Genre | Opus | Date |
Title | Scoring | Notes |
Piano | 1 | 1885 | Ländliche Skizzen - Am Bache
- Waldvöglein
- Ländler
- Ringellied
- Legende
- Die Sägemühle
| piano | Published Leipzig: Breitkopf & Härtel, plate no. 17120 (without opus number). Dedication: "Seinem Freund und Lehrer Herrn Professor Percy Goetschius gewidmet". |
Piano | 2 | 1886 | Ein Spinnerliedchen | piano | Published Stuttgart: G. A. Zumsteeg, plate no. G.A.Z. 564. |
Vocal | 3 | 1886 | Vier Lieder - Leise zieht durch mein Gemüth
- Die blauen Frühlingsaugen
- Mädchen mit dem rothen Mündchen
- Zum Schluss: „Sag, wo ist dein schönes Liebchen“
| voice and piano | Words by Heinrich Heine. Published Stuttgart: G. A. Zumsteeg, plate no. G.A.Z. 562. Dedication: "Fräulein Lucy Roper gewidmet". |
Piano | 4 | 1890 | Two Studies: Staccato and Legato | piano | Published London: Augener & Co., revised edition, 1902. No. 2 also published New York: G. Schirmer (1890), plate no. 7241; also in The Monthly Musical Record vol. 22 no. 253 (January 1892), pp. 11–14. |
Vocal | 5 | 1887 | The Blackbird Has a Golden Bill | mezzo-soprano and piano | Words by the composer; designated as "Op. 5 No. 1", but no other numbers are extant. Published Stuttgart: G. A. Zumsteeg, plate no. G.A.Z. 587. Dedication: "To Miss I. C. Ross". |
Piano | 6 | 1886, 1887 | Carneval-Studien | piano | Vol. 1 published Stuttgart: G. A. Zumsteeg, plate no. G.A.Z. 591 (1886); vol. 2 ibid., plate no. G.A.Z. 617 (1887). Dedication: "Seinem Freunde Herrn Ernest Longley gewidmet". |
Piano | 7 | 1887 | Im Gebirg (In the Mountains), 4 Klavierstücke - Mittagsstille (Noon)
- Zwiegespräch (Canon)
- Abendnähe (Twilight)
- Träumerei (Dreaming)
| piano | Published London: Augener & Co., plate no. 7671. Dedication: "An Herrn Theodor Kirchner". |
Piano | 8 | 1887 | Albumblätter (Album Leaves) | piano | Published London: Augener & Co., plate no. 7672. Dedication: "To Frau Clara Schumann". |
Piano | 9 | 1888 | Étude-Fantaisie | piano | Published London: Augener & Co., plate no. 7902. |
Chamber | 10 | 1888 | Lieder an den Mond, Romantische Stücke - Um Mitternacht
- In der Frühe
- Am Abend
| violin, cello and piano | Published London: Augener & Co., plate no. 7942. |
Piano | 11 | 1889 | Miniatures, Cinq petites pièces | piano | Published Paris: Durand & Schoenewerk, plate no. D.S. 4043. Dedications: 1. "à Lucie"; 2. "à Lambert Zegers Veeckens"; 3. "à Miss Katie Lewis"; 4. à Gretchen Goetschius"; 5. "à William T. Scott Barber". |
Piano | 12 | 1902 | Variations sur un thème original dans le style irlandais (Variations on an Original Theme in the Irish Style) | piano | Published London: Augener & Co., plate no. 1287; revised edition, ibid. (1903), plate no. 1287α. Dedication: "To Miss Carrie Townshend". |
Chamber | 13 | 1901 | Berceuse | violin and piano | Published Paris: Enoch & Cie., plate no. E. & C. 4658. Dedication: "à Madame Béatrice Langley". |
Chamber | 14 | 1904 | Sonate en fa (style irlandais) | violin and piano | Published London: Schott & Co., plate no. 27497; second edition: Mainz: B. Schott's Söhne, n. d. [1905], same plate no. Dedication: "à son ami A. Simonetti". |
Piano | 15 | 1906 | Deux Études pour la main gauche seul | piano | Published Paris: J. Hamelle, plate no. J. 5405 H. |
Piano | 16 | 1906 | Praeludium & Fuga | piano | Published Paris: J. Hamelle, plate no. J. 5340 H. |
Piano | 17 | 1906 | Mazurka et Polonaise | piano | Published London: Augener & Co., plate no. 1360α. Dedication: "à Mlle. Claire Przybyszewska". |
Piano | 18 | 1907 | Petit album - En route (On the Road)
- L'Auberge (The Inn)
- Enfants qui passent (Passing Children)
