Kasi Lemmons
American actress and director From Wikipedia, the free encyclopedia
Kasi Lemmons (/ˈkeɪsi/;[2] born Karen Lemmons, February 24, 1961) is an American film director, screenwriter, and actress. She made her directorial debut with Eve's Bayou (1997), followed by Talk to Me (2007), Black Nativity (2013), Harriet (2019), and Whitney Houston: I Wanna Dance with Somebody (2022).[3] She also directed the Netflix limited series Self Made (2020), and an episode of ABC's Women of the Movement (2022).
Kasi Lemmons | |
|---|---|
| Born | Karen Lemmons February 24, 1961[1] |
| Occupation(s) | Actress, film director, writer |
| Years active | 1979–present |
| Spouse | |
| Children | 4, including Henry Hunter Hall |
She is also known as an actress having started her career with roles in commercials with McDonald's and Levi's. She made her film debut in Spike Lee's School Daze (1988). She continued acting in Vampire's Kiss (1989), The Silence of the Lambs (1991), and Candyman (1992). She was described by film scholar Wheeler Winston Dixon as "an ongoing testament to the creative possibilities of film".[4]
Lemmons was born in St. Louis, Missouri, the daughter of Dorothy Othello (née Stallworth) and Milton Francis Lemmons.[5] Her father was a biology teacher and her mother was a counselor who later became a psychologist.[6] In a 2021 episode of Finding Your Roots, Lemmons learned that her third-great-grandfather was transported to the United States from Africa in the early-19th century, and that she was a distant relative of actor Kevin Bacon.[5]
Her parents divorced when she was eight years old. Her mother moved the family to Newton, Massachusetts, because her mother wanted to go to Harvard to get her doctorate in education.[6] Her mother remarried when Lemmons was nine.[7] Lemmons attended Commonwealth School, a private high school in Boston. In the summers, she attended the New York University's School of Drama's Circle in the Square Program, which trained children who wanted to be professional actors. Through this program, she gained access to the studios of professional actors such as Lee Strasberg and Stella Adler.[6] Alongside her early interest in movies and acting, Lemmons also harbored an interest in directing.[8]
As well as attending New York University's Tisch School of the Arts, UCLA and The New School of Social Research Film Program, Lemmons was awarded an Honorary Degree, Doctor of Humane Letters, from Salem State College in 1998.
Acting
In 1979, Lemmons made her acting debut in the television movie 11th Victim (1979). She performed with the Boston Children's Theater and later attended New York University's Tisch School of the Arts but transferred to UCLA to major in history. She eventually left UCLA and enrolled in the film program at the New School for Social Research.[9] As a young child, she got her first role on TV on a local soap opera called You Got a Right, a courtroom drama. She played the first and only black girl who integrated to an all-white school.[10] Her acting credits include episodic parts on shows like As the World Turns, Murder, She Wrote, The Cosby Show or ER and films such as Spike Lee's School Daze (1988), Vampire's Kiss (1988), the Academy Award winner for Best Picture The Silence of the Lambs (1991), Candyman (1992), Hard Target (1993), Fear of a Black Hat (1993), Gridlock'd (1997) and 'Til There Was You (1997).[citation needed]
Filmmaking
In 1997, Lemmons directed the film Eve's Bayou starring Samuel L. Jackson, Lynn Whitfield, Debbi Morgan, Diahann Carroll, and Jurnee Smollett.[11] Lemmons began writing the screenplay for Eve's Bayou in 1992. It was the first screenplay she had written by herself. To convince studios that she could direct Eve's Bayou, she filmed Dr. Hugo, a short film based on a section of the script of Eve's Bayou.[6] Eve's Bayou was well-received among critics (currently holding an 80% rate of approval on review aggregator site Rotten Tomatoes[12]) and won Lemmons an Independent Spirit Award for Best First Feature as well as a National Board of Review award for Outstanding Directorial Debut.[citation needed] It was the highest-grossing independent film in 1997.[13]
