleague Ziska judged, "He's very precise and an incredibly good technician."^[4] When he works alone on a new comic book, he does without a "storyboard," i.e., a visualized scene book, and relies entirely on his spontaneous intuition.^[5] Only in the case of the comic albums that were created together with Ziska was a storyboard developed jointly.^[6]

When writing his historical novels, on the other hand, he first reconstructs the "framework of historical events."^[7] To do this, however, he does not limit himself to the historical-scientific secondary literature, but researches archives for original documents and primary sources. Old photographs are also helpful to him, since he can "glean a vast amount of stuff from them."^[8] Only at the end of the research does he connect the context of the events with fictional characters, who act primarily as observers.^[9]

Remove ads

Working method

References

External links

Wikiwand - on