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List of compositions by Frank Bridge
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Below is a sortable list of compositions by Frank Bridge. The works are categorized by genre, Hindmarsh catalogue[1] number (H.), date of composition and title. Revised references published in Frank Bridge: The Complete Works, 2016 are given in brackets [see below].
More information Genre, H. ...
| Genre | H. | Date | Title | Scoring | Notes |
|---|---|---|---|---|---|
| Chamber music | 1 | 1900 | Piano Trio No.1 in D minor | for violin, cello and piano | |
| Chamber music | 2 | 1900 | Romance: Une Lamentatione d'amour | for violin and piano | |
| Chamber music | 3 | 1900 | String Quartet in B♭ major | for 2 violins, viola and cello | |
| Chamber music | 4 | 1900 | 3 Dances
| for violin or cello and piano | revised 1911 |
| Vocal | 5 | 1901 | Sonnet: When Most I Wink | for voice and piano | words: Sonnet 43 by William Shakespeare |
| Chamber music | 6 | 1901 | Scherzo Phantastick | for 2 violins, viola and cello | |
| Chamber music | 7 | 1901 | String Quintet in E minor | for 2 violins, 2 violas and cello | |
| Chamber music | 8 | 1901 | Berceuse in B♭ major | for violin or cello and piano | |
| Concertante | 8 | 1901 | Berceuse in B♭ major | for violin and string orchestra | original for violin or cello and piano |
| Orchestral | 8 | 1901 | Berceuse in B♭ major | for small orchestra | original version for violin or cello and piano |
| Piano | 8 | 1901 | Berceuse in B♭ major | for piano | original version for violin or cello and piano; published in 1929 |
| Vocal | 9 | 1901 | Berceuse | for soprano and orchestra | words by Dorothy Wordsworth |
| Orchestral | 10 | 1901 | Coronation March | for orchestra | written for a competition celebrating the new King Edward VII |
| Organ | 11 | c.1901 | Adagio ma non troppo in G minor | for organ | |
| Vocal | 12 | c.1901 | If I Could Choose | for voice and piano | words by Thomas Ashe |
| Vocal | 13 | c.1901 | The Primrose | for voice and piano | words by James Merrick |
| Vocal | 14 | 1902 | The Hag | for baritone and orchestra | words by James Merrick |
| Chamber music | 15 | 1902 | Piano Quartet in C minor | for violin, viola, cello and piano | |
| Piano | 16 | 1902 | Pensées Fugitives I in F minor | for piano | Only the first of the intended Pensées Fugitives was actually completed; published by Thames Publishing |
| Orchestral | 17 | 1902 | Valse Intermezzo à Cordes in E minor | for string orchestra | |
| Orchestral | 18 | 1901–1902 | Trois Morceaux d'orchestre (3 Pieces for Orchestra)
| for small orchestra | |
| Chamber music | 19 | c.1902 | Scherzetto | for cello and piano (or orchestra) | |
| Chamber music | 19a | c.1902 | Scherzo | for cello and piano | revised version of H.19 |
| Piano | 20 | 1902 | Scherzettino in G minor | for piano | published by Thames Publishing |
| Vocal | 21 | 1903 | A Dirge | for medium voice and piano | words by Percy Bysshe Shelley |
| Chamber music | 22 | 1903 | Con Moto | for violin and piano | |
| Chamber music | 23 | 1903 | Serenade | for violin or cello and piano | |
| Orchestral | 23 | 1903 | Serenade | for orchestra | original version for violin or cello and piano |
| Piano | 23 | 1903 | Serenade | for piano | original version for violin or cello and piano |
| Orchestral | [24] | 1903 | Dramatic Overture | for orchestra | |
| Choral | [25] | 1903 | Autumn | for mixed chorus a cappella | words by Percy Bysshe Shelley |
| Vocal | [26] | 1903 | The Devon Maid | for medium voice and piano | words by John Keats |
| Vocal | [27] | 1903 | Rising When the Dawn Still Faint Is | for voice and piano | words by Heinrich Heine |
| Vocal | [27a] | 1903 | Dawn and Evening | for voice and piano or orchestra | words by Heinrich Heine |
| Vocal | [28] | 1903 | 2 Songs after Heine
| for tenor and piano | 2. also for tenor and small orchestra |