- Aux temps passés (From Old Times)
- Danseuse sur la scène (Ballet Girl on the Stage)
- Sonatine
- Scherzetto
| piano | Published London: Schott & Co., plate no. 27919. |
Piano | 19 | 1905 | Aus dem Kinderleben, 6 kleine Tonbilder (Scenes from Child Life) - Puppenwiegenlied (The Doll's Cradle Song)
- Puppentanz (The Doll's Dance)
- Im Wald (In the Wood)
- Erster Walzer (The First Waltz)
- Schläfriges Kind (The Sleepy Child)
- Auf Wiedersehen (Goodbye)
| piano | Published Leipzig: Breitkopf & Härtel, plate no. 24931. |
Chamber | 20 | (c. 1905) | Tarantelle | violin and piano | Unpublished. |
Piano | 21 | 1907 | Au bord de la forêt | piano | Published Paris: E. Demets, plate no. E. 1267 D. Dedication: "à Mademoiselle Claire Przybyszewska". |
Piano | 22 | 1907 | Au village, Petite suite charactéristique - Noce campagnarde
- Fillettes
- Basse-cour
- Sur l'herbe
- Au bord du Ruisseau
| piano | Published (without opus number) Paris: E. Demets, plate nos E. 1293 D. to E. 1297 D. Dedication: "à Max Reger". |
Vocal | 23 | 1906 | Lydia | high voice and string quartet (w/ version for piano) | Words by Leconte de Lisle. String quartet original unpublished. Piano version published Paris: J. Hamelle, plate no. J. 5489 H.; second edition as no. 1 of Quatre Mélodies (1908), same plate no., see below; third edition Paris: E. Demets (1913), plate no. E. 1244 D. Dedication: "à mon ami Hugo Rasch". |
Piano | 24 | 1908 | Eaux fortes - Sérénade espagnole
- Bergérie
- Petite mazurka
| piano | Published Paris: E. Demets, plate no. E. 1387 D. |
Piano | 25 | 1907 | Étude | piano | Published Paris: E. Demets, plate no. E. 1271 D. Dedication: "A Monsieur E. Demets". |
Vocal | 26 | 1907 | Épiphanie | high voice and piano or organ | Words by José-Maria de Heredia. Published Paris: J. Hamelle, plate no. J. 5501 H.; second edition as no. 2 of Quatre Mélodies (1908), same plate no., see below; third edition Paris: E. Demets (1913), plate no. E. 1245 D. Dedication: "à Mademoiselle Marie Stark". |
Vocal | | 1907 | Annie, Chanson écossaise | high voice and piano | Words by Leconte de Lisle. Published Paris: J. Hamelle, plate no. J. 5505 H.; second edition Paris: E. Demets, plate no. E. 1286 D. (1907); also as music supplement to La Revue musicale no. 52 (1911); later listed as no. 1 of Trois Chansons écossaises, Op. 31 (no collective print). Dedication: "à son ami Hugo Rasch" (Demets edition only). |
Piano | 27 | 1908 | Nouvelles feuilles d'album - Madrigal
- Canon
- Style irlandais
- Petites scènes parisiennes: A. Montrouge le matin, B. Sortie de midinettes
| piano | Published Paris: E. Demets, plate no. E. 1346 D. Dedication: "À mon ami Auguste Delacroix". |
Piano | 28 | 1908 | Variations sur un air irlandais ancien | piano | Published Mainz: B. Schott's Söhne, plate no. 28388. |
Piano | 29 | 1909 | Petite suite irlandaise d'après des airs anciens de la collection Petrie (Bláithfhleasg bheag d'fhonnaibh Arsa Gaedhealacha as leabhar Petrie) - Ancient Clan March
- Cork Reel
- Sagairt tar teorach
- Cork Reel
| piano 4-hands | Published (without opus number) Paris: E. Demets, plate no. E. 1409 D.; material taken from the Petrie Collection of Irish Music, compiled by George Petrie and edited by Charles V. Stanford |
Vocal | 30 | 1907 | Deux Mélodies | voice and piano | 1. Words by Joséphin Soulary 2. words by Charles Baudelaire Published (without opus number) Paris: E. Demets, plate nos E. 1246 D. and E. 1247 D.; second editions as nos 3 and 4 of Quatre Mélodies (1908), see below. Dedications: 1. "à mon Ami Gino Sartoni", 2. [no dedication]. |
Vocal | 23, 26, 30 | 1908 | Quatre Mélodies - Lydia
- Épiphanie
- Là-bas!
