Image |
Title |
Date |
Medium and size |
Other information |
Collection / Location |
 |
View of the Island of Itamaracá, Brazil [5] |
1637 |
- Oil on canvas,
63.5 × 89.5 cm
|
|
- Rijksmuseum, Amsterdam
- (on loan to the Mauritshuis, The Hague)

|
 |
The Old Portuguese Forte dos Reis Magos, or Fort Ceulen, at the Mouth of the Rio Grande [6] |
1638 |
- Oil on canvas,
62 × 95 cm
|
|
- Louvre,
- Paris

|
 |
The Ox Cart — Brazilian Landscape [7] |
1638 |
- Oil on canvas,
61 × 88 cm
|
|
- Louvre,
- Paris

|
 |
View of Frederiksstad in Paraíba, Brazil [8] |
1638 |
- Oil on canvas,
61 × 91.4 cm
|
|
- Fundación Cisneros,
- Caracas

|
 |
The Rio São Francisco and Fort Maurits, with a Capybara in the Foreground [9] |
1639 |
- Oil on canvas,
62 × 95 cm
|
|
- Louvre,
- Paris

|
 |
Landscape near Porto Calvo, with a Fig Tree in the Foreground [10] |
1639 |
- Oil on panel,
63 × 89 cm
|
|
- Louvre,
- Paris

|
 |
Fort Fredrik Hendrik |
1640 |
- Oil on canvas,
66 x 88 cm
|
Signed and dated ("F. Post 1640").[11] |
- Instituto Ricardo Brennand,
- Recife

|
 |
Landscape of Pernambuco |
c. 1644–1659 |
- Oil on panel,
34.3 × 47.3 cm
|
Unsigned.[12] |
- Museu Nacional de Belas Artes,
- Rio de Janeiro

|
 |
Church of Saints Cosmas and Damian in Igarassu |
c. 1644–1659 |
- Oil on panel,
33.4 × 41.4 cm
|
Signed ("F. Post").[12] |
- Museu Nacional de Belas Artes,
- Rio de Janeiro

|
 |
A village in Brazil [13] |
c. 1645–1680 |
- Oil on panel,
51.1 x 59.1 cm
|
|
- Royal Collection,
- London

|
 |
Brazilian landscape with Manoah's sacrifice [14] |
1648 |
- Oil on canvas,
167 x 193 cm
|
|
- Museum Boijmans Van Beuningen,
- Rotterdam

|
 |
Brazilian landscape with anteater [15] |
1649 |
- Oil on canvas,
53 × 69.4 cm
|
|
- Alte Pinakothek,
- Munich

|
 |
Brazilian landscape with an armadillo |
1649 |
- Oil on canvas,
53 x 69 cm
|
|
- Alte Pinakothek,
- Munich

|
 |
Paulo Afonso Falls |
1649 |
- Oil on panel,
58.5 × 46 cm
|
Signed and dated ("F. Post 1649").[16] |
- Museu de Arte de São Paulo,
- São Paulo

|
 |
Brazilian landscape |
1650 |
- Oil,
unknown dimensions
|
|
- Nederlands Scheepvaartmuseum,
- Amsterdam

|
 |
A Brazilian landscape [17] |
1650 |
- Oil on panel,
61 x 91.4 cm
|
|
- Metropolitan Museum of Art,
- New York

|
 |
View of Olinda |
c. 1650 |
- Oil on canvas,
90 × 122 cm
|
|
- Fundação Cultural Ema Gordon Klabin,
- São Paulo

|
 |
Ruins of the Mother Church of Olinda |
mid-17th century |
- Oil on canvas,
67.5 x 86.5 cm
|
|
- Private collection,
- Rio de Janeiro

|
 |
Landscape with chapel [18] |
mid-17th century |
- Oil on panel,
43.5 x 58.7 cm
|
. |
- Fundación Cisneros,
- Caracas

|
 |
Lowlands |
mid-17th century |
- Oil on panel,
38 × 57.2 cm
|
Unsigned.[12] |
- Museu Nacional de Belas Artes,
- Rio de Janeiro