| Vocal | 28c | c.1903 | The Mountain Voice | for voice and piano | words by Heinrich Heine; incomplete |
| Piano | 29 | 1903 | Moderato in E minor | for piano | published by Thames Publishing |
| Orchestral | 30 | 1903 | Mid of the Night, Symphonic Poem | for orchestra | |
| Vocal | 31 | 1903 | Music When Soft Voices Die | for high voice and piano | words by Percy Bysshe Shelley |
| Chamber music | 32 | 1903 | Tempo di Mazurka | for cello and piano | |
| Vocal | 33 | 1903 | Blow, Blow Thou Winter Wind | for medium voice and piano | words by William Shakespeare |
| Vocal | 34 | 1903 | Go Not, Happy Day | for voice and piano | words by Alfred, Lord Tennyson |
| Vocal | [35] | c.1903 | Remembrance | for voice and piano | words by Percy Bysshe Shelley |
| Vocal | 36 | 1904 | Night Lies on the Silent Highways | for medium voice and piano | words by Heinrich Heine |
| Choral | 37 | 1904 | Music When Soft Voices Die | for mixed chorus a cappella | words by Percy Bysshe Shelley |
| Vocal | 38 | 1904 | A Dead Violet | for medium voice and piano | words by Percy Bysshe Shelley |
| Chamber music | 39 | 1904 | Sonata in E♭ major | for violin and piano | |
| Vocal | 40 | 1904 | 2 Songs
| for voice and orchestra | |
| Vocal | 41 | c.1904 | Harebell and Pansy | for voice and orchestra | incomplete |
| Vocal | 42 | 1904 | Song Cycle
| for voice and piano | 3. incomplete |
| Chamber music | 43 | 1904 | 3 Pieces | for 2 violins, viola and cello | |
| Chamber music | 44 | 1904 | 3 Novelletten | for 2 violins, viola and cello | |
| Chamber music | 45 | 1904 | Romanze | for violin and piano | |
| Vocal | 46 | c.1904 | Cradle Song | for voice and piano | words by Alfred, Lord Tennyson |
| Chamber music | 47 | 1904 | Élégie | for cello and piano | |
| Chamber music | 48 | 1904 | Souvenir | for violin and piano | |
| Chamber music | 49 | 1904–1905 | Piano Quintet in D minor | for 2 violins, viola, cello and piano | original version in 4 movements |
| Chamber music | 49a | 1904–1905 1912 | Piano Quintet in D minor | for 2 violins, viola, cello and piano | revised version in 3 movements |
| Vocal | 50 | 1905 | Lean Close Thy Cheek against My Cheek | for voice and piano | words by Heinrich Heine |
| Vocal | 51 | 1905 | Fair Daffodils | for voice and piano | words by James Merrick |
| Piano | 52 | 1905 | Capriccio No. 1 in A minor | for piano | published by Augener |
| Chamber music | 53 | 1905 | 2 Pieces
| for viola and piano | 2. incomplete; The coda was completed by Paul Hindmarsh in 1980. |
| Piano | 54 | 1905 | 2 Solos for Piano
| for piano | published by Houghton and Co. |
| Chamber music | 55 | 1905 | Phantasie String Quartet in F minor | for 2 violins, viola and cello | won second prize in the 1905 Cobbett Chamber Music Competition |
| Organ | 56 | 1905 | First Book of Organ Pieces
| for organ | published by Winthrop Rogers |
| Vocal | 57 | 1905 | Adoration | for medium voice and piano or orchestra | words by John Keats |
| Piano | 58 | 1905 | Étude Rhapsodique in A minor | for piano | published by Thames Publishing |
| Chamber music | 59 | 1905 | Amaryllis in D major | for violin and piano | |
| Chamber music | 60 | 1905 | Norse Legend in G minor | for violin and piano | |
| Piano | 60 | 1905 | Norse Legend in G minor | for piano | original version for violin and piano |
| Orchestral | 60 | 1905, 1938 | Norse Legend in G minor | for small orchestra | original version for violin and piano |
| Vocal | 61 | 1905 | So Perverse | for medium voice and piano | words by Robert Bridges |
| Vocal | 62 | 1905 | Tears, Idle Tears | for medium voice and piano | words by Alfred, Lord Tennyson |
| Organ | 63 | 1905 | 3 Pieces for Organ
| for organ | published by Novello |
| Chamber music | 64 | c.1905 | 3 Pieces for String Quartet | for 2 violins, viola and cello | |
| Vocal | 65 | 1905–1906 | 2 Songs of Robert Bridges
