Interval signal

Rádio Nacional de Angola:

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/agl-rna_international_200216.mp3 #(define angola (alist->hash-table '( (hiconga () #f 5) (loconga () #f 3) (chinesecymbal cross #f -3) (vibraslap triangle #f -3) (cabasa cross #f -5)))) main = \new DrumStaff<<\drummode{ \stopStaff \override Staff.StaffSymbol.line-positions = #'(-4 4) \startStaff \set DrumStaff.drumStyleTable = #angola \time 12/8 \grace{cgh16*3} 8 8 8 \grace{cgh16} 8 8 8 cgl cgh8 8 cgl cgh r \grace{cgh16*3} 8 8 8 \grace{cgh16} 8 8 8 cgl8 8 8 8 \grace{16} 8 8 \repeat volta 4{ cgl8 cgh r cgh cgl \grace{cgl16} 8 8 r cgl8 8 \grace{16} 8 8 } }\\ \drummode{ s1. s2. r4. r8 cymch4 \repeat volta 4{r8 cab4 4. r4. r8 vibs4} }>> \score{\main \layout{indent=#0 line-width=#120 \context{\DrumStaff \magnifyStaff 0.7} } } \score{\unfoldRepeats \main \midi{\tempo 4.=118}}$

Rádio Nacional de Angola

Radiodifusión Argentina al Exterior: First eight notes of "Mi Buenos Aires querido" by Carlos Gardel, followed by people saying the station's name in eight languages.

$\relative{ \key d \minor \time 3/4 f''2 e8 d f2 e8 d f2 d4~ \hideNotes 2 } \midi{\tempo 4=84 \set Staff.midiInstrument = "electric piano 1"}$

Radiodifusión Argentina al Exterior

Bangladesh Betar: A tune composed by Samar Das.

$\header{tagline = ##f} % https://www.intervalsignals.net/sounds/bgd-rb_mymensingh_220424.mp3 main = \relative{ \set Staff.midiInstrument = "violin" \key bes \major \time 3/4 \grace{s16} s4 s \grace{g'16 f es} f4 d'2. bes8 c d bes c d bes4 f'2 } acco = { \set Staff.midiInstrument = "sitar" \set midiMaximumVolume = #0.7 \key bes \minor \clef bass \grace{s16\sustainOn} \repeat unfold 4{\tuplet 5/3{f,4 bes,, bes, f f}} s8 } \score{\main} \score{ <<\main \new Staff \acco>> \midi{\tempo 4 = 60} }$

Interval signal for Radio Bangladesh

Radio Belarus: "Motherland, my dear" (Belarusian: be:Радзіма мая дарагая, Russian: Родина моя дорогая) by Vladimir Olovnikov [ru; be] and Ales Bachyla.

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/blr-radio_station_belarus_160906.mp3 #(define mydrums (alist->hash-table '( (hiconga () #f 0) (mutehiconga cross #f 0) (loconga () #f -1) (cabasa triangle #f 1)))) common = {\key d \major \partial 8} main = \relative{ \set Staff.midiInstrument = "fx 5 (brightness)" \set midiMaximumVolume = #0.6 \clef "treble^(8)" \common a''8 4 fis4 r8 d b' a16 g a4 fis4~ \hideNotes 4 } acco = << \new Staff{ \set Staff.midiInstrument = "pad 3 (polysynth)" \set midiMaximumVolume = #0.5 \common r8 <a d'~ fis'>2. 4 <a d' fis'>2. } \new Staff \relative{ { \set Staff.midiInstrument = "orchestral harp" \set midiMaximumVolume = #0.7 \common \tuplet 6/4{cis'64 d e fis g a b cis d e fis g} } \new Voice{ \set Staff.midiInstrument = "electric piano 1" \set midiMaximumVolume = #0.5 a,16 fis d a d a' d, e' d a fis d a fis' d a } \new Voice{ \set Staff.midiInstrument = "fx 5 (brightness)" \set midiMaximumVolume = #0.4 <d' d'>4 <e a>4~ <e a>16 \tuplet 3/2{<d g>32 <cis fis> } <a d>8 } } \drums { \stopStaff \override Staff.StaffSymbol.line-positions = #'(0) \startStaff \set DrumStaff.drumStyleTable = #mydrums \common r8 cab8 cghm16 cgh cgl8 cab16 cghm cab cghm16 16 16 cab cghm8 cgh16 cgh8 cghm16 16 cab8 cghm16 16 cab8 16 cgh cgl8 } >> \score{\main} \score{<<\main \acco>> \midi{\tempo 4 = 66}}$

Radio Belarus

Rádio Brasil Internacional: Xylophone version of "Brazilian Flag Anthem" (Brazilian Portuguese: Hino à Bandeira Nacional) by Francisco Braga and Olavo Bilac.^{[citation needed]}
Radio Bulgaria:

$\header{tagline = ##f} % https://www.intervalsignals.net/sounds/bul-z-radio_sofia_1964.mp3 % http://my.reset.jp/~fairuzyy/bulgaria.rm main = \relative{ \set Staff.midiInstrument = "oboe" \set midiMaximumVolume = #0.9 \clef "treble^(8)" \key as \major \time 2/4 \omit Script c'''4.-_ bes8-. as8.-_ g16 as8-. f-. es4.-_ f8-. es2 } acco = \relative{ \set Staff.midiInstrument = "clarinet" \set Staff.midiMaximumVolume = #0.6 \key as \major << {<es'' es,>4. es8 <f f,>8. <es g,>16 <des as>8-. <bes g>-. <c as>8. bes16 as8-. <des es,>8-. <c as>2} \\ {as,4 c des8. es16 f8-. des-. c4. es8-. as,2} >> s8 } \score{\main} \score{ << \main \new Staff \acco >> \midi {\tempo 4 = 76} }$

Radio Sofia

Radio Burkina:

Radio Burkina

China:

China National Radio and China Radio International: Chime version of March of the Volunteers (义勇军进行曲).

${ % https://www.intervalsignals.net/sounds/chn-cnr2_140311.mp3 \clef "treble^(8)" \key d \major \set Staff.midiInstrument = "vibraphone" d''4.\omit\sustainOn fis''8 a''4 4 b''2 <a'' fis''> } \midi{\tempo 4 = 114}$

China National Radio

China Radio International

CRI Indonesian Radio (and Radio Peking, predecessor of China Radio International): 东方红 ("The East Is Red").

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/chn-z-radio_peking_cm_c1980.mp3 % https://www.youtube.com/watch?v=NEqwR2cHJ-Y&t=6m03s#2024 common = {\key g \major \time 2/4} main = \relative{ \clef "treble^(8)" \common d'''4 d8 e a,2 g4 8 e a2 s4_"//" } acco = { \clef treble \common g'2 <d' fis''> <b' e''> <d' fis''> } \score{\main} \score{<<\main \new Staff \acco>> \midi{\tempo 4=45 \set Staff.midiInstrument = "celesta"} }$

CRI Indonesian

Voice of the Strait News Radio: Bell version of "Three Rules of Discipline and Eight Points for Attention" (三大纪律八项注意).

$% https://www.intervalsignals.net/sounds/chn-vos_news_301113.mp3 { \clef "treble_(8)" \key b \major \set Staff.midiInstrument = "vibraphone" fis2.\omit\sustainOn gis4 b2 b gis4 b gis e fis1 } \midi{\tempo 4=68}$

Interval signal for Voice of the Strait

Radio Habana Cuba: Refrain of "March of the 26th of July" (es:La Marcha del 26 de Julio) by Agustín Díaz Cartaya.

Radio Habana Cuba

DR P1: "Drømte mig en drøm i nat", played on metallophone.^[1]

$% https://www.intervalsignals.net/sounds/dnk-dr_243kHz_290817.mp3 \relative{ \set Staff.midiInstrument = "vibraphone" \clef "treble^(8)" \key d \minor \time 3/4 f''2 a4 g2 a4 f2 e4 d2 f4 a2 4 2 f4 d2. } \layout{indent=#0 line-width=#120 } \midi{\tempo 4=80}$

Interval signal for DR P1

Radio Ethiopia:

$% https://www.intervalsignals.net/sounds/eth-ebc_national_amharic_060914.mp3 \relative{ \set Staff.midiInstrument = "kalimba" \set Staff.midiMaximumVolume = #1.1 \key d \major \time 12/8 << {e''8 r e r e e fis16 e d e d8~ 4. d8 r d r d8 8 fis16 e d e d8~ 4.}\\ {e,8 r e r e e8~ 4. b16 d e fis a b d,8 r d r d d8~ 4. b16 d e fis a b} >> } \layout{indent=#0 line-width=#120 \context{\Staff \magnifyStaff 0.8}} \midi{\tempo 4.=80}$

Radio Ethiopia

Radio France Internationale: Electronic-disco, culminating in the last 8 measures of "La Marseillaise".

