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Helen Sedgwick
From Wikipedia, the free encyclopedia
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Helen Sedgwick is an author of literary fiction, science fiction and crime, a literary editor, and a research physicist.[1]
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Life
Sedgwick was born in London and studied physics at the University of Bristol.[2] She gained a PhD in physics from the University of Edinburgh[3] and an MLitt in Creative Writing from the University of Glasgow.[4]
After leaving physics research to become a freelance writer,[5] Sedgwick worked as the joint managing director of Cargo Publishing from 2014 to 2015,[6] Sedgwick was also the managing editor of Gutter magazine and worked as a creative writing tutor.[7]
She released her first novel in 2016, The Comet Seekers.[8][9][10] This was followed by her second novel, The Growing Season,[11] which was shortlisted for Fiction Book of the Year in Scotland's National Book Awards 2018.[12] Sedgwick's first crime novel was When The Dead Come Calling,[13] the opening book in the Burrowhead Mysteries crime trilogy.[14] She cites her scientific background as a big influence on her writing.[15]
Sedgwick is a member of The Society of Authors[16] and the Crime Writers' Association.[17] She lives in Tain, in Ross-shire in the Scottish Highlands[18] with her partner and their daughter.[19]
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Awards
- 2012 Scottish Book Trust New Writers Award.[20]
- 2016 Glamour Book of the Year: The Comet Seekers.[21]
- 2016 Waterstones Scottish Book of the Month: The Comet Seekers.
- 2018 Scotland's National Book Awards Fiction Book of the Year shortlist: The Growing Season.[22]
- 2021 Dr Gavin Wallace Fellowship.[23]
Bibliography
Novels
- The Comet Seekers (2016)
- The Growing Season (2017)
- When the Dead Come Calling (2020)
- Where the Missing Gather (2021)
- What Doesn't Break Us (2022)
Short stories
Source:[24]
- The Archaeologist of Akrotiri, New Writing Scotland 35 (2017)
- The Largest Circle, 404 INK Issue 1 (2016)
- Quantum Gravity Or: The Pigmy Marmoset and the Prefabricated Concrete Bungalow, I Am Because You Are (2015)
- Duality, Out there (2014)
- Precognitive Abilities, Songs of Other Places, New Writing Scotland 32 (2014)
References
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