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Ideology of authenticity
Current of thought in linguistics emphasizing the value of perceived authentic language varieties From Wikipedia, the free encyclopedia
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In linguistics, the ideology of authenticity refers to a current of thought that emphasizes the value of linguistic forms perceived by speakers as authentic or legitimate, often in contrast with the standard language ideology and the linguistic norms promoted by dominant institutions.[1] It is a key concept in the study of linguistic practices and identity construction in minority settings.
Background and development
The concept of the ideology of authenticity was notably developed by sociolinguist Annette Boudreau in her analyses of Acadian French.[2] She has devoted much of her research to exploring linguistic ideologies and their impact on minority Francophone communities.[3] Her book À l'ombre de la langue légitime: l'Acadie dans la francophonie is considered a major reference on the topic.[4]
Principles of the ideology of authenticity
At the heart of the ideology of authenticity lies the valorization of a language’s vernacular varieties. It highlights local, vernacular, or sociolectal varieties that are often stigmatized by standardized norms.[2] This valorization acts as a form of resistance against linguistic hegemony and as an affirmation of cultural identity.[1]
Authentic linguistic practices play a crucial role in the identity construction of speakers living in minority contexts.[3] They allow individuals to recognize and value themselves within their community.[2] The ideology of authenticity thus seeks to counter linguistic insecurity by promoting local linguistic practices.[3]
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Examples and applications
The ideology of authenticity is expressed in various cultural and artistic practices. For instance, Acadian artists such as Lisa LeBlanc and the group Radio Radio use Acadian vernacular expressions in their works, thereby contributing to the valorization of these linguistic varieties.
This ideology has also been reflected in certain Québécois works, such as Les Belles-sœurs by playwright Michel Tremblay. It has inspired lexicographic projects as well, including the Dictionnaire de la langue québécoise by Léandre Bergeron[5] and the Dictionnaire du chilleur by Jérôme 50.[6]
See also
References
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