$\header{tagline=##f} % https://youtu.be/t2Kj3haNb-M?t=2m24s main = \relative{ \set Staff.midiInstrument = "synthbrass 1" \set midiMaximumVolume = #0.55 a'1 cis d4. e fis4 b,2. fis'4 e2~ 8 cis d b a1 s8_"//" } acco = << \new Staff \relative{ \set Staff.midiInstrument = "fx 5 (brightness)" \set midiMaximumVolume = #0.25 \clef "treble^(8)" \repeat percent 6{e'''16 e e e e,8 e'16 e, e' e, e'8 e, e} } \new Staff{ \set Staff.midiInstrument = "synthbrass 2" \set Staff.midiMaximumVolume = #0.4 \clef bass <<{<d' a>1~ 1~ 1~ 1~ 1~ 1}\\{g1~ 1 fis1~ 1 g1~ 1}>> } \new Staff \relative{ \set Staff.midiInstrument = "slap bass 2" \set midiMaximumVolume = #0.7 \clef "bass_(8)" \repeat percent 3{a,,4 a'8-. r r4 r8 g,8 a4 a'8-. g,8 r g a'-. a,-.} } \drums{ \repeat percent 6{<<{hh8 8 sn hh8 8 8 sn hh}\\{bd4 4 8 8 r bd8}>>} } >> \score{\main} \score{<<\main \unfoldRepeats \acco>> \midi{\tempo 4=122}}$

Radio France Internationale

Deutsche Welle: "Es sucht der Bruder seine Brüder" from Fidelio (Act2 No.16 Finale. Heil sei dem Tag!) by Ludwig van Beethoven.

Interval signal for DW

Voice of Greece: "The Little Shepherd" (el:Ο Τσομπανάκος), played on floghera.^[2]

Interval signal for Voice of Greece

All India Radio: A tune composed by Walter Kaufmann or Thakur Balwant Singh, used since 1936.^[3]

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/ind-z-air_external_rvd_c1965.mp3 common = {\key fis \minor} main = \relative{ \set Staff.midiInstrument = "violin" \common \grace{s8} s2 s4 s8. a''32 gis a2.~ 8 gis16 fis dis2.~ 16 gis fis dis cis4~ 16 dis fis dis cis2~ 1 } acco = { \set Staff.midiInstrument = "sitar" \set midiMaximumVolume = #0.6 \common \clef bass \grace{s8\sustainOn} \repeat unfold 5{fis,4 cis fis cis} s8\sustainOff } \score{\main \layout{indent=#0 line-width=#120 }} \score{<<\main \new Staff \acco>> \midi{\tempo 4=91}}$

Interval signal for All India Radio

Indonesia
- RRI Programa 3: Ending bars of "Solace on Coconut Island" (Rayuan Pulau Kelapa), composed by Ismail Marzuki.

RRI Programa 3

- RRI Regional: "Love Ambon" by George de Fretes

RRI Regional

- RRI Voice of Indonesia: "Feeling of Love" (Rasa Sayang).^{[citation needed]}
RTÉ Radio 1: 2nd segment of "O'Donnell Forever" (O'Donnell Abú).^[4]

RTÉ Radio 1

NHK Radio Japan: "KazoeUta (Hitotsu to ya)" (数え歌, counting-out game).

NHK Radio Japan

Radio Nikkei: Kan Ishii

$\header{tagline = ##f} % https://www.intervalsignals.net/sounds/jap-radionikkei1_010909.mp3 main = \relative{ \cadenzaOn \key d \minor \omit Score.TimeSignature \set Staff.midiInstrument = "tubular bells" d''2 c d a1*7/4\fermata f'4 d d c c d a1*7/4\fermata s8_"//" } acco = \relative{ \clef "treble_(8)" \key d \minor \set Staff.midiInstrument = "koto" \set midiMaximumVolume = #0.6 s2\sustainOn s s \scaleDurations 25/26 {f16*4/5[ a, c d f a c d f16 a c8]} d1*9/8 s2\sustainOff\sustainOn s s \scaleDurations 6/5 {f16*2/3[ d c a f d c16 a f d c8]} a1 } \score{\main} \score{ << \new Staff \main \new Staff \acco >> \midi{\tempo 4 = 100} }$

Radio Nikkei

Radio Nepal: A tune composed by Ustad Govinda Lal Nepali.

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/npl-radio_nepal_100214.mp3#Radio Nepal common = {\key e \major} main = \relative{ \set Staff.midiInstrument = "violin" \set midiMaximumVolume = #0.9 \common \grace{b8}gis2~ 8 \grace{\once\stemDown cis}b \tuplet 3/2{cis e fis} gis fis16 gis b8 gis16 b cis4. b16 gis e8 \grace{\once\stemDown fis}gis4.~ 8 a16*3/2 gis fis4*3/4 \grace{b,8} e1 } acco = { \set midiMaximumVolume = #0.8 \common \grace{s8\sustainOn} \repeat unfold 4{gis8 gis' e' e'' b b' cis' cis''} s8\sustainOff } \score{\main \layout{indent=#0 line-width=#120 \context{\Staff \magnifyStaff 0.8} } } \score{<<\main \new Staff \acco>> \midi{\tempo 4=70}}$

Interval signal for Radio Nepal

North Korea

Voice of Korea: Melody of "Song of General Kim Il-sung" (김일성장군의 노래).

$% https://www.intervalsignals.net/sounds/kre-vo_korea_140412.mp3 \relative{ s2*1/6 <g'' e>2*5/6 <e c>8. <f c>16 <g c,>4 <c a,>4 <e, a,>8. <f a,>16 <g g,>2 } \midi{\tempo 4=45 \set Staff.midiInstrument = "electric piano 1"}$

Voice of Korea

Pyongyang FM [ko]: Melody of "Song of General Kim Jong-il" (김정일장군의 노래).

$% https://www.intervalsignals.net/sounds/kre-pyongyangfm_160811.mp3 \relative{\key g \major g''2 b,4 e d4 8. c16 b2 e4 fis g b a4. fis8 d2} \midi{\tempo 4=55 \set Staff.midiInstrument = "electric piano 1"}$

Pyongyang FM

KBS World Radio: "Dawn" (여명); Korean kids song "Moon, moon, bright moon" (달아 달아 밝은달아)

$\header{tagline=##f} % 0:46 https://www.intervalsignals.net/sounds/kor-kbswr_english_211212.mp3 common = {\key d \minor \time 3/4} mainA = \relative{a'2. d c4. d8 c4 a2. d, a' g4. f8 d4 f g2 s4_"//"} \score{{\common \mainA}} \score{ << { \set Staff.midiInstrument = "string ensemble 1" \common s2. <<\transpose c c' \mainA \\ \mainA>> } \new Staff \relative{ \set Staff.midiInstrument = "orchestral harp" \common \tuplet 6/4 4{a16 bes c d e f g a bes c d e f g a bes c d} \clef bass <<{ r4 <d,, f a>2 r4 q2 r4 <c f a>2 r4 <e g a>2 r4 <d f a>2 r4 q2 r4 <d g bes>2 2 4 }\\{ <d, d,>2 a,4 q2 a4 <f'' f,>2. cis,2. d2 a4 d2. g2 f4 d bes g }>> } >> \midi{\tempo 2.=46} }$

KBS World Radio - Dawn

$% https://www.intervalsignals.net/sounds/kor-kbswr_english_211212.mp3 \relative{ \time 3/4 <g'' d>4 <c g> <g d> q2. <g d>4 <f c> <c g> q2. <f c>4 <c g> <g' d> <f c>2. <g d>4 <f c> <c g> q2. } \layout{indent=#0 line-width=#120 } \midi{\tempo 4=58 \set Staff.midiInstrument = "vibraphone"}$

KBS World Radio - Moon, moon, bright moon

RTL Radio: last segment of "lb:De Feierwon" by Michel Lentz, played on chimes.^[5]

RTL Radio

Radio Madagascar (mg:Radio Madagasikara):

Radio Madagascar

Radio Mauritania:

$% https://www.intervalsignals.net/sounds/mtn-radio_mauritania_051108.mp3 \relative{ \set Staff.midiInstrument = "acoustic guitar (nylon)" \clef "treble_(8)" \key f \major \time 12/8 \partial 8 f8 bes4 a8 c4 a8 bes4 g8~\prall 4 bes8 a4 8~ <a g'>4. <a f'>8 r g4 4 << {\hideNotes \grace{g'4~} 2. \unHideNotes}\\ {\grace{g8 f} e4 f8 d4 e8} >> f4 g,8~\prall 4 8_" //" } \layout{indent=#0 line-width=#120 \context{\Staff \magnifyStaff 0.8}} \midi{\tempo 4.=132}$

Radio Mauritania

Voice of Mongolia: "Motherland" (Эх орон) by Luvsanjambyn Mördorj.^[6]

$\relative{ % https://www.intervalsignals.net/sounds/mng-mnr2_100116.mp3 \clef "treble^(8)" \set Staff.midiInstrument = "vibraphone" \set midiMaximumVolume = #1.3 \key bes \major f''4\omit\sustainOn d'4 8. c16 bes4 c8. d16 bes4 f2 } \midi{\tempo 4 = 50}$

Interval signal for Voice of Mongolia

Radio New Zealand International: The call of a New Zealand bellbird

Radio New Zealand International

ORTN:

$\header{tagline=##f} % 0:27 https://www.intervalsignals.net/sounds/ngr-ortn_lv_du_sahel_220124.mp3 main = \relative{ \set Staff.midiInstrument = "flute" \set midiMaximumVolume = #0.9 \clef "treble^(8)" \key es \major \time 5/8 \repeat volta 2{ \grace{as''16*2(} 4) 4 8 \grace{as16*2(} geh8) eeseh8 8 deh bes' \grace{as16*2(} 4) 4 deh,8 \grace{geh16*2(} eeseh4) 8 deh bes' } } \score{\main \layout{indent=#0 line-width=#120 }} \score{\unfoldRepeats \main \midi{\tempo 4=180}}$

Office of Radio and Television of Niger

Radio Pakistan: A tune composed by Khwaja Khursheed Anwar.