| for high baritone and orchestra | words by Robert Bridges |
| Piano | 66 | 1906 | Dramatic Fantasia | for piano | published by Thames Publishing |
| Chamber music | 67 | 1906 | 3 Idylls | for 2 violins, viola and cello | movement 2 used as the theme of Variations on a Theme of Frank Bridge by Benjamin Britten |
| Piano | 68 | 1906 | 3 Sketches
| for piano | published by Winthrop Rogers |
| Orchestral | 68b | 1906, 1936 | Rosemary | for orchestra | orchestration of No. 2 of 3 Sketches for piano, H.68 |
| Vocal | 69 | 1906 | The Violets Blue | for voice and piano or string quartet | words by Heinrich Heine |
| Chamber music | 70 | 1906 | String Quartet No. 1 in E minor | for 2 violins, viola and cello | |
| Vocal | 71 | 1906 | Come to Me in My Dreams | for voice and piano | words by Matthew Arnold |
| Vocal | 72 | 1906 | My Pent Up Tears Oppress My Brain | for voice and piano | |
| Vocal | [73] | c.1906 | 2 Recitations
| for speaker and piano | 1. words by Robert Browning 2. words by Matthew Gregory Lewis |
| Chamber music | 74 | 1906 | The Rag | for 2 violins, viola and cello | |
| Chamber music | 75 | c.1904–1906 | Valse Fernholt | for violin, viola, cello and piano | |
| Vocal | 76 | 1906–1907 | 3 Songs
| for medium voice, viola obbligato and piano | 1. words by Matthew Arnold 2. words by Heinrich Heine 3. words by Percy Bysshe Shelley |
| Vocal | 77 | 1907 | All Things That We Clasp | for voice and piano | words by Heinrich Heine |
| Orchestral | 78 | 1907 | Isabella, Symphonic Poem | for orchestra | after John Keats |
| Chamber music | 79 | 1907 | Phantasie Piano Trio in C minor | for violin, cello and piano | won first prize in the 1908 Cobbett Chamber Music Competition |
| Chamber music | 80 | 1907 | Gondoliera in E minor | for violin and piano | |
| Vocal | 81 | 1907 | Love Is a Rose | for voice and piano | words by Leah Durand |
| Chamber music | 82 | c.1907–1908 | Allegro Appassionato in B minor | for viola and piano | |
| Chamber music | 83 | c.1907–1908 | Morceau Characteristique | for violin and piano | |
| Orchestral | 84 | 1908 | Dance Rhapsody | for orchestra | |
| Vocal | 85 | 1908 | Dear, When I Look into Thine Eyes | for voice and piano | words by Heinrich Heine |
| Chamber music | 86 | 1908 | An Irish Melody | for 2 violins, viola and cello | movement I from Suite on Londonderry Air for string quartet, co-composed with Hamilton Harty, J. D. Davis, Eric Coates and York Bowen |
| Orchestral | 86a | 1908, 1938 | An Irish Melody | for orchestra | original version for string quartet; based on The Londonderry Air |
| Chamber music | 87 | c.1908 | 3 Miniatures for Piano Trio, Set 1
| for violin, cello and piano | |
| Chamber music | 88 | c.1908 | 3 Miniatures for Piano Trio, Set 2
| for violin, cello and piano | |
| Chamber music | 89 | c.1908 | 3 Miniatures for Piano Trio, Set 3
| for violin, cello and piano | |
| Piano | 90 | c.1906–1908 | ? | for piano | "untitled" work |
| Choral | 91 | 1909 | Hilli-Ho! Hilli-Ho! | for mixed chorus a cappella | words by Thomas Moore |
| Choral | 92 | 1909 | O Weary Hearts | for mixed chorus a cappella | words by Henry Wadsworth Longfellow |
| Orchestral | 93 | 1909–1910 | Suite
| for string orchestra | |
| Chamber music | 94 | 1910 | Phantasie Piano Quartet in F♯ minor | for violin, viola, cello and piano | |
| Incidental | 95 | 1910 | The Two Hunchbacks: 5 Entr'actes | incidental music for the play by Émile Cammaerts | |
| Chamber music | 96 | 1910 | Cradle Song in F major | for violin or cello and piano | |
| Orchestral | 97 | 1911 | Coronation March (Animo et Fide) | for orchestra | written for a competition celebrating the new King George V |
| Incidental | 98 | 1911 | The Pageant of London | for military band and male chorus | incidental music for the Festival of Empire |
| Chamber music | 99 | 1911 | Mélodie in C♯ minor | for cello or violin and piano | |
| Orchestral | 100 | 1910–1911 | The Sea, Suite
