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Linda Dalrymple Henderson

American art historian From Wikipedia, the free encyclopedia

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Linda Dalrymple Henderson (born 1948)[1] is an American art historian, educator, and curator. Henderson is currently the David Bruton, Jr. Centennial Professor in Art History Emeritus at the University of Texas at Austin.[2] Her research focuses on modern art, specifically twentieth-century American and European art.[3]

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Career

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Henderson entered Dickinson College planning to study mathematics, but graduated in 1969 with a Bachelor of Arts in Art History.[3] She then continued on to Yale University to receive a Master of Arts in 1972 and a Doctor of Philosophy in 1975, both in Art History.[4] Henderson wrote a doctoral dissertation focused on the fourth dimension in art, which was written under the supervision of Robert L. Herbert.[5]

Beginning in her final years at Yale, Henderson held the position of Curator of Modern Art at the Museum of Fine Arts, Houston, from 1974 to 1977. A year later, she joined the faculty of the University of Texas at Austin, where she would remain for the rest of her career.[2] In 2021, Henderson retired from the school as the David Bruton, Jr. Centennial Professor in Art History Emeritus.

In 1988, Henderson was awarded a Guggenheim Fellowship.[6] In 1999, the University of Texas gave her their Robert W. Hamilton Book Award for her text on the artist Marcel Duchamp.

In 2008, Henderson curated an exhibition titled "Reimagining Space: The Park Place Gallery Group in 1960s," which focused on the Park Place Gallery, and was shown at the University of Texas at Austin's Blanton Museum of Art.

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Books

Author

  • The Fourth Dimension and Non-Euclidean Geometry in Modern Art (Princeton University Press, 1983; enlarged ed., MIT Press, 2014)[7]
  • Duchamp in Context: Science and Technology in the Large Glass and Related Works (Princeton University Press, 1998)[8]
  • Reimagining Space: The Park Place Gallery Group in 1960s New York (exhibit catalog, Jack S. Blanton Museum of Art, 2008)[9]

Editor

  • From Energy to Information: Representation in Science and Technology, Art, and Literature (with Bruce Clarke, Stanford University Press, 2002)[10]
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