$\header{tagline = ##f} % https://www.intervalsignals.net/sounds/pak-rp_nca_151013.mp3 main = \relative{ \set Staff.midiInstrument = "lead 6 (voice)" \key des \major \grace{s8} r4 es'2.~ 4 as2.~ 4 g16 as bes as g as bes des~ 4~ 4 es2 as4 } acco = { \set Staff.midiInstrument = "sitar" \set midiMaximumVolume = #0.6 \key des \major \clef bass \grace{s8\sustainOn} \repeat unfold 4 {<des, as,>4 <as, des> <des es>4 4} s8 } \score{\main} \score{ <<\main \new Staff \acco>> \midi{\tempo 4 = 69} }$

Radio Pakistan

Philippines:

Far East Broadcasting Company: 2nd segment of "We Have Heard the Joyful Sound (Jesus Saves)".

FEBC

Radio Veritas Asia: "O via, vita, veritas".

$% https://www.intervalsignals.net/sounds/phl-z-radio_veritas_asia_130518.mp3 \relative{ \key bes \major \partial 4 f'4 bes f g f bes4. c8 d4 4 c2 d4. c8 bes1\fermata } \midi{\tempo 4=100 \set Staff.midiInstrument = "shanai"}$

Radio Veritas Asia

: Qatar Radio

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/qat-z-qbs_french_010305.mp3 common = {\key ges \major \time 3/4} main = \relative{ \set Staff.midiInstrument = "pizzicato strings" \common \grace{s8} r4 r ces'' beseh4. ges8 ces4 beseh4. 8 4 r8 ges4 beseh8 r4 s8_"//" } acco = \relative{ \set Staff.midiMaximumVolume = #0.7 \common \grace{s8\sustainOn} \repeat unfold 2{<< {ges8 des' ges ces des ces ges'4. ces,8 des ges,}\\ {ges,2 r8 ges ges2 r8 ges} >>} } \score{\main} \score{ << \partCombine \main \transpose c c, \main \new Staff \acco >> \midi{\tempo 4=112} }$

Qatar Radio

Radio Romania International: The first nine notes of “Pui de lei", lyrics by Ioan S. Nenițescu and song by Ionel G. Brătianu [ro]

Radio Romania International

Russia

Radio Mayak: Vibraphone version of Moscow Nights.

Radio Mayak

Radio Sakha: Excerpt from a Yakut folk song.^{[citation needed]}

Radio Sakha

: Radio Rwanda

$\header{tagline = ##f} % https://www.intervalsignals.net/sounds/rrw-radio_rwanda_160809.mp3 main = \relative{ \set Staff.midiInstrument = "acoustic guitar (nylon)" \clef bass \time 12/8 \repeat volta 2{ g,8 ceh4 beh8 g4 <ceh g>4 r8 deh~ <deh g,>4 g,8 ceh4 beh8 g4 g4 r8 ceh~ <ceh g>4 } } cutt = \new DrumStaff \drummode{ \set Staff.midiInstrument = "brush kit" \repeat volta 2{ r4 sn r r r sn r sn r r r sn } } \score{\main} \score{ \unfoldRepeats << \main \cutt >> \midi{\tempo 4. = 142} }$

Radio Rwanda

: Radio Saudi International

$% https://www.intervalsignals.net/sounds/ars-sba_rsi_181213.mp3 \relative{ \clef "treble_(8)" \key c \major \time 4/4 \partial 8 <g g,>8 c c d <beh beh,> c4. <g g,>8 c c d <beh beh,> c4 d eeh8 8 c c <a a,>8 8 <g g,>8 8 s_" //" } \layout{indent=#0 line-width=#120 } \midi{\tempo 4=90 \set Staff.midiInstrument = "acoustic guitar (nylon)"}$

Radio Saudi International

Radio Slovenia: Electronically generated cuckoo chirping.

$\header{tagline=##f} % 0:03 https://www.intervalsignals.net/sounds/svn-rs1_010804.mp3 main = { \set Staff.midiInstrument = "ocarina" \repeat volta 3 {e''8\omit-_ cis''\omit-_ r4 r2} \mark \markup \tiny "3x" } \score{\main} \score{\unfoldRepeats \main \midi{\tempo 4=114}}$

Radio Slovenia

: Radio Uganda

Radio Uganda

Radio Ukraine International: "The Wide Dniepr Roars and Moans" (Реве та стогне Дніпр широкий).

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/ukr-z-ur1_signon_250415.mp3 sustainOfn = \sustainOff\sustainOn mainA = \relative{\time 3/4 a'4 c e a2 e4 d2 c4 2. b} main = { \set Staff.midiInstrument = "ocarina" \clef "treble^(8)" \transpose c c' \mainA } acco = <<{ \set Staff.midiInstrument = "harpsichord" \set Staff.midiMaximumVolume = #0.7 \mainA }\\ \relative{ s2. \grace{a8\sustainOn e' c'}s2. \grace{d,,8\sustainOfn f' a}s2. \grace{e,8\sustainOfn c' a'}s2. \grace{e,8\sustainOfn e'gis}s2. s8\sustainOff }>> \score{\main} \score{<<\main \new Staff \acco>> \midi{\tempo 4=72}}$

Radio Ukraine International

BBC World Service:

English programme: "Bow Bells", 10 change-ringing bells.
Non-English programme, non-Europe: three notes tuned B–B–C.
Non-English programme, to Europe: four notes tuned B–B–B–E.

Interval signals for BBC World Service

United States:

NBC: 3 chime-like notes.

${ \set Staff.midiInstrument = "vibraphone" \omit Staff.TimeSignature \cadenzaOn g'2 e'' c''1*2 \bar "|" } \midi{\tempo 2 = 152}$

Interval signal for NBC

Trans World Radio (TWR)

Trans World Radio: Hymne Monégasque (Monaco anthem)

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/mco-twr_romanian_150411.mp3 common = {\key g \major \time 6/8} main = \relative { \clef "treble^(8)" \common d''4. g4 a8 b4. c4 b8 a4. b4 a8 g4. d d' d4 8 4.~ 4 g,8 a4 b8 c4 b8 a2. } acco = { \common <g' b'>2.~ 2. <d' fis'>2. <g' b'>2. 2.~ 2. <d' fis'>2.~ 2. } \score{\main \layout{indent=#0 line-width=#120 \context{\Staff \magnifyStaff 0.9}} } \score{<<\main \new Staff \acco>> \midi{\tempo 4.=116 \set Staff.midiInstrument = "electric piano 1"} }$

Trans World Radio

TWR Europe: Amazing Grace

TWR Europe

TWR Albania: last segment of "What a Friend We Have in Jesus"

TWR Albania

TWR Guam: first part of "We've a story to tell to the nations"

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/gum-ktwr_130815.mp3 sustainOfn = \sustainOff\sustainOn common = {\key d \major \partial 4} main = \relative{ \clef "treble^(8)" \common \tuplet 3/2{d''4 e8} fis4 4 g \tuplet 3/2{fis4 eis8} fis2 d4 \tuplet 3/2{fis g8} a4 4 b \tuplet 3/2{a gis8} a2. r4 } acco = \relative{ \set Staff.midiInstrument = "acoustic guitar (steel)" \set Staff.midiMaximumVolume = #0.7 \clef "treble_(8)" \common s4 <<{ \grace{d16\sustainOn a' d}fis2 \grace{g,,16\sustainOfn g' d'}a'2 \grace{d,,16\sustainOfn a' d}fis1 \grace{d,16\sustainOfn a'}e'2 \grace{e,16\sustainOfn gis}e'2 \grace{a,,16\sustainOfn cis'}e2. r4\sustainOff }\\{ s1 s4 \tuplet 3/2 4{d4 e8 fis4 e8 d4 cis8} d4 cis b gis a2. }>> } \score{\main \layout{indent=#0 line-width=#120 }} \score{<<\main \new Staff \acco>> \midi{\tempo 4=110}}$

KTWR

TWR Africa: last part of "We've a story to tell to the nations"

TWR Africa

TWR Bonaire: last part of Stand Up, Stand Up for Jesus by George James Webb, in various renditions

TWR Bonaire

Voice of America: Brass band version of "Yankee Doodle".