|
 |
Sugar mill |
mid-17th century |
- Oil on canvas,
90.8 × 115.5 cm
|
Unsigned.[12] Contested authorship. |
- Museu Nacional de Belas Artes,
- Rio de Janeiro

|
 |
Village on a wooded plain [19] |
mid-17th century |
- Oil on panel,
46 × 75 cm
|
|
- Itaú Unibanco collection,
- São Paulo

|
 |
Landscape of Paraíba – Sugar mill with a river [20] |
mid-17th century |
- Oil on panel,
93 x 79cm
|
|
- Palácio Laranjeiras,
- Rio de Janeiro

|
 |
Landscape [21] |
mid-17th century |
- Oil on panel,
22.5 × 32.5 cm
|
|
- Museu do Estado de Pernambuco,
- Recife

|
 |
Landscape [21] |
mid-17th century |
- Oil on panel,
22.5 × 32.5 cm
|
|
- Museu do Estado de Pernambuco,
- Recife

|
 |
Franciscan monastery in Igaraçu |
mid-17th century |
- Oil on panel,
48 x 70 cm
|
|
- Historisches Museum,
- Frankfurt

|
 |
Sugar mill in Pernambuco |
17th century |
- Oil on panel,
50 × 74.5 cm
|
|
- Palácio Itamaraty,
- Brasília

|
 |
Village and a coconut tree |
17th century |
- Oil on canvas,
50.5 x 68 cm
|
Signed ("F.Post"). |
- Beatriz and Mário Pimenta Camargo collection,
- São Paulo

|
 |
Brazilian landscape with a procession of blacks |
17th century |
- Oil on panel,
48 x 65 cm
|
|
- Beatriz and Mário Pimenta Camargo collection,
- São Paulo

|
 |
Village |
17th century |
- Oil on canvas,
43.5 x 67 cm
|
|
- Beatriz and Mário Pimenta Camargo collection,
- São Paulo

|
 |
Church of Saints Cosmas and Damian in Igarassu |
17th century |
- Oil on panel,
39 × 48.5 cm
|
|
- Fundação Cultural Ema Gordon Klabin,
- São Paulo

|
 |
Sugar mill |
17th century |
- Oil on canvas,
67 × 89 cm
|
|
- Museu da Chácara do Céu,
- Rio de Janeiro

|
 |
Brazilian Landscape with the Monastery of Igaraçú |
17th century |
- Oil on panel,
55 x 69 cm
|
|
- Gemäldegalerie,
- Berlin

|
 |
View of Olinda |
c. 1650–1655 |
- Oil on panel,
79 x 111.5 cm
|
Signed ("F. Post").[12] |
- Museu Nacional de Belas Artes,
- Rio de Janeiro

|
 |
Ruins of the Mother Church of Olinda [22] |
c. 1650–1655 |
- Oil on panel,
45 x 70 cm
|
|
- Fundação Maria Luisa e Oscar Americano,
- São Paulo

|
 |
A Monastery of the Capuchin Fathers — The House of a Portuguese Nobleman [23] |
c. 1650–1655 |
- Oil on canvas,
101 x 136 cm
|
|
- Louvre,
- Paris

|
 |
A Sugar Mill Driven by a Small River [24] |
c. 1650–1655 |
- Oil on canvas,
117 x 167 cm
|
|
- Louvre,
- Paris

|
 |
The Home of a "Labrador" (Sugar Cane Planter) in Brazil (or The Village of Serinhaem) [25] |
c. 1650–1655 |
- Oil on canvas,
112 x 146 cm
|
|
- Louvre,
- Paris

|
 |
Three Different Houses, or "Homes of the Labradores who Plant Sugar" [26] |
c. 1650–1655 |
- Oil on canvas,
104x 130 cm
|
|
- Louvre,
- Paris

|
 |
Landscape in Brazil [27] |
1652 |
- Oil on canvas,
282.5 × 210.5 cm
|
|
- Rijksmuseum,
- Amsterdam

|
 |
Brazilian landscape ("Hacienda") |
c. 1652 |
- Oil on panel,
45 × 65 cm
|
|
- Landesmuseum Mainz,
- Mainz