| for orchestra | |
| Chamber music | 101 | 1911–1912 | 2 Pieces
| for 2 violas | 1. incomplete |
| Vocal | 102 | 1912 | Isobel | for voice and piano | words by Digby Goddard-Fenwick |
| Vocal | 103 | c.1912 | Easter Hymn (Ein frölicher Gesang) | for voice and piano | 17th century German Hymn arrangement |
| Choral | 103 | c.1912 | Easter Hymn (Ein frölicher Gesang) | for mixed chorus | original for voice and piano |
| Chamber music | 104 | c.1912 | 4 Short Pieces
| for violin or cello and piano | |
| Vocal | 105 | c.1912 | O That It Were So | for voice and piano or orchestra | words by Walter Savage Landor |
| Organ | 106 | c.1901 1912 c.1901 | Second Book of Organ Pieces
| for organ | originally published in The Organ Loft, Books 100 (December 1913), 103 (March 1914), and 105 (May 1914) |
| Chamber music | 107 | 1906–1912 | String Sextet in E♭ major | for 2 violins, 2 violas and 2 cellos | |
| Piano | 108 | 1901, 1912 1912 1912 | 3 Pieces
| for piano | published by Augener |
| Vocal | 109 | 1913 | Strew No More Red Roses | for voice and piano | words by Matthew Arnold |
| Choral | 110 | 1913 | The Bee | for mixed chorus a cappella | |
| Orchestral | 111 | 1913 | Dance Poem | for orchestra | |
| Piano | 112 | 1913–1914 1913 1914 1914 1914 | 4 Characteristic Pieces
| for piano | published by Winthrop Rogers. First three published as 3 Poems with Arabesque published separately. |
| Vocal | 113 | 1914 | Where She Lies Asleep | for voice and piano or orchestra | words by Mary Elizabeth Coleridge |
| Vocal | 114 | 1914 | Love Went A-Riding | for voice and piano or orchestra | words by Mary Elizabeth Coleridge |
| Chamber music | 115 | 1914–1915 | String Quartet No. 2 in G Minor | for 2 violins, viola and cello | |
| Orchestral | 116 | 1914–1915 | Summer, Symphonic Poem | for orchestra | |
| Orchestral | 117 | 1915 | Lament (for Catherine, aged 9 "Lusitania" 1915) | for string orchestra | also a version for piano; commemorating the sinking of RMS Lusitania |
| Piano | 117 | 1915 | Lament for Catherine | for piano | original for string orchestra; commemorating the sinking of RMS Lusitania |
| Brass Band | 117 | 1915 | Lament for Catherine | for brass band (arr. Hindmarsh) | original for string orchestra; commemorating the sinking of RMS Lusitania |
| Orchestral | 118 | 1915 | 2 Poems after Richard Jefferies
| for orchestra | |
| Chamber music | 119 | 1916 | 2 Old English Songs
| for 2 violins, viola and cello | |
| Orchestral | 119 | 1916 | 2 Old English Songs
| for string orchestra | original version for 2 violins, viola and cello |
| Piano | 119 | 1916 | 2 Old English Songs
| for piano 4-hands | original version for 2 violins, viola and cello |
| Choral | 120 | 1916 | Lullaby | for female chorus and piano or string orchestra | words by Veronica Mason |
| Choral | 121 | 1916 | The Graceful Swaying Wattle | for 2-part chorus and piano or string orchestra | words by Veronica Mason |
| Choral | 122 | 1916 | For God and King and Right | for unison chorus and piano or orchestra | words by Veronica Mason |
| Choral | 123 | 1916 | Peter Piper | for chorus of 3 equal voices a cappella | traditional words |
| Vocal | 124 | 1917 | Thy Hand in Mine | for voice and piano or orchestra | words by Mary Elizabeth Coleridge |
| Chamber music | 125 | 1913–1917 | Sonata in D minor | for cello and piano | |
| Piano | 126 | 1917 | 4 Characteristic Pieces
| for piano | published by Winthrop Rogers |
| Piano | 127 | 1917 | 3 Miniature Pastorals, Set 1 | for piano | published by Winthrop Rogers |
| Piano | 128 | 1917 | Fairy Tale, Suite
| for piano | published by Augener |
| Vocal | 129 | 1917 | To You in France | for voice and piano | words by Helen Dircks; incomplete |
| Vocal | 130 | 1918 | So Early in the Morning, O | for high voice and piano | words by James Stephens |
| Vocal | 131 | 1918 | Mantle of Blue | for voice and piano or orchestra | words by Padraic Colum |