Interval signal for Voice of America

WEWN, later EWTN Global Radio: "Salve Regina" (in simple tone) by Henri Dumont

$% https://www.intervalsignals.net/sounds/usa-wewn_al_181212.mp3 \relative{ \clef "treble_(8)" \omit Staff.TimeSignature \key des \major \cadenzaOn \hide Stem des4 f as bes4*5/4 as2*9/8 \bar "'" bes4 des c bes as bes as as2*7/4 \bar "'" des4*3/2 as4*11/4 bes4*5/4 ges2*9/8 es2*11/8 \bar "'" f4 ges as4*5/4 f4*6/4 f4*7/4 es des2*2 s4 \bar "|" } \layout{indent=#0 line-width=#120 \context{\Staff \magnifyStaff 0.9}} \midi{\tempo 2=73 \set Staff.midiInstrument = "choir aahs"}$

WEWN

Vatican Radio: "Christus Vincit" by fr:Aloys Kunc.

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/cva-z-vatican_radio_c1982.mp3 common = {\key f \major} sustainOfn = \sustainOff\sustainOn mainA = \relative{a'''2 a c c f, f a a d g, c f,4 bes a2 g4. f8 1} main = { \set Staff.midiInstrument = "celesta" \clef "treble^(8)" \common \grace{s8 s s} \partCombine \mainA \transpose c c, \mainA } acco = { \set Staff.midiInstrument = "orchestral harp" \set midiMaximumVolume = #0.9 \clef bass \common \grace{f8\sustainOn a c'}f'1 \grace{e8\sustainOfn g c'}g'1 \grace{d8\sustainOfn a d'}f'2 b \grace{c8\sustainOfn g a }e'1 <bes, d' f'>2\sustainOff <c c' e'>4\sustainOn bes, <a, c' f'>2\sustainOff <bes, bes d'>4\sustainOn g, <c a f'>2\sustainOff <c, c bes e'> \grace{f,8\sustainOn c a}f'1 } \score{{\clef "treble^(15)" \common \mainA} \layout{indent=#0 line-width=#120 }} \score{<<\main \new Staff \acco>> \midi{\tempo 2=62}}$

Interval signal for Vatican Radio

Radio Nacional de Venezuela's Canal Internacional [es]: Beginning of "Alma Llanera" by Pedro Elías Gutiérrez and Rafael Bolívar Coronado.

Radio Nacional de Venezuela

Đài tiếng nói Việt Nam (VOV): latter half of "vi:Diệt phát xít"

Voice of Vietnam

Formerly used

Radio Tirana: Këputa një gjethe dafine (transmission intro); the trumpet version of With Pickaxe and Rifle.

$\header{tagline=##f} % 0:26 https://www.intervalsignals.net/sounds/alb-radio_tirana_xs_270418.mp3 common = {\key e \minor} main = \relative{ \set Staff.midiInstrument = "electric guitar (clean)" \common b4 e e e e e e e e8 fis8 4~ 2~ 1 s8_"//" } acco = << \new Staff \relative{ \set Staff.midiInstrument = "fx 1 (rain)" \set Staff.midiMaximumVolume = #0.3 \common << {\repeat unfold 4{g'8 e' b e} \repeat unfold 4{fis, dis' b dis}}\\ {<e, b>1~ 1 <dis b>1~ 1} >> } \drums{\repeat unfold 8{<<{<cymr>8 8 ss q}\\{bd4. 8}>>}} >> \score{\main} \score{<<\main \acco>> \midi{\tempo 4=160}}$

Radio Tirana - Këputa një gjethe dafine

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/alb-z-radio_tirana_c1980.mp3 common = {\key g \minor \time 2/4 \partial 16} main = \relative{\common d''16-. 4-_ 8. es16-. d4-_ c8. a16-. bes2 g} acco = \relative{ \set midiMaximumVolume = #0.7 \common bes'16-. 4-_ a-_ g-_ d-_ g2 d } \score{{\omit Script \main}} \score{<<\main \new Staff \acco>> \midi{\tempo 4=114 \set Staff.midiInstrument = "trumpet"} }$

Radio Tirana - Në njërën dorë kazmën në tjetrën pushkën

Radio Australia: chorus segment of Waltzing Matilda; Kookaburra call; News signature tune: Majestic Fanfare.

Radio Australia

Radio Österreich International: An der schönen blauen Donau ("Blue Danube Waltz") by Johann Strauss.^[7]

Radio Österreich International

Ö1: Three notes signifying O–R–F by Werner Pirchner, played on viola.^[8]

$% https://www.intervalsignals.net/sounds/aut-orf1_260112.mp3 { \clef bass \set Staff.midiInstrument = "viola" \set midiMaximumVolume = #1.0 c4 g c'2 } \midi{\tempo 4 = 120}$

Interval signal for Ö1

ORF:

1st Program: Schubert, Rosamunde, Ballet Music 2

$% https://www.intervalsignals.net/sounds/aut-z-orf_regional_1980.mp3 \relative{ \key g \major \time 2/4 \set Staff.midiInstrument = "vibraphone" \set midiMaximumVolume = #1.1 g'8\omit\sustainOn g16 d g8 g16 d g8 b d4 } \midi { \tempo 4 = 80 }$

Österreichischer Rundfunk

3rd Program: Haydn, Surprise Symphony

$% https://www.intervalsignals.net/sounds/aut-z-radio_oesterreich_c1953.mp3 \relative{ \key f \major \time 2/4 \set Staff.midiInstrument = "vibraphone" \set midiMaximumVolume = #1.1 f'8 f a a c c a4 } \midi { \tempo 4 = 40 }$

Österreichischer Rundfunk

RTBF International:

Où peut-on être mieux qu’au sein de sa famille ? [fr].

RTBF International

Benoit, Beiaardlied

$% https://www.intervalsignals.net/sounds/bel-z-brt1_rvd_1977.mp3 \relative{ \set Staff.midiInstrument = "electric piano 1" \key f \major \cadenzaOn \partial 4 a'4*5/6 \bar "|" a4 g4*7/6 bes4*5/6 a4*7/6 \bar "|" f2*7/8 c4 a' \bar "|" a g8*3/2[ a8] bes4*5/6 e,4*7/6 \bar "|" c'2 } \midi{\tempo 4 = 78}$

RTBF International

Rádio Nacional: Luar do Sertão ("Hinterlands Moonlight").

$\header{tagline=##f} % https://www.radiomuseum.org/dsp_audio_clip.cfm?audio_id=5586 sustainOfn = \sustainOff\sustainOn main = \relative{ \partial 8 g'8 c4. d8 e4. d8 f4. e8 d4. c8 b4. a8 g4. f8 e2. } acco = { \set midiMaximumVolume = #0.7 \clef bass \partial 8 r8 c8\sustainOn g e'4 \grace{<g' c''>16\sustainOfn}bes,8 bes g'4 \grace{<f' c''>16\sustainOfn}a,8 f c'4 \grace{<f' bes'>16\sustainOfn}as,8 f bes4 \grace{<d' g'>16\sustainOfn}g,8 f b4 f,8\sustainOfn f 4 e,8\sustainOfn <g c'> <f d'>\sustainOfn g,8 <c, c'>8*2\sustainOfn s8\sustainOff } \score{\main} \score{<<\new Staff \main \new Staff \acco>> \midi{\tempo 4=64 \set Staff.midiInstrument = "electric piano 1"} }$

Rádio Nacional

Radio Canada International: First four notes of O Canada, played on piano or autoharp.

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/can-z-rci_200907.mp3 main = {\clef "treble^(8)" \key g \major b''2 d'''4.. d'''16 g''2} acco = {\set midiMaximumVolume = #0.6 \key g \major <g' d''>2 <d' a'> } \score{\main} \score{<<\main \new Staff \acco>> \midi{\tempo 4=106}}$

Radio Canada International

Cyprus Broadcasting Corporation: closing segment of Avkoritissa (Αυκορίτισσα), a traditional Cypriot song of Avgorou^[9]

$\header{tagline = ##f} % 0:24 https://www.intervalsignals.net/sounds/cyp-cybc1_100910.mp3 main = \relative{ \set Staff.midiInstrument = "flute" \set midiMaximumVolume = #0.9 \clef "treble^(8)" \partial 16*3 g''16 a b16*2 \grace{c8 d} c8.*2/3 a16 b8 g d'4 r16 g,16 a b16*2 \grace{c8 d} c8.*2/3 a16 b8 g a2 } acco = { \set Staff.midiInstrument = "string ensemble 1" \set midiMaximumVolume = #0.7 \clef bass \partial 16*3 s16 s8 <c g e'>4 <g, b d'> <d a f'>2 <c g e'>4 <g, b d'> <a, a c'>2 s8 } \score{\main \layout{\context{\Staff \magnifyStaff 0.8}}} \score{ <<\main \new Staff \acco>> \midi{\tempo 4 = 102} }$

Cyprus Broadcasting Corporation

Radio Prague:

Smetana, Má vlast, 1. Vyšehrad

Czechoslovak Radio

last segment of Kupředu levá ("Forward, Left") by cs:Jan Seidl

Radio Prague

Adagio – Allegro molto from Symphony No. 9 by Dvořák.