|
 |
View of Mauritsstad and Recife [28] |
c. 1653 |
- Oil on panel,
48.2 x 83.6 cm
|
|
- Private collection,
- São Paulo

|
 |
Settlement in Brazil [29] |
1654 |
- Oil on panel,
51 x 70 cm
|
|
- Nederlands Scheepvaartmuseum,
- Amsterdam

|
 |
Wall with horses and slaves |
c. 1655 |
- Oil on panel,
19.5 x 19.5 cm
|
Unsigned. Probably a fragment of a larger painting.[30] |
- Instituto Ricardo Brennand,
- Recife

|
 |
Brazilian landscape with a worker's house [31] |
c. 1655 |
- Oil on panel,
47 × 62.9 cm
|
|
- Los Angeles County Museum of Art,
- Los Angeles

|
 |
Brazilian landscape with a house under construction [32] |
c. 1655–1660 |
- Oil on panel,
46 x 70 cm
|
|
- Mauritshuis,
- The Hague

|
 |
Brazilian landscape [33] |
1656 |
- Oil on panel,
41 x 59 cm
|
|
- Frans Hals Museum,
- Haarlem

|
 |
Plantation settlement in Brazil [34] |
1656 |
- Oil on panel,
36.9 x 54 cm
|
|
- Carmen Thyssen-Bornemisza collection, on deposit at the Museo Thyssen-Bornemisza,
- Madrid

|
 |
Brazilian landscape [35] |
1656 |
- Oil on panel,
59 × 94 cm
|
|
- Wadsworth Atheneum,
- Hartford, Connecticut

|
 |
Waterfall in the forest |
1657 |
- Oil on panel,
47 x 44 cm
|
Signed and dated ("F. Post 1657).[36] |
- Instituto Ricardo Brennand,
- Recife

|
 |
River crossing the lowlands |
1658 |
- Oil on canvas,
62 x 87,5 cm
|
Signed and dated ("F. Post 1658). |
- Beatriz and Mário Pimenta Camargo collection,
- São Paulo

|
 |
Brazilian landscape with the village of Igaraçú. To the left the church of Sts Cosmas and Damian [37] |
1659 |
- Oil on panel,
40 × 61 cm
|
|
- Rijksmuseum,
- Amsterdam

|
 |
Lowlands |
1659 |
- Oil on panel,
39 x 60 cm
|
Signed and dated ("F. Post 1659).[38] |
- Instituto Ricardo Brennand,
- Recife

|
 |
Huts |
1659 |
- Oil on panel,
34 × 51 cm
|
Signed and dated ("F. Post 1659").[12] |
- Museu Nacional de Belas Artes,
- Rio de Janeiro

|
 |
Village in the interior of Pernambuco [22] |
1660 |
- Oil on panel,
55 x 84 cm
|
|
- Fundação Maria Luisa e Oscar Americano,
- São Paulo

|
 |
Landscape in Brazil with Sugar Plantation [22] |
1660 |
- Oil on canvas,
87 x 113 cm
|
|
- Statens Museum for Kunst,
- Copenhagen

|
 |
View of a sugar mill |
c. 1660 |
- Oil on panel,
25.7 × 41.4 cm
|
Signed ("F. Post").[12] |
- Museu Nacional de Belas Artes,
- Rio de Janeiro

|
 |
Landscape with a boa |
c. 1660 |
- Oil on canvas,
119 × 172 cm
|
Signed ("F. Post").[39] |
- Museu de Arte de São Paulo,
- São Paulo

|
 |
Landscape |
c. 1660 |
- Oil on panel,
20 × 30 cm
|
Unsigned.[38] |
- Instituto Ricardo Brennand,
- Recife

|
 |
Village of Olinda, Brazil [40] |
c. 1660 |
- Oil on canvas,
82.5 × 130.81 cm
|
|
- Chazen Museum of Art,
- Madison, Wisconsin

|
 |
The Sugar Factory and Plantation of Engenho Real |
c. 1660 |
- Oil on panel,
71.5 x 91.5 cm
|
|
- Museum Boijmans Van Beuningen,
- Rotterdam

|
 |
Landscape with an antbear |
after 1660 |
- Oil on panel,
56 x 79 cm
|
Signed ("F. Post").[41] |
- Museu de Arte de São Paulo,
- São Paulo

