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Jane Harrison (playwright)
Indigenous Australian playwright and writer From Wikipedia, the free encyclopedia
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Jane Harrison is an Aboriginal Australian playwright, novelist, literary festival director, and researcher. She is known for her 1998 play Stolen, which received critical claim and has toured nationally and internationally, and The Visitors, first produced in 2020. The Visitors has been developed as an opera and as a novel.
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Early life and education
Jane Harrison is a descendant of the Muruwari people of New South Wales, from the area around Bourke and Brewarrina.[1]
She grew up in the Dandenong Ranges in Victoria with her mother and sister, and began her career as an advertising copywriter.[1]
Plays
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Stolen
Stolen premièred in 1998 at Playbox (now Malthouse Theatre) in Melbourne, directed by Wesley Enoch.[citation needed] It was followed by seven annual seasons in Melbourne, plus tours to Sydney, Adelaide, regional Victoria, Tasmania, the United Kingdom (twice), Hong Kong and Tokyo, with readings in Canada, New York City, and Los Angeles.[citation needed] In Sydney, it was performed at the Sydney Theatre Company, directed by Wayne Blair.[citation needed]
Stolen is a play about the lives of five Indigenous Australian people from the Stolen Generations.[2] For Stolen Harrison was awarded the Australian Writers' Guild AWGIE Nomination, was co-winner of the Kate Challis RAKA Award, and received an Honourable Mention in the CACS National Awards Individual Category for An Outstanding Contribution to Australian Culture.[citation needed] Stolen has been studied on the Victorian Certificate of Education and New South Wales Higher School Certificate English and drama syllabi.[citation needed] Australian Book Review called the play "a contemporary classic".[3]
Sydney Theatre Company staged a new production of Stolen in its 2024 season, directed by Ian Michael.[4]
Rainbow's End
Rainbow's End premiered in 2005, and toured Melbourne, Sydney, regional Australia, and Japan in 2007, and has had numerous subsequent productions.[citation needed] Harrison was awarded the Drover Award (Tour of the Year) and a Helpmann Awards nomination for Best Regional Touring Production.[citation needed] It has been studied on the New South Wales Higher School Certificate and is currently on the Victorian Certificate of Education English syllabus.[citation needed] Rainbow's End tells the simple, yet convoluted story of three generations of First Nations women; young Dolly, her mother the happy-go-lucky Gladys, and the wise and stern Nan Dear, living in their shanty perched on the flats of the Goulburn River in 1950s regional Victoria. The play was initially directed by Wesley Enoch.[5]
On a Park Bench
On a Park Bench was created through workshops at Playbox and the Banff playRites Colony in 2002. The play was a finalist in the Lake Macquarie Drama Prize.[2]
Blakvelvet
Blakvelvet won the 2006 Theatrelab Indigenous Award.[2]
The Visitors
The Visitors was initially workshopped at the Yellamundie Festival in 2013, before a development at the Melbourne Theatre Company Cybec Electric series / Melbourne Indigenous Festival in 2014, directed by Leah Purcell.[6] The Visitors re-imagines the arrival of the First Fleet on Gadigal country from the perspective of seven elders meeting on the shores of the harbour.[7]
The Visitors premiered as a full production in January 2020 as part of the Sydney Festival. It was awarded the prize for Best New Australian Work, 2022 Sydney Theatre Awards, and was shortlisted for the Nick Enright Prize for Playwriting at the 2021 New South Wales Premier's Literary Awards.[8]
Sydney Theatre Company and Moogahlin Performing Arts produced a second production of The Visitors at the Sydney Opera House in September / October 2023, directed by Wesley Enoch.[9] This production won the 2023 Sydney Theatre Awards for Best Mainstage Production, and Best Ensemble, and went on to tour regional Australia in 2024.[10]
Victorian Opera commissioned Harrison to collaborate with composer Christopher Sainsbury to develop an operatic version of The Visitors, staged at Arts Centre Melbourne in October 2023.[11]
The opera was listed on the Victorian Certificate of Education 2023 curriculum.[12]
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Novels and short stories
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The Visitors
The narrative arc presented in Harrison's play The Visitors is reconceptualized as a literary novel, also called The Visitors, published by HarperCollins in 2023.[citation needed] The novel was named Debut Fiction book of the year in the 2024 Indie Book Awards.[citation needed]
Becoming Kirrali Lewis
Harrison's novel, Becoming Kirrali Lewis, won the State Library of Queensland 2014 black&write! Indigenous Writing Fellowship, was shortlisted in the Prime Minister's Literary Awards 2016, and was Highly Commended in the Victorian Premier's Literary Awards 2016.[citation needed] Becoming Kirrali Lewis is a coming-of-age teen fiction novel about the search by Stolen Generations member Kirrali Lewis for her biological parents, which turns stereotypes on their heads. Becoming Kirrali Lewis was published by Magabala Books in 2015.[citation needed]
Born, Still
Short story, Born, Still, was published by the State Library of Queensland in Writing Black: New Indigenous Writing from Australia, launched in May 2014, and in the anthology Flock published by University of Queensland Press in 2021.[citation needed] Born, Still is a gentle reflection on the death of a daughter before birth.[citation needed]
Born, Still was subsequently re-worked as a play, workshopped at the National Play Conference in 2018 with a reading at the Melbourne Writers Festival also in 2018.[citation needed]
First Nations Monologues
First Nations Monologues (edited by Harrison) is an anthology of 30 contemporary First Nations playwrights’ most notable theatrical monologues. Published by Currency Press in 2023, it pays homage to the diverse perspectives that resonate throughout Australia.[citation needed]
Little J & Big Cuz
Harrison has written for Little J & Big Cuz, an Australian First Nations animated television series first screened on the NITV network and subsequently on ABC television. The series won the 2018 Logie Award for Most Outstanding Children's Program.[13]
Healing our communities, healing ourselves
Harrison confessed in 2010 to her own struggles with mental health in an essay published in the Medical Journal of Australia. At a time when mental health was a career-ending stigma, she did so as a platform for talking about First Nations' mental health more broadly. Harrison's essay Healing Our Communities, Healing Ourselves[14] argued that First Nations people faced the dual challenge of transgenerational trauma and its associated impact on mental health, in parallel with the more widely acknowledged structural barriers. She argued "a healthy First Nations person and community represents best practice" but that "we First Nations workers travel a parallel journey, working to improve our community's wellbeing, while sometimes struggling with our own".[citation needed] In recognition of her contribution to mental health awareness the Medical Journal of Australia awarded Harrison the Dr Ross Ingram Essay Prize.[citation needed]
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Other works
Harrison created and led Blak & Bright - First Nations Literary Festival[15] in Naarm (Melbourne) from its inception in 2015 in the role of artistic director / CEO until August 2024.[citation needed] Blak & Bright is a bi-annual four-day festival celebrating the diverse expressions of First Nations story-tellers, the only major First Nations literary festival in Australia.[citation needed]
"Indig-curious; Who can play Aboriginal roles?" (2012) explores the issues raised by Aboriginal identity in theatre. The essay was derived from Harrison's University of Queensland Masters Exegesis.[citation needed]
Harrison contributed a chapter to Many Voices, Reflections on experiences of Indigenous child separation, which was published in 2002 by the National Library of Australia, Canberra. This work was also related to the theme of the Stolen Generations.[2]
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Awards
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References
External links
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