$% https://www.intervalsignals.net/sounds/cze-z-cro7_radio_prague_021102.mp3 % Mvt.1, b.189 \relative{ \set Staff.midiInstrument = "french horn" \set midiMaximumVolume = #1.0 \key e \major \time 2/4 \omit Script e'4. e8-. cis-. b4. \undo\omit Script e8. gis16-. b8-. 8-. 2 } \midi{\tempo 4 = 110}$

Radio Prague

Radio Denmark: Nielsen, Moderen, Scene7 No.22 Som en rejselysten flåde

$\header{tagline = ##f} % https://www.intervalsignals.net/sounds/dnk-z-radio_denmark_c1978.mp3 main = \relative{ \clef "treble^(8)" \key g \major \partial 4 g''8 fis g4 d g a b2 a4 c8 b a4 g g fis g2. r4 } acco = \relative{ \set Staff.midiMaximumVolume = #0.7 \key g \major \partial 4 <<{ g'8 fis g4 d g a <g' d>2 <fis d>4 <g c,>8 <g e> <e c>4 <e b> <e a,> <d a> <d b>2. }\\{ s4 s1 g,,4 b d e a e c d g,2. }>> } \score{\main} \score{ << \set Score.midiInstrument = "celesta" \main \new Staff \acco >> \midi{\tempo 4 = 94} }$

Radio Denmark

HCJB: using a motif from Great Is Thy Faithfulness^{[citation needed]}

The Voice of the Andes

HCJB Japanese program: "Sakura Sakura" (さくらさくら, cherry blossoms)

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/eqa-z-hcjb_japanese_1975.mp3 common = {\key c \minor} main = { \set Staff.midiInstrument = "marimba" \set midiMaximumVolume = #0.8 \common \relative{c''4 4 d2 c4 4 d2 c4 d es d c d8 c as2 s8_"//"} } acco = << \new Staff \relative{ \set Staff.midiInstrument = "marimba" \set midiMaximumVolume = #0.6 \common \repeat percent 2{ \repeat percent 8{c'64*1/2 es64*3/2 c'64*1/2 g64*3/2} \repeat percent 8{d64*1/2 g64*3/2 d'64*1/2 b64*3/2} } \repeat tremolo 4{c,32 c'} \repeat tremolo 4 {d, d'} \repeat tremolo 4{es, es'} \repeat tremolo 4{d, d'} \repeat tremolo 4{c, c'} \repeat tremolo 2{d, d'} \repeat tremolo 2{c, c'} \repeat tremolo 8{as, as'} } \new Staff \relative{ \set Staff.midiMaximumVolume = #0.6 \clef bass \common \repeat percent 2{<<{s2 r8 g'' es d}\\{<c,, es g>4-. r <g d' g>2}>>} es'8 g' g, g' c,, g'' g, g' f, as' es,4 d8 f' g as } >> \score{\main} \score{<<\main \unfoldRepeats \acco>> \midi{\tempo 4=70}}$

The Voice of the Andes (Japanese)

Yle Radio 1: Pim-pam-pulla, a tune from the 1700s proposed by A. O. Väisänen for 5-string kantele.^[10]^[11]

$% https://yle.fi/a/20-98112 "Uusi väliaikamerkki" <<\relative{ \key f \major c''2 bes4 a g2 a2 c bes4 a g1 a }\\ \magnifyMusic 0.7 \relative{ \set midiMaximumVolume = #0.9 f'1 c'2 f,~ f r c'1 <f, c'> }>> \midi{\tempo 4=95 \set Staff.midiInstrument = "electric piano 1"}$

Radio Finland (Yle)

Radio France Internationale: a popular song, Nous n'irons plus au bois [fr].^[7]

$\header{tagline = ##f} % https://www.intervalsignals.net/sounds/fra-z-rfi_c1975.mp3 main = \relative{ \key g \major \time 2/4 \set Staff.midiInstrument = "trumpet" \omit Script r8. g'16-. b8-. c-. d4 g d \grace{\scaleDurations 2 {c16( e}} d8-.) c-. b4 a g2 } acco = { \key g \major \set Staff.midiInstrument = "bassoon" \set Staff.midiMaximumVolume = #0.7 << \relative{ r8. g'16 fis8-. e-. d8. c16 b8-. c-. d-. c-. b-. c-. d8. s16 s8 d-. b2 }\\{ g2~ 2~ 2 d8. d'16 d'8-. d-. g2 }\\ \relative{ s2 b'8. a16 g8-. a-. b8. g16 g8-. e-. g4. fis8-. g2 s8 }>> } \score{\main} \score{ <<\main \new Staff \acco>> \midi{\tempo 4 = 110} }$

Radio France Internationale

Nordwestdeutscher Rundfunk: The 4th symphony by Brahms.

$\header{tagline=##f} % https://youtu.be/0xAWEL6mnZI % Mvt.1 b.112 main = \relative{ \set Staff.midiInstrument = "french horn" \set midiMaximumVolume = #0.9 \key b \major \time 2/2 \tuplet 3/2 2{r4 r <dis' b>8-. <e cis>-. <fis dis>4-. <dis b>-. <gis e>-.} <fis dis>2*2/3 } acco = { \set Staff.midiInstrument = "timpani" \set midiMaximumVolume = #0.8 \clef bass \omit Dots \repeat tremolo 24 b,16*2/3 b,2 } \score{{\omit Script \main}} \score{<<\main \new Staff \unfoldRepeats \acco>> \midi{\tempo 2=60}}$

NWDR

Reichssender Berlin [de]: Ending bars of Volk ans Gewehr, played on celesta.

Reichssender Berlin

East Germany

Berliner Rundfunk: Motif from the opera Regina, Act3 Finale by Albert Lortzing, played by horns.

Berliner Rundfunk

Radio Berlin International: Beginning of Auferstanden aus Ruinen ("Risen from Ruins"), played on chimes.

$% https://www.intervalsignals.net/sounds/ger-z-rbi_rvd_1975.mp3 \relative{ \set Staff.midiInstrument = "electric piano 1" \key as \major \time 2/4 <c'' as>4 4 <bes es,> <as c,> <des bes>4 4 <c as> <bes es,> } \midi{\tempo 4 = 69}$

Radio Berlin International

Radio DDR: Refrain of de:Wann wir schreiten Seit’ an Seit’

Radio DDR

Radio NTS: Tchaikovsky, Symphony #5, Mvt.4

Interval signal for Radio Free Russia

DFS 904 [de]: "Ode to Joy"

Interval signal for DFS 904

Germany

Deutschlandfunk: Ending bars of "Ich hab' mich ergeben" by August Daniel von Binzer.^[12]

DLF

RIAS Berlin: Franz Wallner-Basté [de]

$% https://www.intervalsignals.net/sounds/ger-z-rias_c1948.mp3 \relative{ \set Staff.midiInstrument = "electric piano 1" \clef "treble^(8)" \partial 4 g''8 <c e,>16 <c e,>8 <g d> <e c> <f d> <g e>2 } \midi{\tempo 4 = 72}$

RIAS Berlin

Deutschlandsender: Mozart, The Magic Flute (Ein Mädchen oder Weibchen) / Schubart, Üb’ immer Treu und Redlichkeit

$% https://rias1.de/audiokennung.htm#:~:text=Deutschlandsender { \set Staff.midiInstrument = "orchestral harp" \key g \major \time 2/4 \partial 4 d'4 <g' b>4 4 <a' d'>4 4 << { b'4. a'8 } \\ { g'4 d' } >> <g' b> } \midi {\tempo 4 = 90}$

Deutschlandsender

Funk-Stunde Berlin [de]:

$\header{tagline = ##f} % https://www.intervalsignals.net/sounds/ger-z-reichssender_berlin_1935.mp3 main = \relative{ \set Staff.midiInstrument = "brass section" \set midiMaximumVolume = #0.9 \key bes \major bes4 d8-. f-. bes2 <bes, d>4 <d f>8-. <f bes>-. <bes d>2 } acco = { \clef bass \set Staff.midiInstrument = "timpani" r2 r8 d16 d d4 r2 r8 d16 d d4 s } \score{\main} \score{ <<\main \new Staff \acco>> \midi {\tempo 4 = 114} }$

Reichssender Berlin

ORAG Königsberg

Friedrich Dewischeit, de:Masurenlied (Wild flutet der See)

