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Good Night, Oscar
2023 play by Doug Wright From Wikipedia, the free encyclopedia
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Good Night, Oscar is a comedy-drama play written by American playwright Doug Wright. The story revolves around a fictional event in which pianist and humorist Oscar Levant portrayed by Sean Hayes appears on The Tonight Show with Jack Paar. The production received critical acclaim with Hayes winning the Tony Award for Best Actor in a Play.
The original production began previews at the Belasco Theatre on April 7, 2023, and premiered on April 24, closing on August 27, 2023, after 126 performances.[1]
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Synopsis
The show follows a 1958 episode of The Tonight Show, where host Jack Paar has as a guest comedian Oscar Levant.[1]
Production history
The play first premiered in 2022 at the Goodman Theatre in Chicago, with Sean Hayes as Oscar Levant and directed by Lisa Peterson.[2] The production ran from March 12 until April 24, 2022.[3]
Following the Chicago run, the Broadway production rehearsals began on March 13, 2023.[1] The production opened April 24, 2023. It also featured set design by Rachel Hauck, costume design by Emilio Sosa, lighting design by Carolina Ortiz Herrera and Ben Stanton, sound design by Andre Pluess, music supervision by Chris Fenwick, and wig, hair, and make-up design by J. Jared Janas.[1] At the 76th Tony Awards, the show received three nominations and Hayes was awarded Best Leading Actor in a Play.
The production will transfer to the Barbican Centre, London from 31 July to 21 September with Hayes reprising his role as Levant.
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Notable casts
Reception
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Critical response
The Chicago production received positive reviews from the Chicago Tribune,[6] Chicago Sun-Times,[7] Hyde Park Herald,[8] and WTTW,[4] among others, with Hayes' performance being especially noted.[9] The Broadway production received mostly positive reviews. Christian Lewis of Variety praised Wright's dialogue writing, "In some ways, "Good Night, Oscar" even feels like an episode of The Marvelous Mrs. Maisel — zany, fast-paced and smartly humorous, with references flying a mile a minute, some battle-of-the-sexes content, sumptuous dresses, well-tailored suits and occasional moments of sincere emotion."[10] The New York Daily News, on the other hand, lauded Hayes' "spectacularly intense and unstinting performance".[11] Entertainment Weekly gave the production an A writing, "Aside from a few lulls in the early stages of exposition...the entire play is delightful, buoyed by its leading man's performance."[12]
Some critics were more mixed with Jesse Green of The New York Times called the play an "unconvincing biographical fantasia" and Hayes' performance "less an inhabitation of character than a nonstop loop of perfectly rendered facial tics, trembling hands and compulsive gestures."[13] Johnny Oleksinski of The New York Post gave the play two out of four stars and called it "off-key" and "mostly unsatisfying."[14]
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Awards and nominations
Chicago production
Broadway production
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Conception dispute
The conception of the origins of the play has been up for debate with playwright David Adjmi, claiming in a Facebook post that he had persuaded Hayes to portray Levant and was commissioned by producer Beth Williams to write a play for the actor. When Adjmi refused to "lighten the material," he said, Williams and Hayes held their option "in bad faith" to prevent him from further developing his play, while hiring Doug Wright to write a new play based on Adjmi's idea. The production team of Good Night, Oscar strongly rebutted Adjmi's claim in a press release which alleged Hayes and Williams had themselves gotten the idea to make Levant the center of a play in 2010, and culled Adjmi from a list of playwrights to write it.[20] Adjmi then published an unverified email exchange on BroadwayWorld.com between himself and Hayes, in which he attempted to convince a reluctant Hayes to portray Levant.[21]
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References
External links
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