Top Qs
Timeline
Chat
Perspective
List of compositions by Rebecca Clarke
From Wikipedia, the free encyclopedia
Remove ads
The following is a sortable list of compositions by Rebecca Clarke, drawn largely from the lists found on the website of the Rebecca Clarke Society.[1] The works are categorized and sortable by genre, date of composition, and title.
More information Genre, Date ...
| Genre | Date | Title | Scoring | Notes | Publisher / owner |
|---|---|---|---|---|---|
| Orchestral | 1941 | Combined Carols | for string orchestra | original for 2 violins, viola and cello | |
| Chamber music | 1907–1908 | Danse bizarre | for 2 violins and piano | once believed lost; found in the Rebecca Clarke estate; premiered in 2003 | Rebecca Clarke Estate |
| Chamber music | 1907–1908 | Prelude | for 2 violins and piano | once believed lost; found in the Rebecca Clarke estate; premiered in 2003 | Rebecca Clarke Estate |
| Chamber music | 1907–1908 | Nocturne | for 2 violins and piano | once believed lost; found in the Rebecca Clarke estate; premiered in 2003 | Rebecca Clarke Estate |
| Chamber music | 1907–1908 | Finale | for 2 violins and piano | incomplete | Rebecca Clarke Estate |
| Chamber music | 1907–1909 | Sonata | for violin and piano | in one movement | Rebecca Clarke Estate |
| Chamber music | 1908–1909 | Sonata | for violin and piano | Rebecca Clarke Estate | |
| Chamber music | 1909 | Lullaby | for viola and piano | Oxford University Press | |
| Chamber music | 1913 | Lullaby (on an ancient Irish tune) | for viola and piano | Oxford University Press | |
| Chamber music | ca. 1916 | 2 Pieces
| for viola (or violin) and cello | Oxford University Press | |
| Chamber music | 1917-1918 | Untitled movement | for viola and piano | Oxford University Press | |
| Chamber music | 1917–1918 | Morpheus | for viola and piano | composed under the pseudonym "Anthony Trent" Morpheus is the Greek god of dreams. | Oxford University Press |
| Chamber music | 1917–1918 | Untitled Work | for viola and piano | Oxford University Press | |
| Chamber music | 1918 | Lullaby | for viola and piano | Oxford University Press | |
| Chamber music | 1919 | Sonata | for viola (or cello) and piano | Chester Music DaCapo Press Hildegard Publishing | |
| Chamber music | 1921 | Chinese Puzzle | for violin (or viola) and piano | Oxford University Press | |
| Chamber music | 1921, 1925 | Chinese Puzzle | for flute, violin, viola and cello | original for violin and piano | Oxford University Press |
| Chamber music | ?1921 | Epilogue | for cello and piano | Oxford University Press | |
| Chamber music | 1921 | Trio | for violin, cello and piano | Winthrop Rogers DaCapo Press Boosey & Hawkes | |
| Chamber music | 1923 | Rhapsody | for cello and piano | Library of Congress | |
| Chamber music | 1924 | Comodo et amabile | for 2 violins, viola and cello | Oxford University Press | |
| Chamber music | 1924 | Midsummer Moon | for violin and piano | Oxford University Press | |
| Chamber music | 1926 | Poem | for 2 violins, viola and cello | Oxford University Press | |
| Chamber music | ca. 1940 | Untitled Works | for 2 instruments
| 2 compositional studies; unfinished | |
| Chamber music | 1941 | Combined Carols | for 2 violins, viola and cello | also arranged for string orchestra | Rebecca Clarke Estate |
| Chamber music | ?1940–1941 | Passacaglia (on an Old English Tune, attributed to Tallis) in C minor | for viola (or cello) and piano | tune attributed to Thomas Tallis | G. Schirmer Chappell Music Hildegard Publishing |
| Chamber music | 1941 | Prelude, Allegro and Pastorale | for viola and clarinet | Oxford University Press | |
| Chamber music | ?1941 | Dumka | for violin, viola and piano | Oxford University Press | |