$\header{tagline = ##f} % https://rias1.de/audiokennung.htm#:~:text=ORAG main = { \key d \major \time 6/8 \set midiMaximumVolume = #1.2 d''4. fis'8. g'16 a'8 d'2. } acco = { \set midiMaximumVolume = #0.8 \clef bass \key d \major <fis, fis>2. <d fis>2. } \score{\main} \score{ << \set Score.midiInstrument = "orchestral harp" \main \new Staff \acco >> \midi{\tempo 4. = 60} }$

Ostmarken Rundfunk

Wo des Haffes Wellen trecken an den Strand^{[citation needed]}

Ostmarken Rundfunk

NORAG Hamburg: Wagner, Der fliegende Holländer, Act 3, Steuermann, lass die Wacht (Sailors' Chorus)

$% https://rias1.de/audiokennung.htm#:~:text=NORAG \relative{ \set Staff.midiInstrument = "orchestral harp" \key g \major \time 2/4 <b' g>16 <a d,>16 <g b,>8 4~ 8 <a d,>8 <g b,>4 } \midi {\tempo 4 = 69}$

Nordische Rundfunk

NDR Hamburg:

Brahms, Symphony #2, Mvt.1

$\header{tagline = ##f} % Mvt.1, b.425 % https://www.intervalsignals.net/sounds/ger-z-ndr_010156.mp3 main = \relative{ \set Staff.midiInstrument = "oboe" \set midiMaximumVolume = #0.9 \key d \major \time 3/4 \partial 4 <fis'' d>8 <g e> <a fis>2 <fis d>8 <a fis> <d b>4 <cis a> <a fis> } acco = \relative{ \set Staff.midiInstrument = "clarinet" \set midiMaximumVolume = #0.6 \key d \major \partial 4 s4 <a' fis>2 <fis d>8 <a fis> <d b>4 <cis a> <a d,> s8 } \score{\main} \score{ <<\main \new Staff \acco>> \midi {\tempo 4 = 130} }$

Nordische Rundfunk

(Dominant major ninth chord)

Nordische Rundfunk

WERAG Köln: ^{[citation needed]}

${ % https://www.radiomuseum.org/dsp_audio_clip.cfm?audio_id=2421 [caution: recreation] % https://www.radiomuseum.org/images/audioimages_klein/Pausezeichen_Koeln.jpg \set Staff.midiInstrument = "celesta" \omit Staff.TimeSignature \cadenzaOn dis''2 fis'2 b2 }$

Westdeutsche Rundfunk

WDR Köln: Beethoven, Bundeslied (In allen guten Stunden)

$% https://www.intervalsignals.net/sounds/ger-z-wdr_010156.mp3 \relative{ \key bes \major \partial 4 f'4 <bes f d>\omit\sustainOn f <d' bes f>\omit\sustainOff <c a es> <bes f d>2 4*2\fermata } \midi{\tempo 4=124 \set Staff.midiInstrument = "electric piano 1"}$

Westdeutscher Rundfunk

Deutsche Stunde in Bayern München: Wagner, Parsifal, Parsifal bell

$% https://rias1.de/audiokennung.htm#:~:text=München { \set Staff.midiInstrument = "orchestral harp" \set midiMaximumVolume = #1.3 \key as \major \clef bass \omit Staff.TimeSignature as, es, f, c, } \midi {\tempo 4 = 38}$

Bayerischer Rundfunk

BR München: Wiesberg, de:Solang der alte Peter

$% https://rias1.de/audiokennung.htm#:~:text=Bayerischer%20Rundfunk,-1963 \relative{ \set Staff.midiInstrument = "orchestral harp" \set midiMaximumVolume = #1.2 \key es \major \time 3/4 \partial 4 bes4 <es bes g>2 4 <g es bes>2 4 <bes g es>2. <g es bes> } \midi{\tempo 4 = 112}$

Bayerischer Rundfunk

Schlesische Funkstunde Breslau: Hohenfriedberger Marsch

$\header{tagline = ##f} % https://rias1.de/audiokennung.htm#:~:text=Breslau main = \relative{ \clef "treble^(8)" \partial 4 g''4 <c e,>4 8. 16 4 <d g,> <e c>8. <d g,>16 <c e,>8. 16 <c e,>2 } acco = \relative{ \partial 4 g'4 c, g' c g c g c,2 } \score{\main} \score{ << \set Score.midiInstrument = "celesta" \new Staff \main \new Staff \acco >> \midi {\tempo 4 = 88} }$

SFAG Breslau

Sender Freies Berlin: Es-F-B

SFB

Radio Saarbrücken: Kein schöner Land in dieser Zeit

$% https://www.intervalsignals.net/sounds/ger-z-radio_saarbrucken_1950.mp3 \relative{ \key f \major \time 3/4 \partial 8*3 c''8 c c <f c a>4\omit\sustainOn <a f c> g8 f <g e c>2.\omit\sustainOff } \midi{\tempo 4=54 \set Staff.midiInstrument = "vibraphone"}$

Saarländischer Rundfunk

SR Saarbrücken: de:Steigerlied (2nd line: Und er hat sein helles Licht bei der Nacht)

Saarländischer Rundfunk

SWF Baden-Baden: Mozart, The Magic Flute (Act 2: No.21, Finale: Bald prangt, den Morgen zu verkünden)

Südwestfunk

SDR Stuttgart: Silcher, Jetzt gang i ans Brünnele

Süddeutscher Rundfunk

HR Frankfurt: Hermann Heiss

Hessischer Rundfunk

Radio Bremen: Bach, Mass in B minor, Et in terra pax

$% https://rias1.de/audiokennung.htm#:~:text=Bremen,-1963 \relative{ \set Staff.midiInstrument = "electric piano 1" \key d \major \omit Script r4 <a' fis>4~ 8 8-. 8 <c a>8-. 8 <c a> <d b> 2 } \midi{\tempo 4 = 90}$

Radio Bremen

Radio Budapest:

Excerpts from the suite 1848 by T.K. Polgar played on three trumpets and two cornets.^{[citation needed]}

Radio Budapest

Budapest 2

$% https://www.intervalsignals.net/sounds/hng-z-mtr_budapest2_1942.mp3 \relative{ \set Score.midiInstrument = "celesta" \clef "treble^(8)" \key ges \major \repeat unfold 2{<bes'' ges>4 <des bes> <ces as> <des f, des>} <bes ges>4 } \midi {\tempo 4 = 63}$

Hungarian Telephone & Radio

Kol Yisrael: latter half of Hatikvah played on trumpets and timpani.

Kol Yisrael

Rai Italia Radio: Mechanically generated canary chirping.

Rai Italia Radio

Radio Riga: ^{[better source needed]}

Latvijas Radio

Radio Vilnius:

Lietuvininkai we are born

$\header{tagline=##f} % 1:06 https://www.intervalsignals.net/sounds/ltu-z-lr_radio_vilnius_180706.mp3 common = {\key es \major \partial 4} mainA = {es'4 bes'4. 8 8. 16 g8 es es'4. c8 bes2\omit-_} main = \relative{ \common \mainA es4 f8 es bes4 es8 c d es c4 bes s8_"//" } acco = \relative c,{ \clef bass \common \mainA <es, bes' g'>4 <es bes' as'>8 <es bes' g'> <d bes' f'>4 <c bes' g'> <f bes f'> <f a es'> <bes d> } \score{\main \layout{indent=#0 line-width=#120 }} \score{<<\main \new Staff \acco>> \midi{\tempo 4=65 \set Staff.midiInstrument = "choir aahs"} }$

Radio Vilnius - Lietuvninkai mes esam gimę

latter half of Anthem of the Lithuanian Soviet Socialist Republic

Radio Vilnius - LTSR Himnas

Netherlands

NPO: First eight notes of Wilhelmus, played on:^[13]

Flute family: Hilversum 1 (Radio 2)
Oboe family: Hilversum 2 (Radio 1), Hilversum 5
Synthesizer then Carillon: Hilversum 3
Harpsichord: Hilversum 4

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/hol-z-nos_hilversum4_1982.mp3 common = {\key b \major \partial 4} \score{ \relative{\mark "Hilversum 4" \common fis'4 b b cis8 dis e cis8 dis2} } \score{ <<\relative{ \common fis'4 \stemDown b_. \stemUp b-. cis8 dis e cis8*2 \grace{dis16*2 cis}dis2 } \\ \magnifyMusic 0.6 \relative{ \set midiMaximumVolume = #0.6 s4 \stemUp <dis'' b>8[ <cis ais>] \stemDown [ <ais fis>] <gis e> cis, <ais' fis> fis,8*3/2 2. }>> \midi{\tempo 4=122 \set Staff.midiInstrument = "harpsichord"} }$

Nederlandse Publieke Omroep

Radio Netherlands: Carillon version of the Eighty Years' War song Merck toch hoe sterck.