| Vocal | 132 | 1918 | Blow Out, You Bugles | for tenor and orchestra, or piano with optional trumpet | words by Rupert Brooke |
| Chamber music | 133 | 1918 | Morning Song | for cello and piano | |
| Piano | 134 | 1918 | 3 Improvisations
| for piano left-hand | written for pianist Douglas Fox, who lost his right arm in World War I; published by Winthrop Rogers |
| Choral | 135 | 1918 | A Litany | for female chorus with organ ad libitum | words by Phineas Fletcher |
| Vocal | 136 | 1918 | The Last Invocation | for voice and piano | words by Walt Whitman |
| Choral | 137 | 1918 | Sister, Awake | for female chorus (sopranos) and piano | words by Thomas Bateson |
| Vocal | 138 | 1918 | Lay a Garland on My Hearse | for 2-part vocal canon with piano | words by Beaumont and Fletcher |
| Organ | 139 | 1918 | Lento (In Memoriam C.H.H.P.) | for organ | originally written for the funeral service of Hubert Parry; published by H.F.W. Deane and Sons (No. 7 of The Little Organ Book) |
| Choral | 140 | 1916, 1918 | A Prayer | for mixed chorus and orchestra | words by Thomas à Kempis |
| Vocal | 141 | 1918 | 3 Variations on "Cadet Rousselle" | for voice and piano | collaboration with Arnold Bax, John Ireland and Eugene Goossens. Bridge composed verses 1, 3 and 6 of the 12-verse song. |
| Orchestral | 141 | 1918 | 3 Variations on "Cadet Rousselle" | for orchestra | original version for voice and piano |
| Vocal | 142 | 1919 | When You Are Old | for high voice and piano | words by William Butler Yeats |
| Vocal | 143 | 1919 | Into Her Keeping | for voice and piano | words by Henry Dawson Lowry |
| Choral | 144 | 1919 | Lantido Dilly | for female chorus and piano | anonymous words (17th century) |
| Vocal | 145 | 1919 | What Shall I Your True Love tell? | for voice and piano | words by Francis Thompson |
| Vocal | 146 | 1919 | 'Tis But a Week | for voice and piano | words by Gerald Gould |
| Piano | 147 | c.1919 | The Turtle's Retort, One-step | for piano | originally published by Winthrop Rogers under the pseudonym John L. More |
| Piano | 148 | 1919–1920 | The Hour Glass, Suite
| for piano | published by Augener |
| Piano | 149 | 1921 | 3 Miniature Pastorals, Set 2 | for piano | |
| Piano | 150 | 1921 | 3 Miniature Pastorals, Set 3 | for piano | |
| Piano | 1921 | Miniature Suite
| for piano | assembled by Paul Hindmarsh (including movement titles) from material originally intended for the Miniature Pastorals | |
| Piano | 151 | 1921 | Threads: 2 Intermezzi
| for piano | incidental music to the play by Frank Stayton; orchestrated in 1938 |
| Incidental | 151 | 1921, 1938 | Threads: 2 Intermezzi
| for orchestra | incidental music to the play by Frank Strayton; original for piano |
| Piano | 152 | 1921 | In the Shop, Ballet | for piano 4-hands | |
| Choral | 153 | 1922 | Golden Slumbers | for female chorus a cappella | words by Thomas Dekker |
| Choral | 154 | 1922 | Hence care | for female chorus a cappella | anonymous words (1595) |
| Chamber music | 155 | 1922 | Sir Roger de Coverley: A Christmas Dance | for 2 violins, viola and cello | |
| Orchestral | 155 | 1922 | Sir Roger de Coverley: A Christmas Dance | for orchestra | original version for 2 violins, viola and cello |
| Orchestral | 155 | 1922, 1938 | Sir Roger de Coverley: A Christmas Dance | for string orchestra | original version for 2 violins, viola and cello |
| Choral | 156 | 1922 | The Fairy Ring | for female chorus with optional piano | anonymous words |
| Choral | 157 | 1922 | A Spring Song | for unison voices and piano or string orchestra | words by Mary Howitt |
| Choral | 158 | 1922, 1924 | Pan's Holiday | for female chorus and piano (1922) or string orchestra (1924) | words by James Shirley |
| Choral | 159 | 1922 | Evening Primrose | for female chorus and piano | words by John Clare |
| Piano | 160 | 1921–1924 | Sonata | for piano | sketches dated 1921–1922; published by Augener |