| Chamber music | 1944 | I'll bid my heart be still (Old Scottish border melody) | for viola and piano | Oxford University Press | |
| Piano | 1907–1908 | Theme and Variations | for piano | once believed lost; found in the Rebecca Clarke estate; premiered in 2003 | |
| Piano | ?1930 | Cortège | for piano | revised 1970s | |
| Chamber music | ca. 1940 | Untitled, 2 pieces for two instruments
| for compositional studies | Oxford University Press | |
| Choral | ca. 1906 | Now Fie on Love | for male chorus | words by anonymous | Oxford University Press |
| Choral | 1907 | Music, When Soft Voices Die | for mixed chorus | words by Percy Bysshe Shelley | Oxford University Press |
| Choral | ca. 1908 | A Lover's Dirge | for mixed chorus | words from Twelfth Night by William Shakespeare | Oxford University Press |
| Choral | ca. 1909 | The Owl (When Cats Run Home and Light Is Come) | for mixed chorus | words by Alfred, Lord Tennyson | |
| Choral | ca. 1911–1912 | Come, O come, my life's delight | for mixed chorus | words by Thomas Campion; also for voice and piano | Oxford University Press |
| Choral | ca. 1911–1912 | My Spirit Like a Charmed Bark Doth Float | for mixed chorus | words by Percy Bysshe Shelley | Oxford University Press |
| Choral | ca. 1911–1912 | Weep You No More Sad Fountains | for mixed chorus | words by anonymous (John Dowland?); also for voice and piano | |
| Choral | ca. 1914 | Philomela | for mixed chorus | words by Sir Philip Sidney | Oxford University Press |
| Choral | 1921 | He That Dwelleth in the Secret Place (Psalm 91) | for SATB soloists and mixed chorus | ||
| Choral | 1928 | There Is No Rose of Such Virtue | for baritone solo and alto, tenor, baritone, bass chorus | after a 15th-century English carol | Oxford University Press |
| Choral | ca. 1937 | Ave Maria | for female chorus | ||
| Choral | ca. 1943 | Chorus from Hellas | for female chorus | words from Hellas by Percy Bysshe Shelley | Oxford University Press |
| Vocal | ca. 1903 | Wandrers Nachtlied | for voice and piano | words by Johann Wolfgang von Goethe | |
| Vocal | 1904 | Ah, for the Red Spring Rose | for voice and piano | ||
| Vocal | 1904 | Aufblick | for voice and piano | words by Richard Dehmel | |
| Vocal | 1904 | Shiv and the Grasshopper | for voice and piano | words from The Jungle Book by Rudyard Kipling | |
| Vocal | ca. 1904 | Chanson | for voice and piano | words by Maurice Maeterlinck | |
| Vocal | ca. 1904 | Klage | for voice and piano | words by Richard Dehmel | |
| Vocal | ca. 1904 | O Welt | for voice and piano | ||
| Vocal | ca. 1904 | Stimme im Dunkeln | for voice and piano | words by Richard Dehmel | |
| Vocal | 1905 | Du | for voice and piano | words by Richard von Schaukal | |
| Vocal | ca. 1905 | The Moving Finger Writes | for voice and piano | words from The Rubáiyát of Omar Khayyám translated by Edward FitzGerald | |
| Vocal | ca. 1905 | Oh, Dreaming World | for voice and piano | ||
| Vocal | ca. 1905 | Wiegenlied | for voice, violin and piano | words by Detlev von Liliencron | |
| Vocal | 1906 | Durch die Nacht | for voice and piano | words by Richard Dehmel | |
| Vocal | ca. 1906 | Nach einem Regen | for voice and piano | words by Richard Dehmel | |
| Vocal | ca. 1907 | Das Ideal | for voice and piano | words by Richard Dehmel | |
| Vocal | 1907 | Magna est veritas | for voice and piano | words by Coventry Patmore | |
| Vocal | 1907 | Manche Nacht | for voice and piano | words by Richard Dehmel | |
| Vocal | 1907 | Nacht für Nacht | for 2 voices and piano | words by Richard Dehmel | |
| Vocal | 1907 | Vergissmeinnicht | for voice and piano | words by Richard Dehmel | |