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/hol-z-radio_netherlands_rvd_c1975.mp3 common = {\key a \minor \time 2/2} main = \relative{ \common a'4 gis8 a b4 a8 b c4 b8 a b2 c4 b8 c d4 c8 d e4. e8 d e c d b2 a } acco = \relative{ \set midiMaximumVolume = #0.7 \common <a c>2 <e gis'> <a c> <e' gis> <a, e'> <g' bes> <c, g'> <f a> <e, e'>4 <e' gis> <a, c>2 s } \score{\main \layout{indent=#0 line-width=#120 }} \score{<<\main \new Staff \acco>> \midi{\tempo 2=53 \set Staff.midiInstrument = "tubular bells"} }$

Radio Netherlands (old)

Norway

NRK P1: Motif from Sigurd Jorsalfar by Edvard Grieg.^[14]^{[citation needed]}
Radio Norway International (Utenlandssendingen [no], former international service of NRK): no:Pausesignalet og kjenningssignalet

Pausesignalet: a herding call stylized by Eivind Groven

$% https://www.intervalsignals.net/sounds/nor-z-radio_norway_1966.mp3 \relative{ \time 9/4 \omit Staff.TimeSignature a' d a c d c8 a8 b8 g8 a4*2 } \midi{\tempo 4=86 \set Staff.midiInstrument = "celesta"}$

NRK - Pausesignalet

Kjenningssignalet: beginning bars of Symphony No.1 "Innover viddene" by Eivind Groven

NRK - Kjenningssignalet

Poland

Radio Katowice: Sound of a hammer striking an anvil.^[15]
Radio Olsztyn [pl]: Excerpt from pl:O Warmio moja miła by Feliks Nowowiejski, played on barrel organ.

Radio Olsztyn

Polish Radio External Service: Excerpt from Prząśniczka by Stanisław Moniuszko^[16]

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/pol-z-radio_polonia_250206.mp3 common = {\key c \minor \time 2/4 \partial 8*3} main = \relative{ \set Staff.midiInstrument = "flute" \common \set midiMaximumVolume = #0.9 \magnifyMusic 0.7{g'8-. a-. b-.} c8.-! 16-. es8-. f-. g4-! c,8-. c-. as'4-! g8-. f-. es4-! d-! c-! s8_"//" } acco = << \new Staff \relative{ \set Staff.midiInstrument = "vibraphone" \set midiMaximumVolume = #0.85 \common g'8 a b c16 d c g es g c d c d c g es g c d c d c as f as c d c d c as f as c d c4 } \new Staff { \set Staff.midiInstrument = "steel drums" {\set midiMaximumVolume = #0.8 \common s8 s4 c''2} \clef "bass_(8)" \set Staff.midiInstrument = "acoustic bass" \new Voice{\set midiMaximumVolume = #1.0 g,4.. c,16 2~ 2 4} } >> \score{{\omit Script \main}} \score{<<\main \acco>> \midi{\tempo 4=134}}$

Polish Radio External Service

Radio Polonia:

Etude No. 12 ("Revolutionary Etude") by Chopin

Radio Polonia

Military Polonaise by Chopin

Radio Polonia

Radio Bucharest 1 and Radio Bucharest External Service (pre 1989): Fragment from Cantata anilor luminǎ by Anatol Vieru^{[citation needed]}

Radio Bucharest

Voice of Russia: "Great Gate of Kiev" portion of Pictures at an Exhibition by Mussorgsky.

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/rus-z-vor_is_111111.mp3 sustainOfn = \sustainOff\sustainOn common = {\key es \major \time 2/2} mainA = \relative{es''1 f g2 es4 g f2 bes, g'4 bes f es d2 bes g'1} acco = \relative{ \clef bass \common <g bes bes'>1 \grace{d4\sustainOn f}<bes bes'>1 \grace{es,4\sustainOfn g}<bes bes'>2 <c, c' g'>2\sustainOff <d d' bes'> bes es'2 <d, bes' bes'>4 <c bes' bes'> <bes bes' f'>2 <g g'> \grace{es'4\sustainOfn g}<bes bes'>1 } \score{{\common \mainA} \layout{indent=#0 line-width=#120 }} \score{ <<{\common <<\mainA \\ \transpose c c, \mainA>>} \new Staff \acco>> \midi{\tempo 2=67 \set Staff.midiInstrument = "vibraphone"} }$

Voice of Russia

Radio Serbia: Bože pravde, in various renditions.

Radio Serbia

Radio Slovakia International: sk:Kto za pravdu horí

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/svk-sr_rsi_240408.mp3 mainA = \relative{c'''8 g e f a4 \cadenzaOn g4*2\fermata \bar "|"} \score{{\clef "treble^(8)" \mainA}} \score{ <<\mainA \new Staff{\transpose c c,, \mainA s2}>> \midi{\tempo 4=55 \set Staff.midiInstrument = "fx 4 (atmosphere)"} }$

Radio Slovakia International

Radio RSA (former international service of Apartheid-era South African Broadcasting Corporation): Bokmakierie chirping and first bars of Ver in die Wereld, Kittie, played on guitar.^[7]^[17]

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/afs-z-radio_rsa_1977.mp3 common = {\key e \major \time 2/4} main =\relative{ \common b'8 b16 b b8-. a-. gis b4. fis8 a4. gis8 b4. b8 b16 b b8-. a-. gis b4. fis8 a gis fis e2 } acco = \relative{ \set Staff.midiMaximumVolume = #0.6 \clef "treble_(8)" \common <<{ <dis' gis>8 16 16 8-. <cis fis>-. b4 8 a cis4 <cis a'>8 b b4 8 <dis gis>8 16 16 8-. <cis fis>-. b4 8 a cis b a }\\{ s2 e4 b b b e b s2 e4 b b b' }>> \grace{e,,16\omit\sustainOn b'}gis'2 } \score{\main \layout{indent=#0 line-width=#120 \context{\Staff \magnifyStaff 0.9}}} \score{<<\main \new Staff \acco>> \midi{\tempo 4=53 \set Staff.midiInstrument = "acoustic guitar (nylon)"} }$

Radio RSA

Radio Exterior de España: "Generala" (1761,1769) by es:Manuel de Espinosa de los Monteros

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/spa-z-ree_c1982.mp3 common = {\key d \major \time 3/8} main = \relative{ \set Staff.midiInstrument = "celesta" \common fis''8. e16 d8 fis16 e fis g a g fis8. e16 d8~ \hideNotes d4. } acco = \relative{ \set Staff.midiInstrument = "acoustic guitar (steel)" \set Staff.midiMaximumVolume = #0.6 \clef bass \common <<{fis'16 d a g' d a fis' d a e' d a fis' d a g' r8}\\{d,8. d d d d d}>> } \score{\main} \score{<<\main \new Staff \acco>> \midi{\tempo 8=119}}$

Radio Exterior de España

Radio Sweden:

Ut i vida världen ("Out in the Wide World"), composed by Ralph Lundsten^[18]

$% https://www.intervalsignals.net/sounds/swe-z-sr_radio_sweden_070704.mp3 \relative{ \key c \minor \partial 8*3 g'8\omit\sustainOn c d es4 g d g c,2 r8 g c f a2 f4 a g1 } \layout{indent=#0 line-width=#120 } \midi{\tempo 4=110 \set Staff.midiInstrument = "vibraphone"}$

Radio Sweden

the opening notes of Carl Michael Bellman's Storm och böljor tystna r'en.^[7]

$% https://www.intervalsignals.net/sounds/swe-sr1_021106.mp3 \relative{ \clef "treble^(8)" \key es \major \time 3/4 es''4.. g16 <f bes,>8. as16 <g es>4 <bes f> \cadenzaOn <es g,>4*3\fermata \bar "|" } \midi{\tempo 4=79 \set Staff.midiInstrument = "celesta"}$

Radio Sweden

Switzerland

Radio Beromünster [de]: D' Zit isch do, played on music box.

$\header{tagline = ##f} % https://www.intervalsignals.net/sounds/sui-z-sbc_sr2_rumantsch_1977.mp3 main = \relative{ \clef "treble^(15)" \key d \major \time 2/4 a'''8 a fis4 a8 a fis4 e8 e16 fis g8 e fis d' a4 } acco = \relative{ \clef "treble^(8)" \key d \major <<{a''8 a d4 a8 a d4 cis8 cis16 d e8 cis d d a4} \\ {fis4 d fis d a4. e'8 <d fis>2} >> } \score{\main} \score{ << \set Score.midiInstrument = "celesta" \main \new Staff \acco >> \midi {\tempo 4 = 86} }$

Landessender Beromünster, Bern

Swiss Radio International: de:Lueget, vo Bärgen und Tal.

