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Into the Straight

1949 film by T.O. McCreadie From Wikipedia, the free encyclopedia

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Into the Straight is a 1949 Australian horse racing melodrama directed by T. O. McCreadie.[2]

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Plot

The Curzons, an Australian horse racing family, are visited by an English horse trainer, Hugh Duncan, and his playboy son, Paul. Both men fall for June Curzon. However, after she is crippled in an accident Paul loses interest, and she realises she loves Hugh.

With Hugh's encouragement, June writes a piano concerto and learns to walk again. Her brother, the weak Sam Curzon, steals money from his father to pay gambling debts and allows Paul to take the blame. However, a horse secretly trained by Paul wins the Melbourne Cup.

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Cast

Production

Charles Tingwell also worked as a trainee to Alex Ezard.[3]

Shooting began in June 1948, on location in Scone, New South Wales, and at the studio of Commonwealth Film Laboratories in Sydney.[4] The Victoria Racing Club allowed a re-creation of the Melbourne Cup to be shot at Flemington Racecourse[5] and scenes were also filmed at Randwick Racecourse.[6] Several jockeys made cameos in the film, including Jack Purtell and George Moore.[7]

The film featured a piano concerto which took up several minutes of screen time.

Reception

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The film was well received in Perth but only had a short run in Sydney and Melbourne.[8]

Critical

The Sun Herald said the film "compares not unfavourably with many of the B-grade quickies successfully produced as cheap supporting films by Monogram and Pine-Thomas" and declared it "sticks pretty firmly to the story line and does not allow itself to be side-tracked and unbalanced by all sorts of amateurish irrelevancies" although "there is a very long patch in the middle where the producers seem to forget that they are making a racing film."[9]

The Newcastle Sun wrote "the script is faulty, but the main trouble is that too many thincs have been attempted. A pleasing feature, however, is the photography."[10]

The Bulletin declared, "In the parlance of that sport [horse racing], it could be said that while it would need a pretty hefty “sting” to make it a winner, it does, atHhe same time, run a fairly honest race under a big handicap and gives supporters a middling-fair run for their money."[11]

Variety called it "unsuited for the US" but felt it "might find a spot or two in the British provinces... Stud farm scenes are fine. Cast is adequate."[12]

Filmink later wrote "Steinbeck was the biggest name in the cast at the time, but it isn’t much of a role… and in hindsight that was a mistake. The filmmakers would have been better off building the movie around Steinbeck – either have her play the role of her daughter... or made her character the center of the action. But then, Australian cinema has traditionally demonstrated a poor understanding how best to exploit potential stars."[13]

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See also

References

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