- Le Revenant
| voice and piano | 1. words by Leconte de Lisle 2. words by José-Maria de Heredia 3. words by Joséphin Soulary 4. words by Charles Baudelaire Published Paris: J. Hamelle, plate nos J. 5489 H.; J. 5501 H.; J. 5506 H.; J. 5656 H. |
Vocal | 31 | 1907 | Trois Chansons écossaises - Annie
- La Fille aux cheveux de lin
- Nell
| high voice and piano | Words by Leconte de Lisle. No collective print; no. 1 (Annie), see above; no. 2 published Paris: E. Demets (1920), plate no. E. 2006 D.; no. 3 published Paris: E. Demets (1922), plate no. E. 2037 D. Dedications: 1. "à son ami Hugo Rasch"; 2. "à Madame Delorme Jules Simon"; 3. "à Charles Hubbard". |
Piano | 32 | 1909 | Valses - [no descriptive title]
- Espagne
- Suisse
- [no descriptive title]
| piano | Published Paris: E. Demets, plate no. E. 1448 D. Dedication: "à Mlle. Claire Przybyszewska". |
Piano | 33 | 1911 | Croquis de femmes - Au couvent
- Bavardes
- La Vieille tante
- Mondaine
- Jeunes anglaises
- Charmeuse de serpents
- Dans les jardins du sérail
| piano | Published Paris: F. Durdilly, Ch. Hayet, successeur, plate no. C. 6254 H. Dedication: "à Monsieur Jules Combarieu, Hommage sympathique et reconnaissant". |
Piano | 34 | 1911 | Petite suite sur les notes Mi Do Mi Fa Si Mi | piano | Published Mainz: B. Schott's Söhne, plate no. 29378. Dedication: "à mon cher ami E. Demets". |
Piano | 35 | 1910 | Kinder-Album, 24 kleine Präludien in verschiedenen Ton- und Taktarten | piano | Published Mainz: B. Schott's Söhne, plate no. 28824. Dedication: "Meinem lieben Vater gewidmet". |
Piano | 36 | 1911 | Fêtes, 2 Morceaux descriptifs - Fête de village au XVIIIme siècle
- Fête populaire dans la banlieue de Paris au XXme siècle
| piano | Published Mainz: B. Schott's Söhne, plate no. 29379. Dedication: "à Madame Betty Heffner, Hommage sympathique". |
Piano | 37 | 1913 | Les Noces du soldat de bois, Ballet en un acte | piano | Unpublished. |
Piano | 38 | 1910 | Introduction, XII variations et fugue | piano | collaborative publication with works on the same theme by Hugo Rasch, Georges Loth, Auguste Delacroix, and Herbert Fryer, Paris: E. Demets, plate no. E. 1487 D. Dedication: "à mon ami Hugo Rasch". |
Piano | 39 | 1912 | Incunabula - Berceuse
- Bébé dort
- Croquemitaine
| piano | Published Paris: E. Demets, plate no. E. 1614 D. Dedication: "à Tupac". |
Piano | 40 | 1912 | En passant ... Études d'après nature - Petit pâtre sur les hauts pâturages
- Champs de blé au clair de lune
- Dans une petite ville flamande le dimanche
- Cîmes neigeuses
- Sieste en chemin de fer
| piano | Published Paris: E. Demets, plate no. E. 1615 D. |
Piano | 41 | 1912 | Valses caprices - Valse rustique
- Valse canaille
- Valse distraite
- Valse boîteuse
- Valse érotique
- À la Reger
- Encore une valse
| piano | Published Paris: E. Demets, plate no. E. 1664 D. |
Piano | 42 | 1912 | Gitaneries - Carmen
- Mercédès
- Jacinta
- Manuelita
| piano | Published Paris: E. Demets, plate no. E. 1678 D. Dedication: "à la mémoire de Bizet". |
Vocal | 42bis | 1921 | Trois Chansons espagnoles
- 1. Fluthenreicher Ebro (Sur les rives fleuries)
