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John Proctor Is the Villain
2022 stage play by Kimberly Belflower From Wikipedia, the free encyclopedia
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John Proctor is the Villain is a stage play written by American playwright Kimberly Belflower. The play is a revisionist take on the American classic play The Crucible by Arthur Miller, centering on a group of modern-day high school students and their interpretation of the historical events the play is based on.[1]
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Summary
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John Proctor is the Villain is set in a high-school classroom in a small, rural Georgia town in 2018.[2] Carter Smith is the English teacher for several 11th-graders—the straight-A student Beth, the new transfer student Nell, the wealthy girl Ivy, the pastor's daughter Raelynn, the slightly awkward Mason, and Raelynn's boyfriend Lee.[3][4][5] Mr. Smith assigns the students the play The Crucible, the protagonist of which is John Proctor, who was convicted of witchcraft during the Salem witch trials.[3][5] Beth forms the school's feminist club, with Mr. Smith as its sponsor.[5] Tensions rise when Raelynn's estranged friend Shelby returns to school after a prolonged absence.[4][2] During the semester, Ivy's father is accused of sexual harassment during the #MeToo movement,[5] a source of controversy in the small town[2], causing her to withdraw from the club. Lee tries to repair his relationship with Raelynn (having cheated on her with Shelby).[3] Miss Gallagher, the school's guidance counselor, mediates various issues between Mr. Smith and the students.[5] Over the course of the year, the class discusses The Crucible's themes of power, gender inequality, and female sexuality. In a tense class period, Shelby loudly disagrees with Mr. Smith's insistence that John Proctor is a good man, and admits to everyone that she had been having sexual intercourse with Mr. Smith over the last year.
The accusation causes waves throughout the town. Despite her feminist ideals, Beth deeply admires Mr. Smith and is reluctant to believe Shelby, further straining relations among the girls. Nell and Mason grow closer, but Mason insults Shelby's perceived promiscuity, causing her to take off. Raelynn, her reluctant assigned partner for an interpretative project based on the play, follows her and the two reconcile.[5] Shelby admits that Mr. Smith's abuse of power had left her feeling vulnerable, which is why she slept with Lee. Mr. Smith is allowed to continue teaching and turns his attentions to Beth. On the day of the project presentation, Ms. Gallagher notes rumors of Mr. Smith's predatory behavior. Raelynn and Shelby, acting as Elizabeth Proctor and Abigail Williams from the play, imagine a world where their actions are not defined by the men in their lives. They begin dancing, echoing Abigail's dance in the woods. Mr. Smith angrily attempts to stop the performance, but the girls' cathartic dance is supported by Nell, Mason, and Ms. Gallagher.
John Proctor is the Villain includes several songs by pop artists such as Lorde and Taylor Swift.[5] In some productions, these songs are performed in between scenes, as well as before the first scene and during the last scene.[6] The Broadway production used ominous sounds and flickering lights to denote the transitions between each scene.[7][8] Belflower received permission to use excerpts from The Crucible from Arthur Miller's estate.[4][9]
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Notable casts
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Production history
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Washington, D.C. (2022)
The play was originally commissioned by The Farm Theater for their College Collaboration Project and first workshopped in 2018 and 2019 at three colleges within their theatre departments: Centre College in Danville, Kentucky,[10] Furman University in Greenville, South Carolina,[11] and Rollins College in Winter Park, Florida.
The final version of the play was first produced by the Studio Theatre in Washington D.C in 2022, running from April 27 until June 5, directed by Marti Lyons.[12] Since then, it has been performed by various small theaters and colleges in the DMV area, including Georgetown University's Mask and Bauble Dramatic Society in 2023, until its Broadway premiere in 2025.[13]
Boston (2024)
In 2024, another production was staged at the Huntington Theatre Company in Boston, running from February 8 until March 10, directed by Margot Bordelon.[14] The Boston production was nominated for six Elliot Norton Awards, winning Outstanding Play, Large and Outstanding Ensemble.
Broadway (2025)
The play premiered on Broadway in 2025, directed by Danya Taymor and starring Sadie Sink. Previews began on March 20, 2025, with an opening date of April 14, 2025 at the Booth Theatre.[15] The show opened to positive reviews and received seven Tony Award nominations, including Best Play.[16] Before the play officially opened, its run was extended by two weeks to July 6,[17] then by another week to July 13.[17][18] That June, the play's run was extended again to August 31,[19] with Chiara Aurelia replacing Sink in the role of Shelby Holcomb after July 13.[20][21]
Reception
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Of the Broadway production, New York Times theatre critic Jesse Green wrote that Belflower "smartly keeps the play from becoming a polemic by moving on several tracks at once" by combining such elements as "pure high school comedy", pop music, and feminist interpretations of classic works.[4] Reviewers for AmNewYork and Vulture wrote that John Proctor Is the Villain was particularly relevant during the second U.S. presidency of Donald Trump, during which references to diversity, equity, and inclusion initiatives were being discouraged by the U.S. government.[3][22] A reviewer for Variety wrote that John Proctor Is the Villain interpreted The Crucible through a feminist lens, "demonstrating the power of feminine solidarity and rage",[5] a sentiment shared by an Entertainment Weekly critic.[7] Another reviewer for The Hollywood Reporter called the storyline "a poignant story of girlhood and empowering friendships".[2] Conversely, a writer for TheWrap described the short scenes as characteristic of novice playwrights,[8] and a New York Daily News writer said: "I wish "John Proctor" made its very fair point about girls forging their own narratives with more ambivalence and less certitude."[23]
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Awards and nominations
2023 Original production
2024 Boston production
2025 Broadway production
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Film adaptation
On July 18, 2025, it was announced that after successfully outbidding other studios for the rights, Universal Pictures will turn the play into a feature film, with Belflower penning the screenplay and Sadie Sink returning as an executive producer. Producing the film are Tina Fey, Eric Gurian, Marc Platt, Adam Siegel and Jared LeBoff.[32]
References
External links
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