| Vocal | ca. 1909 | Spirits | for 2 high voices and piano | words by Robert Bridges | |
| Vocal | ca. 1910 | The Color of Life | for voice and piano | words from traditional Chinese writings | |
| Vocal | ca. 1910 | Return of Spring | for voice and piano | words from traditional Chinese writings | |
| Vocal | ca. 1910 | Tears | for voice and piano | words from traditional Chinese writings | |
| Vocal | ca. 1911 | The Folly of Being Comforted | for voice and piano | words by William Butler Yeats | |
| Vocal | ca. 1911–1912 1926 | Come, Oh Come, My Life's Delight | for voice and piano | words by Thomas Campion; original version for mixed chorus | |
| Vocal | ca. 1912 | The Cloths of Heaven | for voice and piano | words by William Butler Yeats | |
| Vocal | ca. 1912 | Shy One | for voice and piano | words by William Butler Yeats | |
| Vocal | ca. 1912 | Weep You No More Sad Fountains | for voice and piano | words by anonymous (John Dowland?); also for mixed chorus | Oxford University Press |
| Vocal | ca. 1912–1913 | Away Delights | for 2 voices and piano | words by John Fletcher | |
| Vocal | ca. 1912–1913 | Hymn to Pan | for tenor, baritone and piano | words by John Fletcher | |
| Vocal | ca. 1913 | Infant Joy | for voice and piano | words by William Blake | |
| Vocal | 1919 | Down by the Salley Gardens | for voice and piano | words by William Butler Yeats; also for voice and violin | |
| Vocal | 1920 | Psalm 63 | for voice and piano | ||
| Vocal | 1922 | The Seal Man | for voice and piano | words by John Masefield | Winthrop Rogers Boosey & Hawkes |
| Vocal | 1924 | Three Old English Songs
| for voice and violin | 1. words by William Shakespeare | Boosey & Hawkes |
| Vocal | 1925 | June Twilight | for voice and piano | words by John Masefield | |
| Vocal | 1926 | A Dream | for voice and piano | words by William Butler Yeats | |
| Vocal | 1926 | Poem (Adagio) | for voice and string quartet | Oxford University Press | |
| Vocal | 1926 | Sleep | for tenor, baritone and piano | words by John Fletcher; 2 versions | |
| Vocal | 1926 | Sleep [version II] | for tenor, baritone and piano | words by John Fletcher; 2 versions | |
| Vocal | 1926 | Three Irish Country Songs
| for voice and violin | ||
| Vocal | ca. 1926 | Take, O Take Those Lips Away | for tenor, baritone and piano | words from Measure for Measure by William Shakespeare | |
| Vocal | 1927 | The Cherry-blossom Wand | for voice and piano | words by Anna Wickham | Oxford University Press |
| Vocal | 1927 | Eight O'clock | for voice and piano | words by A. E. Housman | |
| Vocal | ca. 1928 | Greeting | for voice and piano | words by Ella Young | |
| Vocal | 1929 | The Aspidistra | for voice and piano | words by Claude Flight | |
| Vocal | 1929 | Cradle Song | for voice and piano | words by William Blake | Oxford University Press |
| Vocal | 1929–1933 | The Tiger (Tiger, Tiger) | for voice and piano | words by William Blake | |
| Vocal | ca. 1940 | Binnorie | for voice and piano | words after a traditional ballad The Twa Sisters | |
| Vocal | ca. 1940 | Daybreak | for voice and string quartet | words by John Donne | Prairie Dawg Press |
| Vocal | 1941 | Lethe | for voice and piano | words by Edna St. Vincent Millay | |
| Vocal | 1942 | The Donkey | for voice and piano | words by G. K. Chesterton | |
| Vocal | 1919, 1950s | Down by the Salley Gardens | for voice and violin | words by William Butler Yeats; original for voice and violin | |
| Vocal | 1954 | God Made a Tree | for voice and piano | words by Katherine Kendall | |
| Vocal | Up-Hill | for voice and piano | words by Christina Rossetti |
Close
Remove ads
References
Wikiwand - on
Seamless Wikipedia browsing. On steroids.
Remove ads
Remove ads