- 2. Auf den Wällen Salamankas (Sur les murs de Salamanque)
- 3. Neben mir wohnt Don Henriquez (Mon voisin est Don Henriquez)
|
voice and string quartet (w/ version for piano) | French words by the composer after Emanuel von Geibel and Heinrich Heine 2.~3. words by Heinrich Heine. Published Paris: E. Demets, plate no. E. 2083 D. Dedication: "à Mademoiselle Radiana Pazmor" |
Piano | 43 | 1912 | Sonatine | piano | Published Paris: E. Demets, plate no. E. 1674 D. Dedication: "à mon ami Heinrich Möller". |
Piano | 44 | 1912 | Sentes et chemins, Nouvelles études d'après nature - Ouvriers allant à l'usine
- Promenade du philosophe
- À travers bois
- Cornemuse en tête
- Sur la route d'Amalfi
- Sentier de Meudon au printemps
- Par la pluie
| piano | Published Paris: E. Demets, plate no. E. 1726 D. Dedication: "À mon Père". |
Piano | 45 | 1912 | Pièces celtiques | piano | Published Paris: E. Demets, plate no. E. 1727 D. |
Chamber | 46 | 1913 | Suite [String Quartet No. 1] | 2 violins, viola and cello | Published Paris: E. Demets, plate no. E. 1784 D. Dedication: "à Monsieur le Professeur Carl Heffner". |
Piano | 46bis | 1912 | Adagio et allegretto du quatuor à cordes | piano | Transcription by the composer from the Suite, Op. 46 Published Paris: E. Demets, plate no. E. 1732 D. |
Piano | 47 | 1913 | Croquis parisiens - Promenade matinale au jardin du Luxembourg
- L'Américain qui a bien diné
- Dans un atelier de couturières
| piano | Published Paris: E. Demets, plate no. E. 1747 D. Dedication: "à Louis Vuillemin". |
Piano | 48 | 1913 | Impressions humoristiques - Dédicace: Aux amis de Russie
- Tupac–Polka
- Das Fräulein stand am Meere und seufzte lang und bang
- Napolitains
- En regardant une ronde de jeunes filles
- Chanteuse de Beuglant
- Bébé prend sa médecine
| piano | Published Paris: E. Demets, plate no. E. 1794 D. |
Chamber | 49 | 1920 | Deuxième quatuor [String Quartet No. 2] | 2 violins, viola and cello | Published Paris: E. Demets, plate no. E. 1994 D. Dedication: "à la Mémoire de Terence McSwiney, Lord Mayor de Cork". |
Chamber | 50 | 1915 | Rhapsodie celtique | violin and piano | Published Paris: E. Demets, plate no. E. 1825 D. |
Piano | 51 | 1924 | Eight Celtic Pieces / Huit Pièces celtiques | piano | Published (with English title) London: Evans & Co., plate no. S. & Co. 31; second edition (with French title) as part of the Album celtique Paris: Max Eschig & Cie. (1929), plate no. M.E. 2320. Dedication: "To Denis Breen". |
Chamber | 52 | 1921 | Petit trio celtique | violin, viola and cello | Published Paris: E. Demets, plate no. E. 2002 D. Dedication: "à mon ami Paul Le Flem". |
Piano | 53 | 1924 | Sonatine celtique | piano | Published London: Evans & Co., plate no. S. & Co. 41; second edition as part of the Album celtique Paris: Max Eschig & Cie. (1929), plate no. M.E. 2321. Dedication: "à Lucien Haudebert". |
Chamber | 54 | 1921 | Trio | 2 clarinets and bassoon | Paris: E. Demets, plate no. E. 2001 D. Dedication: "à mon ami Paul Ladmirault". |
Piano | 55 | 1924 | Épigrammes d'un solitaire - La Forêt de Clamart à l'aube
- Un Jardin arabe
- Une Pagode indochinoise
