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List of compositions by Julius Harrison

From Wikipedia, the free encyclopedia

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This is a partial list of compositions by English composer Julius Harrison (1885–1963).

Operetta

  • A Fantasy of Flowers (1944); libretto by Muriel Levy[1][2][3]

Orchestral

  • Ballade for string orchestra (1902)
  • Prelude Music for string orchestra and piano (or harp), Op.16 (1912); original for harp and string quartet
  • Variations on "Down Among the Dead Men" (1912)[4][5]
  • Widdicombe Fair, Humoreske for string orchestra, Op.22 (1916); original for string quartet
  • Rapunzel (1917); tone poem [4]
  • Worcestershire Suite (1918); original for piano
  • Romance, a Song of Adoration (1930); for orchestra
  • Cornish Holiday Sketches for string orchestra (1935)
  • Autumn Landscape for string orchestra (1937); premiered by the BBC Symphony Orchestra in February 1937
  • Troubadour Suite for string orchestra, harp (or piano) and optional horns (1944)
  1. The King of Navarre's Chanson
  2. The Marriage of Yolande
  3. Song of Spring
  4. Dancing Song
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Concertante

  • Bredon Hill, Rhapsody for violin and orchestra (1941)

Chamber music

  • Prelude Music, Quintet in G major for harp and string quartet, Op.16 (1912); also for string orchestra and piano (or harp)
  • Scaramouche for violin and piano (1915)
  • Pensée fugitive for violin and piano (1915)
  • Widdicombe Fair, Humoreske for string quartet, Op.22 (1916); also for string orchestra
  • Fanfare for a Masked Ball for 4 trumpets (1921)
  • Sonata in C minor for viola and piano (1945)
  • String Quartet
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Organ

  • Paean and Tonus Peregrinus: Homage to Cesar Franck
  • Paean (1913)
  • Supplication / Gloria in Excelsis / Canzone (1913)

Piano

  • Rhapsody, Intermezzo and Capriccio (1903)
  • Musette for voice and piano (1907)
  • Barcarolle (1917)
  • Worcestershire Suite (1918); also orchestrated
  1. The Shrawley Round
  2. Redstone Rock
  3. Pershore Plums
  4. The Ledbury Parson
  • The Pixie Man, Suite (1920)
  • Silver Bells and Cockle Shells (1920)
  • Five English Songs (1921)
  • Severn Country, Suite (1928)
  1. Dance in the Cherry Orchard (Ribbesford)
  2. Twilight on the River (Bewdley)
  3. Far Forest
  • Philomel (1938)
  • Town and Country (1948)
  • Wayside Fancies, Suite (1948)
  1. March Humoresque
  2. An Old Legend
  3. Columbine's Waltz
  4. Summer Breeze
  5. The Jolly Huntsman
  • Autumn Days (1952)
  • Burlesque (1952)
  • Caprice (1952)
  • High Summer (1952)
  • Mr. Alberti Takes a Stroll (1952)
  • Outdoor Song: At the fair (1952)
  • Spring in the Air (1952)
  • The Rival Fourth Finger (1952)
  • Valse-Serenade (1952)
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Vocal