In 2001 she directed Jackson again in The Caveman's Valentine[9] about a schizophrenic homeless man trying to solve a murder mystery.[14] In 2002 Lemmons conceived and helmed the tribute to Sidney Poitier for the 74th Annual Academy Award show. Shortly afterwards it was announced that Lemmons would direct The Battle of Cloverfield, a supernatural thriller, from her own script for Columbia Pictures.[9]
In 2007, she directed Talk to Me that was centered around the television personality and activist Ralph Waldo "Petey" Greene Jr., played by Don Cheadle.[15] For the film, Lemmons received the NAACP Image Awards for Outstanding Directing in a Motion Picture and was named as Best Director by the African-American Film Critics Association.[16] In a 2007 interview with FF2 Media's Jan Lisa Huttner, Lemmons said Talk to Me "became a film about a time when change was possible and even revolution was possible. We didn't know what was going to happen. It was a very devastating time and a very frightening time, but it was alive. It was alive."[17]
Lemmons adapted the Broadway musical Black Nativity and filmed it in 2013. It starred Academy Award winners Forest Whitaker and Jennifer Hudson, as well as Academy Award nominee Angela Bassett.[18]
Lemmons's 2019 film Harriet, a biographical film about Harriet Tubman, premiered at the Toronto International Film Festival. Its star, Cynthia Erivo, was nominated for an Academy Award.[citation needed] Lemmons said to the Los Angeles Times about her research for Harriet: "All the elements of a great adventure film are right there in the Harriet Tubman story. It's about a woman who was running a whole lot of her life so action did not have to be imposed. It's inherent. The jeopardy, the movement, the courage, that's all inherent and we wanted to let that play out on screen because we need our female hero stories. This one is about a tiny black woman who did incredible things."[citation needed]
In August 2021, Lemmons was brought on to direct Whitney Houston: I Wanna Dance with Somebody, a Whitney Houston biopic for Sony Pictures, Compelling Pictures and Muse of Fire Productions from a script by Bohemian Rhapsody scribe Anthony McCarten.[19]
Lemmons explained during an interview that she considered writing to be central to her task as a director: "I've been writing scripts all the time, pretty much every day for fourteen years.... I have to write scripts, because that's the only way I can write parts that will get a lot of people whom I really want to work with involved."[20]
Teaching
Lemmons has worked extensively as a mentor and educator. She has been a board member of Film Independent and has contributed to Film Independent's Filmmaker Labs as a speaker and moderator. She also continues to serve as an advisor to the Sundance Screenwriter and Filmmaker Labs. Guest lecturing and speaking engagements include Yale University, Columbia Film School, MIT, UCLA, USC, The Los Angeles Film School and The University of Pristina Film School in Kosovo. Kasi was Vassar College's 2008 Artist in Residence and in the 2010–2011 academic year, Lemmons was the UCLA Regents’ Lecturer in the School of Theater, Film & Television. She was also the leader/moderator of the AFI curriculum's core class, Narrative Workshop.[13]
She is an Associate Arts Professor at New York University's Tisch School of the Arts.[13]
Opera
Lemmons adapted the novel Fire Shut Up in My Bones by Charles Blow into an opera libretto for the composer Terence Blanchard. It was premiered by the Opera Theatre of Saint Louis on June 15, 2019, and opened the 2021–2022 Metropolitan Opera season, becoming that institution's first opera by an African-American composer.[21]