- Un Berceau
- Un Vieux cimetière
- Un Souvenir lointain
| piano | Published London: Evans & Co., plate no. S. & Co. 40; second edition Paris: Max Eschig & Cie. (1929), plate no. M.E. 2322. Dedication: "à Michael Kavanagh". |
Vocal | 56 | 1925, 1932 | Trois Mélodies - Le Mort joyeux
- Les Grands jasmins épanouis
- Il était une fois
| low voice and piano | 1. Words by Charles Baudelaire 2. words by Albert Samain 3. words by Jean Ajalbert Publication(s): 1. Paris: Éditions Max Eschig (1932), plate no. M.E. 3692; 2. Paris: Max Eschig & Cie. (1925), plate no. M.E. 1564; 3. Paris: Éditions Max Eschig (1932), plate no. M.E. 3693. Dedications: 1. "à Jean Suscinio"; 2. "à Charles Hubbard"; 3. "à Marcelle Gerar". |
Piano | 57 | 1924 | Trois Pièces exotiques - Fillettes brunes
- Le Goût de la cannelle
- Nègre endimanché
| piano | Published Paris: E. Demets, plate no. E. 2070 D. |
Chamber | 58 | 1924 | Variations sur un thème de six notes (H.B., E.B., C.H.) | flute, violin, viola and cello | Published Paris: Max Eschig & Cie., plate no. M.E. 1315. |
Chamber | 59 | 1925 | Quatre Pièces celtiques | English horn, violin, viola and cello | Published Paris: Max Eschig & Cie., plate no. M.E. 1430. Dedication: "à M. Paul Brun". |
Piano | 60 | 1924 | Étude de concert | piano | Published Paris: Max Eschig & Cie., plate no. M.E. 1262. Dedication: "à Mademoiselle Rachel Blanquer". |
Chamber | 61 | 1926 | Troisième quatuor [String Quartet No. 3] | 2 violins, viola and cello | Published Paris: Max Eschig & Cie., plate no. M.E. 1719. Dedications for the four movements: 1. "à Emile Loiseau"; 2. "à Adrien Fourment"; 3. "à Robert Chantôme"; 4. "à Robert Ladoux". |
Chamber | 62 | 1924 | Sonatine celtique | viola (or violin) and piano | "Sonate celtique" on title page, "Sonatine celtique" (= correct) on first page. Published Paris: Max Eschig & Cie., plate no. M.E. 1425. Dedication: "à Robert Chantôme". |
Chamber | 63 | 1925 | Rapsodie gaélique | cello and piano | Published Paris: Max Eschig & Cie., plate no. M.E. 1447. Dedication: "à Francis Touche". |
Piano | 64 | 1926 | Douze Canons à deux voix à tous les intervalles | piano | Published Paris: Max Eschig & Cie., plate no. M.E. 1563. Dedication: "à ma femme". |
Chamber | 65 | 1925 | Sérénade | 2 violins, viola and cello | Published Paris: Max Eschig & Cie., plate no. M.E. 1525. Dedication: "à Emile Loiseau". |
Vocal | 66 | 1925 | Trois Mélodies sur des poésies d'André Delacour et de Leconte de Lisle - Si la distance qui nous sépare
- Paysage
- Chanson écossaise
| voice and piano | 1. & 2. words by André Delacour 3. words by Leconte de Lisle Published Paris: Max Eschig & Cie., plate no. M.E. 1631. Dedication: "à Mademoiselle Marthe Saisset". |
Piano | 67 | (1924) | Rapsodie irlandaise | piano | Published Paris: Max Eschig & Cie., plate no. M.E. 2264 (as part of the Album celtique, 1929). Dedication: "à mon fils Patrice". |
Chamber | 68 | 1926 | Deux Morceaux | alto saxophone and piano | Published Paris: Max Eschig & Cie., plate no. M.E. 1637. Dedication: "à M. René Laurent". |