|
 |
Rural landscape |
c. 1660–1667 |
- Oil on panel,
30 x 37 cm
|
Possibly a pendant of Ruins of Olinda, housed in the same collection.[22] |
- Fundação Maria Luisa e Oscar Americano,
- São Paulo

|
 |
Ruins of Olinda |
c. 1660–1667 |
- Oil on panel,
30 x 37 cm
|
Possibly a pendant of Rural landscape, housed in the same collection.[22] |
- Fundação Maria Luisa e Oscar Americano,
- São Paulo

|
 |
Landscape with river and forest [22] |
c. 1660–1667 |
- Oil on panel,
63 × 93 cm
|
|
- Fundação Maria Luisa e Oscar Americano,
- São Paulo

|
 |
Landscape with a front porch house [22] |
c. 1660–1667 |
- Oil on panel,
21 × 26.5 cm
|
|
- Fundação Maria Luisa e Oscar Americano,
- São Paulo

|
 |
Waterfall with indians [22] |
c. 1660–1667 |
- Oil on panel,
30 x 35 cm
|
|
- Fundação Maria Luisa e Oscar Americano,
- São Paulo

|
 |
River and village landscape |
c. 1660–1669 |
- Oil on panel,
35 x 89 cm
|
Signed ("F. Post").[42] |
- Instituto Ricardo Brennand,
- Recife

|
 |
Sugar mill |
c. 1660–1669 |
- Oil on panel,
50 x 69 cm
|
Signed ("F. Post"). Pendant of Village and chapel with portico, housed in the same collection.[43] |
- Instituto Ricardo Brennand,
- Recife

|
 |
Village and chapel with portico |
c. 1660–1669 |
- Oil on panel,
50 x 69 cm
|
Signed ("F. Post"). Pendant of Sugar mill, housed in the same collection.[44] |
- Instituto Ricardo Brennand,
- Recife

|
 |
Village and chapel with portico |
c. 1660–1669 |
- Oil on canvas,
54.5 x 70 cm
|
Signed ("F. Post").[45] |
- Instituto Ricardo Brennand,
- Recife

|
 |
View of the area around Olinda [46] |
c. 1660–1670 |
- Oil on panel,
43.7 x 59 cm
|
|
- Staatsgalerie Stuttgart,
- Stuttgart

|
 |
Brazilian landscape |
c. 1660–1670 |
- Oil on panel,
48.3 x 62.2 cm
|
Signed ("F. Post").[47] |
- National Gallery of Ireland,
- Dublin

|
 |
The Church of St. Cosmas and St. Damian and The Franciscan Monastery at Igaraçu, Brazil [48] |
c. 1660–1680 |
- Oil on panel,
2.8 x 58.8 cm
|
|
- Carmen Thyssen-Bornemisza collection, on deposit at the Museo Thyssen-Bornemisza,
- Madrid

|
 |
Sugar plantation |
1661 |
- Oil on panel,
43 x 48cm
|
|
- Beatriz and Mário Pimenta Camargo collection,
- São Paulo

|
 |
View of Olinda, Brazil [49] |
1662 |
- Oil on canvas,
107.5 × 172.5 cm
|
|
- Rijksmuseum,
- Amsterdam

|
 |
Brazilian landscape or Rural landscape in Brazil [50] |
1664 |
- Oil on panel,
34.3 x 41.3 cm
|
|
- John and Mable Ringling Museum of Art,
- Sarasota, Florida,

|
 |
Landscape with ruins of Olinda |
1664 |
- Oil on panel,
34.3 x 47.7 cm
|
Signed and dated ("F. Post 1664").[51] |
- Instituto Ricardo Brennand,
- Recife

|
 |
Ruins of the Mother Church of Olinda [52] |
c. 1665 |
- Oil on canvas,
86 x 114 cm
|
|
- Instituto Histórico e Geográfico Brasileiro,
- Rio de Janeiro

|
 |
Brazilian landscape [53] |
1665 |
- Oil on canvas,
56.2 x 83.5 cm
|
|
- Detroit Institute of Arts,
- Detroit

