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Kate Brasher

American drama television series From Wikipedia, the free encyclopedia

Kate Brasher
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Kate Brasher is an American drama television series created by Stephen Tolkin, that was broadcast on CBS from February 24 until April 14, 2001. It premiered at 9:00pm ET/PT on Saturday, February 24, 2001 and was cancelled after six episodes.

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Overview

The title character was the single mother of teenaged sons Daniel and Elvis living in Santa Monica, California. Facing a financial crisis, she seeks legal advice at Brothers Keepers, an inner city community advocacy center, and is offered a job as a social worker. Her co-workers include attorney Abbie Schaeffer and Joe Almeida, the organization's street-smart director, who founded it after his daughter was killed in gang crossfire.

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Cast

Among those actors making guest appearances during the series' short run were K Callan, Dennis Christopher, Paul Dooley, Mariette Hartley, Josh Hopkins, Carl Lumbly, Spencer Breslin, David Naughton and Mackenzie Phillips.[1]

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Development and production

Series creator Stephen Tolkin based the character of Almeida on Rabbi Mark Borovitz, an ex-convict and alcoholic who became the spiritual leader of Gateways Beit T'Shuvah, a residential treatment center for Jews in recovery from alcohol and drug addiction. The two men met when Tolkin contacted the rabbi for help with a friend who was dealing with substance abuse.[2]

Although set in Santa Monica, California, the series was shot on location in San Diego, California.

Episodes

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Critical reception

Anita Gates of the New York Times said the series "has an appealing cast and doesn't insult viewers' intelligence most of the time. But the main characters - who are 100 percent good and face off against people who are 100 percent bad - always seem to be making self-righteous speeches . . . There's nothing wrong with inspiring little speeches that make audiences cheer. It was always a pleasure to see Dixie Carter get carried away with one of hers on Designing Women. But the speeches have to say something in a fresh way, and even Ms. Carter's orations got old once the show's writers became so self-conscious about them.

Kate Brasher is trying too hard . . . to be quirky . . . to create a noisy ER-ish atmosphere of hustle, bustle, chaos and crisis, . . . [and] to be simultaneously uplifting and cynical."[4]

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References

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