  • Six Short Songs for medium voice and piano (1907)
  • Bonny Blue-cap for medium voice and piano (1908); words by Sir Walter Scott
  • Rosalys for soprano voices and orchestra (1912); words by Dante Gabriel Rossetti[6][7][8]
  • Songs of Fancy, 4 Songs (1913); words by P. Ashbrooke
  1. Little Untrodden Paths
  2. Oh, Little Mist from the Sea
  3. Silent Trees
  4. At Daybreak
  • Four Songs of Chivalry for voice and piano (1915); words by William Morris
  1. Sir Giles' War Song
  2. Guendolen
  3. The Eve of Crecy
  4. The Gilliflower of Gold
  1. You Bring Me Pearls
  2. O Jewel of the Deep Blue Sea
  3. Caravan of Love
  • The Wanderer's Song (1915); words by George Reston Malloch[9][10][11]
  • Four Narratives from the Ancient Chinese for medium voice and piano (1917)
  1. The Soldier
  2. The Last Revel
  3. There Was a King of Liang
  4. The Recruiting Sergeant
  • Three Sonnets from Boccaccio for high voice and piano (1919); words by Giovanni Boccaccio
  • On the Beach at Otahai (1920); words by E. J. Brady
  • Three Songs (1921–1927)
  1. Merciless Beauty; words by Geoffrey Chaucer
  2. The Escape from Love; words by Geoffrey Chaucer
  3. A Lament; words by Sir Thomas Wyatt
Boot, Saddle, To Horse and Away
King Charles
Marching Along
  1. Come Away Death
  2. Jolly Robin
  3. O Mistress Mine
  4. Clown's Song
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Choral

  • Cleopatra, Dramatic Poem (Cantata) for soli (soprano, mezzo-soprano, contralto, tenor), chorus and orchestra (1908); performed at the Norwich Festival in 1908
  • Harvest Cantata for soprano (or tenor) and contralto (or baritone) soli, chorus and piano or organ (1910); words by Rose Dafforne Betjemann
  • Christmas Cantata for soli and chorus (1911); words by Rose Dafforne Betjemann
  • Viking Song, Part-song for male chorus and pianoforte or orchestra (1911); words by Fred Adlington
  • Open Thy Gates, Introit Anthem for mixed chorus (with organ ad libitum) (1913); words by Robert Herrick
  • Prevent Us, O Lord, Anthem for mixed chorus and organ (1914)
  • Blows the Wind To-day for mixed chorus a cappella (1915); words by Robert Louis Stevenson
  • In the Forest for mixed chorus a cappella (1913); words by Heinrich Heine; translation by Francis Hueffer
  • Requiem for Archangels for SATB choir or chorus (1919)[12]
  • In Celia's Face for chorus (composed prior to 1921); poem by Thomas Carew[13]
  • Easter Carol for female chorus and piano (1921); words by Frederick Elliott
  • The Little Men for female chorus (1921); words by William Allingham
  • Pastoral for chorus (composed by 1922)[14]
  • The Blessed Damozel for female chorus a cappella (1928); words by Dante Gabriel Rossetti
  • I Love the Jocund Dance for a capella SSA chorus (1929); poem by William Blake[15][16][17]
  • A Sunny Shaft, Part Song for female chorus and piano (1929); words by Samuel Taylor Coleridge
  • Merry Miller, Folk-jingle for mixed chorus a cappella (1932); words by Helen Taylor
  • Song of the Plough for mixed-voice chorus (1932); words from the first Georgic of Virgil, tr. James Rhoades[18]
  • Magnifcat and Nunc dimittis for unison voices and organ (1941)
  • The Wild Huntsman, Fantasia for male chorus a cappella (1946)
  • The Dark Forest, Part-song for mixed chorus a cappella (1947); words by Edward Thomas
  • Mass in C for solo voices, chorus, organ and orchestra (1936–1947); premiered at Stoke-on-Trent in 1948; twice broadcast in 1952 and 1955
  • Missa liturgica for mixed chorus a cappella (1950)
  • Psalm C (Psalm 100) for mixed chorus and organ (1953)
  • Requiem Mass for soprano, alto, tenor and bass soli, mixed chorus and orchestra (1948–1957); first performed in 1957 at the Worcester Three Choirs Festival
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Unfinished opera

  • The Canterbury Pilgrims. The opera's Introduction and Love Duet were premiered in 1923,[19] but the opera was never completed.

Arrangements

Harrison's many arrangements include versions of Weber's Invitation to the Dance, sundry Schubert songs (entitled Winter and Spring) and a "concert version" of Smetana's The Bartered Bride all for mixed chorus.[20]

References

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