|
 |
Brazilian landscape [54] |
1665 |
- Oil on canvas,
46.8 × 62.1 cm
|
|
- Herbert F. Johnson Museum of Art,
- Ithaca, New York

|
 |
Landscape of Pernambuco with manor house |
1665 |
- Oil on panel,
59 x 94 cm
|
Signed and dated ("F. Post 1665").[41] |
- Museu de Arte de São Paulo,
- São Paulo

|
 |
Landscape with large tree to the right |
1665 |
- Oil on panel,
34 x 47 cm
|
Signed and dated ("F. Post 1665").[55] |
- Instituto Ricardo Brennand,
- Recife

|
 |
Landscape of Paraíba |
1665 |
- Oil on panel,
45 x 53 cm
|
Signed ("F. Post").[12] |
- Museu Nacional de Belas Artes,
- Rio de Janeiro

|
 |
View of the Ruins of Olinda, Brazil [56] |
1665 |
- Oil on canvas,
79.8 x 111.4 cm
|
|
- Museo Thyssen-Bornemisza,
- Madrid

|
 |
Landscape in Brazil [57] |
c. 1665–1669 |
- Oil on canvas,
66 x 88 cm
|
|
- Rijksmuseum,
- Amsterdam

|
 |
Sugar mill with a chapel [22] |
1667 |
- Oil on panel,
41 × 53 cm
|
|
- Fundação Maria Luisa e Oscar Americano
- São Paulo

|
 |
Landscape of Pernambuco – Indians hunting and fighting [20] |
1667 |
- Oil on panel,
57.8 x 72.5 cm
|
|
- Palácio Laranjeiras
- Rio de Janeiro

|
 |
Ipojuca Village [58] |
1667 |
- Oil on canvas,
45 × 59.7 cm
|
|
- Coleção de Arte da Cidade de São Paulo (on loan to the Pinacoteca do Estado de São Paulo),
- São Paulo

|
 |
Manor house on the lowlands |
1667 |
- Oil on canvas,
60 x 90 cm
|
Signed and dated ("F.Post 1667"). |
- Beatriz and Mário Pimenta Camargo collection,
- São Paulo

|
 |
Brazilian landscape [59] |
1667 |
- Oil on panel,
50 x 69 cm
|
|
- Joods Historisch Museum,
- Amsterdam

|
 |
River landscape in Pernambuco |
1668 |
- Oil on panel,
47 x 55 cm
|
Signed and dated ("1668 – F. Post").[41] |
- Museu de Arte de São Paulo,
- São Paulo

|
 |
Sugar mill |
c. 1670 |
- Oil on canvas,
52.5 x 66 cm
|
Unsigned.[60] |
- Instituto Ricardo Brennand,
- Recife

|
 |
Landscape on the Rio Senhor de Engenho, Brazil [61] |
c. 1670–1680 |
- Oil on panel,
22.5 × 28 cm
|
|
- Rijksmuseum,
- Amsterdam

|
 |
Brazilian landscape [62] |
c. 1670–1680 |
- Oil on panel,
22.5 × 28 cm
|
|
- Rijksmuseum,
- Amsterdam

|
 |
Village with church |
c. 1670–1680 |
- Oil on panel,
30 x 39.5 cm
|
Signed ("F. Post").[63] |
- Instituto Ricardo Brennand,
- Recife

|
 |
Village |
c. 1670–1680 |
- Oil on panel,
54.9 x 62.9 cm
|
Signed ("F. Post").[64] |
- Instituto Ricardo Brennand,
- Recife

|
 |
Northeastern Landscape |
c. 1670–1680 |
- Oil on panel,
7.9 x 11.4 cm
|
Signed ("F. Post").[65] |
- Instituto Ricardo Brennand,
- Recife

|
 |
Church Building in Brazil [66] |
c. 1675–1680 |
- Oil on panel,
16.5 × 25 cm
|
|
- Rijksmuseum,
- Amsterdam

|
 |
Brazilian Village [67] |
c. 1675–1680 |
- Oil on panel,
20.5 × 26.5 cm
|
|
- Rijksmuseum,
- Amsterdam

|