Lemmons has been married to actor and director Vondie Curtis-Hall since 1995. The couple have four children, including actor Henry Hunter Hall.[22]
Lemmons says she is primarily an artist: "I don't wake up every day saying I'm a black woman because it's too given, but I wake up every day feeling like an artist and I feel I'm an artist".[23]
As director
| Year | Title | Notes |
|---|---|---|
| 1996 | Dr. Hugo | short film |
| 1997 | Eve's Bayou | |
| 2001 | The Caveman's Valentine | |
| 2007 | Talk to Me | |
| 2013 | Black Nativity | |
| 2019 | Harriet | |
| 2020 | Self Made: Inspired by the Life of Madam C.J. Walker | Miniseries; 2 episodes |
| 2022 | Women of the Movement | Episode: "The Last Word" |
| 2022 | Whitney Houston: I Wanna Dance with Somebody |
As actress
| Year | Title | Role | Notes |
|---|---|---|---|
| 1985 | Spenser for Hire | Lydia Wilson | Episode: "Resurrection" |
| 1988 | The Equalizer | Zandili | Episode: "Day of the Covenant" |
| 1988 | School Daze | Perry | |
| 1988 | Vampire's Kiss | Jackie | |
| 1989 | A Man Called Hawk | Lois | |
| 1991 | The Silence of the Lambs | Ardelia Mapp | |
| 1991 | The Five Heartbeats | Cookie | |
| 1992 | Candyman | Bernadette "Bernie" Walsh | |
| 1993 | Fear of a Black Hat | Nina Blackburn | |
| 1993 | Murder, She Wrote | Paula Raynor | Episode: "The Survivor" |
| 1993 | Hard Target | Det. Marie Mitchell | |
| 1993 | Walker, Texas Ranger | Diane Warren | Episode: "Night of the Gladiator" |
| 1994 | Override | Short film | |
| 1994 | Drop Squad | June Vanderpool | |
| 1995 | Zooman | Grace | Television film |
| 1997 | Gridlock'd | Madonna | |
| 1997 | 'Til There Was You | Angenelle | |
| 1997 | Liars' Dice | Teresa | |
| 2002 | ER | Chemo Tech | Episode: "It's All In Your Head" |
| 2006 | Waist Deep | Angry Black Woman | |
| 2012 | Disconnect | Roberta Washington | |
| Year | Award | Category | Nominee | Result |
|---|---|---|---|---|
| 1997 | NBR Award | Outstanding Directorial Debut | Eve's Bayou | Won |
| 1998 | Black Film Award | Best Director | Won | |
| Independent Spirit Award | Best First Feature (Shared with Samuel L. Jackson (producer), Caldecot Chubb (producer)) | Won | ||
| OFTA Film Award | Best First Feature Film | Nominated | ||
| Palm Springs International Film Festival | Director's Achievement Award | Herself | Won | |
| 2007 | AAFCA Award | Best Director | Talk to Me | Won |
| EDA Special Mention Award | Best Leap from Actress to Director | Nominated | ||
| EDA Film Focus Award | Best Woman Director | Nominated | ||
| WFCC Award | Best Movie by a Woman (Tied with Sarah Polley for Away from Her (2006)) | Won | ||
| 2008 | Image Award | Outstanding Directing in a Motion Picture (Theatrical or Television) | Won | |
| 2014 | Hollywood Award | Best Screenplay | Black Nativity | Nominated |
| Black Reel | Outstanding Screenplay (Adapted or Original), Motion Picture | Nominated | ||
| 2019 | Black Film Critics Circle[24] | Best Director | Harriet | Won |
| Best Picture | Nominated | |||
| Mill Valley Film Festival | Mind the Gap Award | Won | ||
| Philadelphia Film Critics Circle Awards | Elaine May Award | Won | ||
| Women Film Critics Circle Awards | Best Movie by a Woman | Won | ||
| Josephine Baker Award | Won | |||
| Karen Morley Award | Won | |||
| 2020 | AARP Movies for Grownups Awards | Best Screenwriter | Nominated | |
| Black Reel | Outstanding Director | Nominated | ||
| Image Award | Outstanding Directing in a Motion Picture (Film) | Nominated | ||
| Outstanding Writing in a Motion Picture (Film) | Nominated | |||
| Outstanding Motion Picture | Nominated | |||
- Alexander, George. Why We Make Movies: Black Filmmakers Talk About the Magic of Cinema. Harlem Moon. 2003. ISBN 0767911814
- Hurd, Mary G. Women Directors and their Films, Praeger Publishers, 2007. ISBN 0275985784
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