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Girls on Top (British TV series)

1985 British TV series or programme From Wikipedia, the free encyclopedia

Girls on Top (British TV series)
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Girls on Top is a British sitcom, broadcast on ITV in 1985 and 1986, and made by Allan McKeown's WitzEnd Productions for the ITV contractor Central Independent Television. It starred Dawn French, Jennifer Saunders, Ruby Wax and Tracey Ullman with Joan Greenwood. It was written by French, Saunders, and Wax, with additional material for two episodes ("Four-Play", "Ident: Candy Time"), written by Ullman.

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The show focused on four female flatmates and their landlady. It was a female version[1] of The Young Ones, two series of which were made in 1982 and 1984. French and Saunders had both appeared in The Young Ones and, like most of its stars, were members of The Comic Strip.

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Synopsis

The premise of Girls on Top is that a feminist journalist (French), who writes for Spare Cheek, is forced to share her Kensington apartment with three non-feminist women in order to pay her rent to a wealthy romantic novelist (Joan Greenwood) who lives in the flat below.[2]

The first episode had a woman in her early 20s named Amanda struggling to find a flat, against Shelley, and managing to procure one (that she cannot afford) from Lady Carlton, in London SW3. The previous resident, Candice, convinces Amanda to let her stay temporarily as she has nowhere else to go. Then, Jennifer, Amanda's childhood Brownies friend, arrives unexpectedly. Eventually, Amanda allows the obnoxious American Shelley to move in, splitting the rent with her, as she is the only one who can afford it, thanks to her wealthy family.

Episodes often centred on Shelley ordering the others around because they relied on her to get the rent paid; early episodes often incorporated Candice's latest invented illness, or any other reason to not pay the rent.

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Cast and characters

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  • Amanda Ripley (Dawn French): A strait-laced feminist, socialist, and anarchist, and the central character around whom the series is based. In public assemblies she wears the militant M-1965 field jacket, but at home she wears a prêt-à-porter NAF NAF [fr] LE GRAND MECHANT LOOK jacket.[3] Amanda is generally the most level-headed of the group, but tries to hide her fascination with men and the Royal family to comedic effect, with her hiding copies of Playgirl magazine becoming a running gag in the second series, in the first series, Candice enters Amanda's bedroom and hears a buzzing.[4] She works at a feminist magazine titled Spare Cheeks.
  • Jennifer Marsh (Jennifer Saunders): A mousy and childlike woman who was Amanda's childhood Brownies friend and serves as the whipping post for everyone else. In the first series, she is implied to be intellectually disabled. In the second series, she seems more intelligent, even briefly working as a stockbroker, but no less naïve. Saunders described Jennifer Marsh as "basically a moronic version of myself when I was twelve." She later credited Wax and Ullman with teaching her "how to write funny" and "how to act funny", respectively.[5]
  • Shelley DuPont (Ruby Wax): A struggling actress and the stereotype of a gaudily dressed, rude, loud-mouthed American. The other women only tolerate her and let her live with them due to her hefty trust fund and her agreement to pay 75%[6] of the rent.
  • Candice Valentine (Tracey Ullman): A promiscuous, lazy, manipulative gold-digger. Ullman left after the first series, as a result, the character is written out in the first episode of the second series. By the time the first run of the first series was being transmitted, Ullman was already in talks about a solo project with American television networks.[7]
  • Lady Chloe Carlton (Joan Greenwood): An eccentric elderly romance novelist and the women's landlady. In the first series, she has a taxidermied dog named Josephine, with which she behaves as though it was still alive.

Guest and recurring stars included:

Many of the guest stars were fellow members of the Royal Shakespeare Company enlisted by Wax. Wax wanted to write a guest part for Ian McKellen, but it never happened.[5]

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Production

Early in 1982, French and Saunders met Ruby Wax, and the three began to work on an idea for a television show based around their stage personas.[7] Needing a fourth lead, Lenny Henry suggested Tracey Ullman.[7] ITV’s midlands franchise holder, Central Independent Television, commissioned a pilot, under the title "Four F’s to Share", which was made over the summer of 1983.[7] Central Independent Television commissioned thirteen episodes to go into production in April 1984.[7] Production fell victim to industrial action,[8][9] and in January 1985, went into production with a rewritten "Four F’s to Share" as "Four-Play".[7] Ben Elton was the script editor.[7]

Scripts were written Ruby Wax's flat in Holland Park, by Dawn French, Jennifer Saunders and Ruby Wax.[1]

In January 1985, location night scenes were filmed in Nottingham.[4]

During the second series a tie-in paperback, written by the cast, was published by HarperCollins.[7][10][11]

Music

The theme tune, like the series' score, was written and performed by Glenn Tilbrook and Chris Difford of the band Squeeze. Originally, the opening theme was sung by the cast (minus Greenwood). Three episodes of series one added an introductory verse sung by Ullman over the end credits. From the second episode of the second series, the opening theme was instead sung by Tilbrook.

Episodes

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The transmission dates reflect those in the London ITV region. The first series aired on Wednesdays at 8:30pm, while the second series aired on Thursdays at 9pm.

Girls on Top, seen on ITV from 1985–86, was never broadcast in the United States.[12]

Series 1 (1985)

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Series 2 (1986)

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Reception

The production encountered push-back over words in their script, including "plucking the bikini line"[14] and menstruation,[15] rarely heard on pre-watershed TV in the 1980s.[16]

We weren’t being shocking, that’s just the way we speak...We weren’t trying to break any walls down, that’s just who we were.[16] - Ruby Wax

Home media

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Further reading

  • Wilmut, Roger; Rosengard, Peter (1989). Didn't You Kill My Mother-in-law?: The Story of Alternative Comedy in Britain from the Comedy Store to Saturday Live. London: Methuen Publishing. ISBN 978-0-413-17390-4 via archive.org. Open access icon

References

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