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/sui-z-sri_221000.mp3 common = {\key b \major \time 3/8} main = \relative{ \common dis''8. e16 dis8 cis8 fis,8 dis'8 b4. r fis8. gis16 fis8 b8 dis8 fis8 cis4. } acco = { \clef bass \common <b, fis'>4. <fis ais'> 4. r <dis b>4. <b, dis'>4. <fis ais'>4.*3 } \score{\main} \score{<<\main \new Staff \acco>> \midi{\tempo 4.=58 \set Staff.midiInstrument = "music box"} }$

Swiss Radio International

Red Cross Broadcasting Service: Purcell, The Indian Queen, Trumpet Tune

$\header{tagline=##f} % http://www.kawamura-photo.sakura.ne.jp/bcl/sound/redcross.mp3 main = \relative{ \set Staff.midiInstrument = "trumpet" \time 3/4 g'8-. g16 g e8-. g-. e-. g-. c-. c16 c g8-. c-. g-. c-. e-. e16 d c8-. e-. d-. g16 f16*2 \grace{e16*2( f} e4*3/4) s_"//" } acco = { \set Staff.midiInstrument = "string ensemble 1" \set midiMaximumVolume = #0.7 \clef bass <c e'>4-. r r <c e' g'>4-. r r <c g' c'>8 c16 d e8-. c-. <g g' b'> g,-. <c g' c'>4 } \score{{\omit Script \main} \layout{indent=#0 line-width=#120 }} \score{<<\main \new Staff \acco>> \midi{\tempo 4=114}}$

Red Cross Broadcasting Service

Voice of Turkey: Turkish makam, played on piano.

Interval signal of Voice of Turkey as heard in 2013

Radio Moscow (former international service of the Soviet Union):

Подмосковные вечера ("Moscow Nights") performed by "Georgy Garanian and Melodia"^{[citation needed]}

$\header{tagline=##f} % 0:30 https://www.intervalsignals.net/sounds/rus-z-rmws_coup_190891.mp3 % https://youtu.be/Zg6CfBtO_uw #(define (fiver mus) #{ \repeat unfold 5{#mus } #}) v = \applyMusic #fiver \etc common = {\key f \minor \partial 2} main = \relative{ \set Staff.midiInstrument = "acoustic guitar (nylon)" \common s2 \v f'16*4/5 \v as \v c \v as \v{bes bes} \v as \v g \v{c c} \v{bes bes} \v{f f f f} \v as \v c \v es \v es \v{f f} \v es \v des \v{c c c c} \v{d d} \v{e e} s8 } acco = << \new Staff \relative<<{ \set Staff.midiInstrument = "electric piano 1" \set midiMaximumVolume = #0.7 \clef bass \common s2 f4 <as c es>4 4. <as c d>8~ 4. <as c des>8~ 2 <as c>8 <as es' f>4-_ 8 <as bes e>4. <as es' f>8~ 4. <as d f>8~ 8 <as es' f>4. <as c es>2 <g as c> <f as es'> <fes g des'> <es bes' c>4 f8 g as bes c f <f, b d>4 b8 d e <bes c>-. <c e bes'>4 }\\{ \set midiMaximumVolume = #1.0 s2 f,,4. f8 c4 f8 es bes'4. f'8 bes,4. b8 c4 c,4. c8 d e f4. 4 c8 bes as8 4. 4 8 bes c des8 4 8 es8 4 8 as8 4 es8 as4 es8 as g8 d g ges4 des8 ges f }>> \drums{ <<{ \common tomh16 16 16 16 toml16 16 8 \grace{cymc16} \repeat unfold 16{hh8 hh sn hh} }\\{ r2 \repeat unfold 8{bd4. bd8 r2} }>> } >> \score{ \relative{\key f \minor f'4 as c as bes2 as4 g c2 bes f1 as4 c es es f2 es4 des c1 d2 e s8_"//" } \layout{indent=#0 line-width=#120 \context{\Staff \magnifyStaff 0.9}} } \score{<<\main \acco>> \midi{\tempo 4=132}}$

Radio Moscow

Песня о Родине ("Wide Is My Motherland")

$\header{tagline = ##f} % https://www.intervalsignals.net/sounds/rus-vgtrk_motherland_is_121212.mp3 main = {\partial 4 d''8 d g4. fis8 e fis g a g4 d2} acco = {\partial 4 s4 b2 c b2.} \score{\relative{\key g \major \main}} \score{ \relative{ \set Staff.midiInstrument = "electric piano 1" \key g \major <<\main \\ \acco>> } \midi{\tempo 4 = 60} }$

Radio Moscow

BBC World Service: Trumpet version of Oranges and Lemons; first four notes of Symphony No. 5 by Beethoven, played on timpani; Lillibullero (signature tune).^[19]

BBC - Oranges and Lemons

$\header{tagline=##f} % https://www.intervalsignals.net/sounds/ukg-bbcws_lillibolero_230799.mp3 common = {\key g \major \time 6/4} mainA = \relative{ \repeat volta 2{ g'4.-_ a8-. g4-. b2-_ 4-. a4.-_ b8-. a4-. c2.-_ b4-. d-. g,-. c2-_ b4-. a-. g-. fis-. g2.-_ }} main = {\set Staff.midiInstrument = "trumpet" \common \mainA s8_"//"} acco = << \new Staff{ \set Staff.midiInstrument = "clarinet" \common \transpose c c' \mainA } \new Staff \relative{ \set Staff.midiInstrument = "string ensemble 1" \set midiMaximumVolume = #0.9 \clef bass \common \repeat volta 2{ <g, b' d>4 r r <e g' d'> r r <a c' e> r r <d, a'' fis'> r r <g b' g'> r r <c, g'' e'> r r <d fis' d'> r r <g g' b> r r } } >> \score{{\omit Script \main} \layout{indent=0 line-width=120}} \score{\unfoldRepeats <<\main \acco>> \midi{\tempo 2.=106}}$

BBC - Lillibullero

World Christian Broadcasting (Alaska KNLS, Madagascar Madagascar World Voice (MWV)):

Chariots of Fire by Vangelis

KNLS (old) - Chariots of Fire

an unnamed tune by Jeff Brock^[20]^{[better source needed]}

$% KNLS https://www.intervalsignals.net/sounds/als-knls_anchor_point_ak_130724.mp3 % MWV https://www.intervalsignals.net/sounds/mdg-mwv_lightoflife_150416.mp3 \relative{\key f \major c'4. c'8~ 2~ 4. bes8~ 8 a g f c'4. f,8~ 2~ 1 s8_"//"} \midi{\tempo 4=130 \set Staff.midiInstrument = "electric piano 2"}$

KNLS/MWV - (an unnamed tune)

WYFR: First bars of To God Be the Glory by William Howard Doane

$\header{tagline=##f} % 0:05 https://www.intervalsignals.net/sounds/usa-z-wyfr_fl_290900.mp3 common = {\key bes \major \time 3/4 \partial 4} main = \relative{ \set Staff.midiInstrument = "trumpet" \common <<{ f'4-_ 2-_ g8.-_ a16 bes4-_ f-_ bes-_ c-_ f,-_ c'-_ d4 s4_"//" }\\ \magnifyMusic 0.6{ d,4-_ 2-_ es8.-_ c16 d4-_ f-_ f8-. g-. f4-_ 4-_ 4-_ f4 } >> } acco = \relative{ \set Staff.midiInstrument = "french horn" \clef bass \common <<{ bes4-_ 2-_ 8.-_ a16 bes4-_ 8-. a-. bes4-_ a4-_ 4-_ 4-_ bes4 }\\{ bes,4-_ 2-_ 4-_ bes,4-_ 8-. c-. d-. es-. f2-_ 4-_ bes,4 } >> } \score{{\omit Staff.Script \main}} \score{<<\main \new Staff \acco>> \midi{\tempo 4=118}}$

KNLS/MWV - (an unnamed tune)

Radio Yugoslavia (1980–1989):

Druže Tito, ljubićice bjela anonymous Partisan song, in various orchestral renditions.^[21]

$\header{tagline=##f} % 0:19 https://kawamura-photo.sakura.ne.jp/bcl/sound/yugo1990.mp3 common = {\key a \major \time 2/4} main = \relative{\common e''4 4 d8 e d4 cis8 8 b a b4 4~ \hideNotes 4.} acco = \relative<<{ \common cis''8 <e,> cis' q b q b q a a e e a fis <gis e>4~ 4. }\\{ a,2 gis fis e4. b'8 e,4. s8 }>> \score{\main} \score{<<\main \new Staff \acco>> \midi{\tempo 4=102 \set Staff.midiInstrument = "electric piano 1"} }$

Radio Yugoslavia

The Internationale

Radio Yugoslavia

Radio Yugoslavia, later International Radio of Serbia and Montenegro: 2nd verse of Svečana Pesma (sr:Свечана песма) by sh:Nikola Hercigonja

Radio Yugoslavia

Classical radio station WQXR-FM in New York City, during its ownership by The New York Times Company, played different variations of a classical infused gong with the ID read at the same time as "The Classical Station of the New York Times, WQXR, New York (And WQXR.com 2000–2009) ^{[citation needed]}

Numbers station interval signals

Numbers stations are often named after their interval signals, such as The Lincolnshire Poacher or Magnetic Fields after "Magnetic Fields Part 1" by Jean-Michel Jarre.

List of interval signals by station

Formerly used

Numbers station interval signals

References

Further reading

External links

Wikiwand - on