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Jeneen Frei Njootli

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Jeneen Frei Njootli
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Jeneen Frei Njootli (born 1988)[2] is an interdisciplinary Vuntut Gwitchin artist known primarily for their work with sound and textiles, performance, fashion, workshops, and barbeques.

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Work

Njootli is a co-creator of the ReMatriate Collective, a group working toward better representation of Indigenous women in the media.[3][4]

As one of the five finalist of the 2018 Sobey Art Award, Njoottli's work, wind sucked in through bared teeth (2017) is included in an eponymous exhibition featuring the finalists at the National Gallery of Canada.[5]

In 2016, Njootli completed the Media Arts Residency at the Western Front, an artist-run centre in Vancouver.[6]

Njootli has worked on several projects and presentations with artist Olivia Whetung. Whetung wrote Fugitive Dust to accompany Njootli’s solo exhibition I Can’t Make You Those Mitts Because There Is a Hole in My Heart and My Hands Hurt (2018).[7]

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Education

In 2017, Njootli earned an M.F.A from the University of British Columbia.[8] In 2016, Njootli completed the Earth Line Indigenous Tattoo training residency.[9]

Performance

2018

2016

2015

  • La Pocha Nostra, Live Biennale with La Pocha Nostra at VIVO, Vancouver BC [14]
  • Native Stories: Sounds, Stories & Shadows with James Luna, Live Biennale at VIVO, Vancouver BC [15]
  • She Showed Me What I Had Done, or What I Had Been Doing, Macaulay Co. & Fine Art, Vancouver BC [16]
  • Artist Talk and Performance at Audain Gallery, Super Cool Tuesdays, Vancouver BC [17]

2014

Awards and honours

In 2018, Njootli was the Sobey Art Award Finalist for the West Coast and Yukon categories.[19] In 2017, Njootli was also longlisted for the Sobey Art Award for the West Coast and Yukon categories,[20] and in the same year, awarded the Contemporary Art Society of Vancouver's Artist Prize.[21] In 2016, Njootli was awarded the Hnatyshyn Foundation, William & Meredith Saunderson Prize for Emerging Canadian Artist Lectures, Workshops & Curating.[22]

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See also

References

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