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Joan of Arc (2019 film)

2019 film From Wikipedia, the free encyclopedia

Joan of Arc (2019 film)
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Joan of Arc (French: Jeanne) is a 2019 French drama film directed by Bruno Dumont and starring Lise Leplat Prudhomme.[1] It is the sequel to Jeannette: The Childhood of Joan of Arc (2017).[2] It was screened in the Un Certain Regard section at the 2019 Cannes Film Festival.[3]

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Plot

After her triumph against the English army, Joan of Arc is captured by the Burgundians. She is put on trial for heresy.

Cast

  • Lise Leplat Prudhomme as Jeanne
  • Jean-François Causeret as Monseigneur Pierre Cauchon
  • Daniel Dienne as Maître Thomas de Courcelles
  • Fabien Fenet as Maître Nicolas L'Oiseleur
  • Robert Hanicotte as Messire Jean d'Estivet
  • Yves Habert as Maître William Haiton
  • Fabrice Luchini as Charles VII of France
  • Christophe as Maître Guillaume Evrard
  • Julien Manier as Gilles de Rais

Release

The film had its premiere in the Un Certain Regard section at the 2019 Cannes Film Festival[4] on 18 May 2019.[5][6] It was released in France on 11 September 2019.[7]

Reception

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Critical reception

On review aggregator website Rotten Tomatoes, the film holds an approval rating of 57% based on 35 reviews, with an average rating of 5.9/10. The website's critics consensus reads: "Joan of Arc (Jeanne) definitely offers a different take on this oft-told tale, although it isn't always able to deliver absorbing drama."[8] On Metacritic, which assigns a normalized rating to reviews, the film has a weighted average score of 50 out of 100, based on eleven critics, indicating "mixed or average reviews".[9]

Peter Bradshaw of The Guardian gave the film 2 out of 5 stars, writing, "I found this film ultimately exasperating: not quite funny enough to be funny, or serious enough to be serious, or passionate enough to be about the passion of Joan of Arc."[10] Sam C. Mac of Slant Magazine praised Lise Leplat Prudhomme's performance, commenting that she "gives an extraordinarily committed, and convincing, performance as the teenaged Joan."[11] Guy Lodge of Variety wrote, "Imposing by any generational measure, Prudhomme's fervid, unflinching performance puts some blood and guts into an otherwise stony, hyper-measured exercise."[12]

Accolades

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References

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