Top Qs
Timeline
Chat
Perspective
Jazz Messages
1957 studio album by Art Blakey, Clifford Brown From Wikipedia, the free encyclopedia
Remove ads
Jazz Messages is a 1957 LP re-issue and compilation of tracks by (i) the Clifford Brown Ensemble and (ii) The Jazz Messengers with Art Blakey. It was released on Jazztone Records (catalog #J-1281).
Comments
"Ritual" – For the purpose of improving his art, Blakey, in 1947, worked his way over to Nigeria on a ship, and, while there, visited, Ghana. He stayed for a little over a year. Later, in the New York Jazz scene, Blakey became influential in raising awareness of African-based percussion. Among other things, he composed "Ritual" out of inspiration from his experiences in Africa.[1] Jazz critic Norman Weinstein opined that "Ritual" was one of several projects where Blakey showed an interest in African diasporic musical connections, expressed in "quasi-Afro-Cuban and Afro-Caribbean terms."[2]
"Daahoud," sometimes spelled "Dawud," means "David" in Arabic. Brown named the composition after Talib Dawud, a trumpet-playing acquaintance – with Dizzy and Lee Morgan – in Philadelphia from the early 1950s.
Brown, on June 26, 1954, married LaRue Anderson (maiden; 1933–2005).[i] He called her "Joy Spring," and, in her honor, composed a piece in her name in 1954. They had been introduced by Max Roach.
Remove ads
Track listing
- Jazztone re-issue
––––––––––––––––––––
––––––––––––––––––––
- Original releases
- Personnel
- Clifford Brown – trumpet
- Stu Williamson – valve trombone
- Zoot Sims – tenor sax
- Bob Gordon – bari sax
- Russ Freeman – piano
- Joe Mondragon – bass (August 12 session)
- Carson Smith – bass (September 8 session)
- Shelly Manne – drums
Remove ads
Personnel
- Jackie McLean – alto sax
- Bill Hardman – trumpet
- Sam Dockery – piano
- Spanky DeBrest – bass
- Art Blakey – drums
Notes and references
Additional reading
Wikiwand - on
Seamless Wikipedia browsing. On steroids.
Remove ads