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Hsieh Li-fa

Taiwanese writer and painter From Wikipedia, the free encyclopedia

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Hsieh Li-fa (Chinese: 謝里法; pinyin: Xiè Lǐfǎ; Wade–Giles: Hsieh4 Li3-fa3; born March 28, 1938), also known as Shaih Li-fa and Xie Lifa, is a Taiwanese artist, writer, and art historian.

Quick facts Born, Nationality ...

Hsieh graduated from the National Taiwan Normal University's Department of Fine Arts. In 1964, Hsieh began to live in Paris, France, to study sculpture, and in 1968, he studied art theory and art history in New York City, United States.

Hsieh was a member of the Fifth Moon Group and crossed over to literature. He was also involved in the founding of groups such as the Taiwan Literature Research Association and the Taiwan Cultural Exchange Center. In 1993, he co-founded the Paris Cultural and Educational Foundation with Liao Shiou-ping and T. F. Chen and established the "Paris Prize" to help talented young artists study abroad.

Quick facts Chinese, Traditional Chinese ...

Prints made by Hsieh Li-fa are held in the collection of the Museum of Modern Art in New York City. Since 1996, he has lived in Beitun District of Taichung City. He has promoted environmentally friendly art in Changhua County, Taiwan. The installation artwork "Drifting Light Coordinate" is located in Fubao Ecological Park, Fuxing Township, Changhua County, made of 374 pieces of driftwood. He has previously taught at National Taiwan Normal University's postgraduate Department of Fine Arts.

He is the author of many books related to Taiwanese art, including A History of Art Movements in Taiwan During the Japanese Era and Talking About Art with A Li (also known as Art Letters: A Li). In 1981, A History of Art Movements in Taiwan During the Japanese Era won the second Wu Yung-fu Cultural Criticism Award. In addition, Hsieh also published A Journal of Unearthed Figures in Taiwan in the 1980s, describing Taiwan's predecessors such as Tan Teng-pho, poet Wang Baiyuan, musician Chiang Wen-yeh, etc.[1]

In 2017, he was awarded the 37th National Cultural Award, and subsequently donated all the prize money to establish the Romain Rolland Million Novel Award.

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Life

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Return to Taiwan (1988–present)

Hsieh Li-fa did not want the historical chapter of Taiwanese art to exist only in the corridors of art museums. After returning to China, in addition to continuing to engage in artistic creation, he also devoted himself to the field of literature. He wrote the history of Taiwan's art movement during the Japanese era, which was later extended to his first novel, Purple Dadaocheng,[2] which was also Taiwan's first art novel. In 2016, this work was remade into a TV series of the same name.

Hsieh Li-fa's creations are in various forms, combined with curatorial concepts, and he has also dabbled in "land art". Take "Drifting Light Coordinates" in 2004 as an example. The materials used are driftwood and a reflector. The driftwood is cut into a bevel and a reflector is attached to the top. It can have various appearances as the light changes. Since Fubao's outlet is located at Below the aircraft flight path, this artistic creation is called a work that can be seen from an airplane.[3]

Hsieh Li-fa also likes to draw cows. For Hsieh Li-fa, cows symbolize return and the feeling and affection for the soil of his hometown in Taiwan. 2021 coincides with the Year of the Ox. The Juan I-jong Taiwan Story Museum has planned a special exhibition for the Year of the Ox. It invites Mr. Hsieh Li-fa, an important Taiwanese artist and art historian who is born in the year of the Ox and loves to draw cows, to exhibit a variety of wonderful and diverse ox painting outputs, paired with Juan in the 1980s, Juan I-jong photographed various forms of cattle in various places in Taiwan, as well as photo records of the Beigang Cow Market, which was once prosperous but is now invisible, as well as the "Five Cows Picture" painted by Han Huang, a painter of the Tang Dynasty 1,200 years ago.The output product is the earliest extant paper and silk painting with cattle as the theme, which is of great significance.[4]

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References

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