| Piano | 161 | 1921–1924 1921 1922 1924 | 3 Lyrics
| for piano | published by Augener |
| Chamber music | 161a | 1921 | Heart's Ease | for violin and piano | original for piano |
| Piano | 162 | 1924 | In Autumn
| for piano | published by Augener |
| Chamber music | 163 | 1925 | The Pneu World | for cello and piano | parody on the opening bars of The Star-Spangled Banner |
| Vocal | 164 | 1922–1925 1922 1924 1925 | 3 Songs of Rabindranath Tagore
| for voice and piano or orchestra | words by Rabindranath Tagore |
| Vocal | 165 | 1925 | Golden Hair | for voice and piano | words by James Joyce |
| Piano | 166 | 1925 | Vignettes de Marseille
| for piano | 3 movements also orchestrated as Vignettes de Danse; published by Thames Publishing |
| Orchestral | 166 | 1925, 1938 | Vignettes de Danse
| for orchestra | 1938 orchestration of 3 movements from Vignettes de Marseille for piano |
| Vocal | 167 | 1925 | Journey's End | for tenor or high baritone and piano | words by Humbert Wolfe |
| Piano | 168 | 1925 | Winter Pastoral | for piano | published by Augener |
| Piano | 169 | 1926 | Canzonetta (Happy South) | for piano | also orchestrated; published by Hawkes and Sons |
| Orchestral | 169 | 1926 | Canzonetta (Happy South) | for small orchestra | original for piano |
| Piano | 170 | 1926 | Graziella | for piano | published by Hawkes and Sons |
| Piano | 171 | 1926 | A Dedication | for piano | published by Augener |
| Piano | 172 | c.1926 | Hidden Fires | for piano | published by Hawkes and Sons |
| Orchestral | 173 | 1927 | There Is a Willow Grows Aslant a Brook, Impression | for small orchestra | title taken from Act IV of William Shakespeare's Hamlet; Benjamin Britten transcribed the work for viola and piano |
| Orchestral | 174 | 1926–1927 | Enter Spring, Rhapsody (Symphonic Poem) | for orchestra | |
| Chamber music | 175 | 1925–1927 | String Quartet No. 3 | for 2 violins, viola and cello | |
| Chamber music | 176 | 1928 | Rhapsody Trio | for 2 violins and viola | |
| Piano | 177 | 1928 | Gargoyle | for piano | published by Thames Publishing |
| Chamber music | 178 | 1928–1929 | Piano Trio No. 2 | for violin, cello and piano | |
| Opera | 179 | 1909–1929 | The Christmas Rose | Children's Opera in 3 scenes; libretto by Margaret Kemp-Welch and Constance Cotterell | |
| Concertante | 180 | 1929–1930 | Oration, Concerto Elegiaco | for cello and orchestra | |
| Piano | 181 | 1931 | Todessehnsucht (Come Sweet Death) | for piano | |
| Orchestral | 181 | 1931, 1936 | Todessehnsucht (Come Sweet Death) | for string orchestra | original version for piano |
| Concertante | 182 | 1931 | Phantasm, Rhapsody | for piano and orchestra | |
| Chamber music | 183 | 1932 | Sonata | for violin and piano | |
| Orchestral | 184 | 1934 | A Royal Night of Variety, Finale | for orchestra | |
| Chamber music | 185 | 1934 | A Merry, Merry Xmas | for oboe, clarinet, trombone and piano | |
| Chamber music | 186 | c.1935–1936 | Sonata | for viola and piano | incomplete, sketches only |
| Chamber music | 187 | c.1936 | Movement for String Quartet | for 2 violins, viola and cello | |
| Chamber music | 188 | 1937 | String Quartet No. 4 | for 2 violins, viola and cello | |
| Chamber music | 189 | 1934–1938 1937 1937 1937 1938 | Divertimenti
| for flute, oboe, clarinet and bassoon | first version dated 1934 |
| Organ | 190 | 1939 | 3 Pieces
| for organ | published by J. Curwen |
| Orchestral | 191 | 1940 | Rebus, Overture | for orchestra | |
| Orchestral | 192 | 1940–1941 | Allegro Moderato | for string orchestra | fragment of a Symphony |
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Sources
- Hindmarsh, Paul. Frank Bridge: A Thematic Catalogue, 1900-1941. London: Faber Music, 1983.
- Hindmarsh, Paul. Frank Bridge: The Complete Works. Poynton: PHM Publishing, 2016
References
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