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Gregory Crewdson

American photographer From Wikipedia, the free encyclopedia

Gregory Crewdson
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Gregory Crewdson (born September 26, 1962) is an American photographer[1] who makes large-scale, cinematic, psychologically charged prints of staged scenes set in suburban landscapes and interiors. He directs a large production and lighting crew to construct his images.[2]

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Early life and education

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Crewdson in 2007

Crewdson was born in the Park Slope neighborhood of Brooklyn, New York. As a child, he attended Brooklyn Friends School, and then John Dewey High School.

As a teenager, he was part of a power pop group called Speedies.[3] Their song "Let Me Take Your Photo" was used in 2005 by Hewlett-Packard in advertisements to promote its digital cameras.[4]

Crewdson attended Purchase College, State University of New York, where he initially planned to study psychology.[5] At Purchase, he enrolled in a photography course taught by Laurie Simmons[6] and also studied with Jan Groover.[7] He received an MFA in photography from the Yale School of Art.[8]

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Life and work

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Crewdson is a professor and the director of graduate studies in photography at Yale School of Art.[9]

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Untitled photo from Crewdson's series Beneath the Roses (2003–2008)

Crewdson's photographs are elaborately planned, produced, and lit using crews familiar with motion picture production who light large scenes using cinema production equipment and techniques.[10] He works with a lighting team, art director, make-up and wardrobe department, props and effects to create mood, atmosphere, and open-ended narrative images.[11] He has worked with the same director of photography, Richard Sands, along with other core team members, for some 25 years.[12] He works much like a director with a budget similar to that of a movie production,[1] each image involves dozens of people and weeks to months of planning.[11]

Using shots that resemble film productions, Crewdson deconstructs American suburban life in his work.[13] He has cited the films Vertigo, The Night of the Hunter, Close Encounters of the Third Kind, Blue Velvet, and Safe as having influenced his style,[14] as well as the painter Edward Hopper[15] and photographer Diane Arbus.[16]

Crewdson's most widely-known bodies of work include Twilight (1998–2002), Beneath the Roses (2003–2008), Cathedral of the Pines (2013–2014), An Eclipse of Moths (2018–2019),[17] and Eveningside (2021–2022). Crewdson's only body of work made outside of the U.S. was Sanctuary (2009), set at the abandoned Cinecittá studios outside of Rome.[18] Nearly all of his other work before and since was made in the small towns and cities in Western Massachusetts.[19]

In 2012, he was the subject of the feature documentary film Gregory Crewdson: Brief Encounters.[20] The film series followed the construction of and an explanation by Crewdson of his thought process and vision for pieces of Beneath the Roses.

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Personal life

As of 2020, Crewdson lives primarily in western Massachusetts in a former Methodist church.[21] His long time partner, Juliane Hiam,[19] is a writer and producer[22][23] and the two work closely together.[24] Hiam has also appeared as a subject in numerous of Crewdson's pictures.[25][26] Crewdson has two children from a previous marriage.[27] Crewdson is an open-water swimmer[28] and has said that the meditative state he achieves with his daily swimming practice is fundamental to his creative process as an artist.[29]

Publications

  • Hover. Artspace Books, 1995. ISBN 1891273000.
  • Twilight: Photographs by Gregory Crewdson. Harry N. Abrams, 2002. ISBN 0810910039. With an essay by Rick Moody.
  • Gregory Crewdson: 1985–2005. Hatje Cantz, 2005. ISBN 377571622X.
  • Fireflies. Skarstedt Fine Art, 2007. ISBN 0970909055.
  • Beneath the Roses. With Russell Banks. Harry N. Abrams, 2008. ISBN 978-0810993808.
  • Dream House. With text by Tilda Swinton. John Rule, 2009. ISBN 978-8888359410.
  • Sanctuary. With Anthony O. Scott. Hatje Cantz, 2010. ISBN 978-3775727341.
  • In a Lonely Place. Hatje Cantz, 2011. ISBN 978-3775731362.
  • Gregory Crewdson. New York: Rizzoli, 2013. ISBN 978-0847840915.
  • Cathedral of the Pines. New York: Aperture, 2016. ISBN 978-1-597113-50-2. With a text by Alexander Nemerov.
  • An Eclipse of Moths. New York: Aperture, 2020. ISBN 978-1683952213. With an introduction by Jeff Tweedy.
  • Alone Street. New York: Aperture, 2021. ISBN 978-1597115131. With an essay by Joyce Carol Oates and an interview with the artist by Cate Blanchett.
  • Gregory Crewdson: Eveningside, 2012–2022. Milan: Skira Editore, 2022. ISBN 8857248429. Text by Jean-Charles Vergne.
  • Gregory Crewdson. Munich, London, New York: Prestel, 2024. ISBN 9783791391243. Edited by Walter Moser, with texts by David Fincher, Daniela Hammer-Tugendhat, Beate Hofstadler, Astrid Mahler, Watler, Moser, Matthieu Orléan, and Emily St. John Mandel.
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Awards

  • Aaron Siskind Foundation Individual Photographer's Fellowship[30]
  • Skowhegan Medal for Photography, Skowhegan School of Painting and Sculpture, Skowhegan, ME.[31]
  • Skowhegan Medal for Photography[32]
  • National Endowment for the Arts fellowship[33]
  • Honorary Doctorate, Montserrat College of Art, Beverly, MA.[34]
  • Honorary Doctorate, SUNY Purchase, NY.[35]
  • Distinguished Artist Award, St. Botolph Club Foundation, Boston, MA.[36]
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Collections

Crewdson's work is held in the permanent collections of major institutions worldwide, including:

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Films about Crewdson

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References

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