Piano | 69 | 1926–1929 | Clamart | Aubervilliers | Meudon | Robinson | Verrières | Bourg-la-Reine | piano | Initially self-published as 3 pieces (1926); extended edition published Paris: Éditons Max Eschig (1929), plate no. M.E. 2410. Dedication: "à Maurice Servais". |
Chamber | 70 | 1927 | Trio | violin, flute and bassoon | Published Paris: Max Eschig & Cie., plate no. M.E. 1985 (wrongly dated to 1926). Dedication: "A mes amis Emile Loiseau, Gaston Blanquart et Gustave Dhérin". |
Chamber | 71 | 1929 | Quatre Morceaux - Fox Trot
- Tango
- Chanson de l'émigrant
- Lever du soleil dans les Hébrides
| alto saxophone or viola and piano | Published Paris: Éditions Max Eschig, plate no. M.E. 1941. Dedications: 1. "à Paul-Louis Neuberth"; 2. "à Carol-Berard"; 3. "à Madame Neuberth"; 4. "à Paul-Louis Neuberth". |
Vocal | 72 | 1927 | Trois Chansons celtiques
- 1. La Chanson du rouet
- 2. Berceuse d'Armorique
- 3. Le Départ des pêcheurs
|
medium voice and piano | 1. Words by Leconte de Lisle 2. words by Anatole Le Braz words by Pierre Scize Published Paris: Éditions Max Eschig, plate no. M.E. 2115. Dedications: 1. "à Henri Collet"; 2. "à Eugène Cools"; 3. "à Pierre Scize". |
Piano | | 1927–1928 | À la manière de ..., 30 Pastiches
- Book I
|
piano | Books 1–4 (1927) Book 5 (1928) Published Paris: Éditions Max Eschig, plate no. M.E. 1781, M.E. 1782; M.E. 1783, M.E. 1986, M.E. 2251. Dedications: Books I–III "à Marthe Le Breton", Books IV–V "à Richard Byk". |
Vocal | 73 | 1928 | Deux Mélodies - Le Chasseur noir
- La Chanson du vent de mer
| medium voice and piano | 1. Words by Paul Gérardy 2. words by Anatole Le Braz Published Paris: Éditions Max Eschig, plate no. M.E. 2249 & M.E. 2250. |
Chamber | 74 | 1928 | Pièce celtique | cello (or bassoon) and piano | Published Paris: Éditions Max Eschig, plate no. M.E. 2252. Dedication: "à Madame Fernande Kufferath". |
Chamber | 75 | 1930 | Quatrième quatuor [String Quartet No. 4] | 2 violins, viola and cello | Published Paris: Éditions Max Eschig, plate no. M.E. 2463 (score) & M.E. 2464 (parts). |
Vocal | 76 | 1928 | Trois Petits trios pour voix de femmes - Il était une fois
- Panis angelicus
- Vers traduits de Goethe
| soprano, mezzo-soprano and alto (solos) | 1. Words by Jean Ajalbert 2. words by St Thomas Aquinas 3. words by Johann Wolfgang von Goethe, translated by Louis de Ronchaud Unpublished. |
Chamber | 77 | 1928 | Deux Pièces celtiques - Danse écossaise
- Pièce celtique
| viola and piano | Unpublished. |
Chamber | 78 | 1929 | Sonatine | two violins (or two groups of violins) | Unpublished. |
Vocal | 79 | 1932 | Deux Mélodies | soprano and piano | 1. Words by Paul Verlaine 2. words by Prosper Blanchemain Published Paris: Éditions Max Eschig, plate no. M.E. 3694. Dedication: "A Mlle. Marguerite Breitner". |
Chamber | 80 | 1929 | Deuxième sonatine | violin or viola and piano | Published Paris: Proprieté de l'auteur. Dedication: "A Suzanne Chevaillier". |
Chamber | 81 | 1929 | Sonatine - Moderato assai
- Allegretto à la manière de Johannes Brahms
- Allegro à la manière de Félix Mendelssohn Bartholdy
| cello and piano | Published Paris: Proprieté de l'auteur. Dedication: "À Madeleine Monnier". |